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They Might Be Giants release new live album “Beast Of Horns”!

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Music legends They Might Be Giants have returned with the release of a new live album “Beast of Horns”. Culled from recent touring, this new set of horn-oriented tracks captures the musical glory of TMBG’s expanded live format. Long celebrated for their electrifying shows, here we find the band joined by a virtual murderers row of horn talent with Stan Harrison on sax, Dan Levine on trombone and euphonium, and trumpet superstar Mark Pender (familiar to all from Conan O’Brien’s band). The album boasts 13 tracks including audience favorites “Doctor Worm,” “Museum of Idiots,” “The Darlings of Lumberland.”

TMBG’s Idlewild Recordings will not be releasing Beast of Horns on streaming platforms as a full-length album. Rather it is available on exclusive vinyl record, as a download, and on compact disc available from the TMBG Store and at brick-and-mortar record shops. Music streamers can enjoy a 4-song sampler at the service of their choice.

Also newly available is the 7-inch 45 vinyl featuring “Lazy,” TMBG’s recording of Irving Berlin’s classic 1924 song made in celebration of WNYC’s 100th anniversary as part of the station’sPublic Song Project. The 7-inch is backed with the track “Buckle Down, Winsocki” and is available for purchase here.

The band are also returning to the UK this November 2024 with their ‘An Evening With They Might Be Giants: Flood, BOOK and Beyond’ UK tour. Nine of the twelve dates across the country have already sold out and tickets are going fast for the remaining 3rd of November Shepherds Bush Empire London date and Southampton and Belfast shows, so don’t wait to book!

The shows will include two sets which span early favourites to songs from their new, Grammy-nominated album ‘BOOK’. TMBG’s superlative live band has now expanded to eight, with a three-piece horn section including trumpet virtuoso Mark Pender from the Conan show. This once-in-a-lifetime show is guaranteed to delight!

Tickets for ‘An Evening With They Might Be Giants: Flood, BOOK and Beyond’ shows are available hereMusic legends They Might Be Giants have returned with the release of a new live album “Beast of Horns”. Culled from recent touring, this new set of horn-oriented tracks captures the musical glory of TMBG’s expanded live format. Long celebrated for their electrifying shows, here we find the band joined by a virtual murderers row of horn talent with Stan Harrison on sax, Dan Levine on trombone and euphonium, and trumpet superstar Mark Pender (familiar to all from Conan O’Brien’s band). The album boasts 13 tracks including audience favorites “Doctor Worm,” “Museum of Idiots,” “The Darlings of Lumberland.”

TMBG’s Idlewild Recordings will not be releasing Beast of Horns on streaming platforms as a full-length album. Rather it is available on exclusive vinyl record, as a download, and on compact disc available from the TMBG Store and at brick-and-mortar record shops. Music streamers can enjoy a 4-song sampler at the service of their choice.

Also newly available is the 7-inch 45 vinyl featuring “Lazy,” TMBG’s recording of Irving Berlin’s classic 1924 song made in celebration of WNYC’s 100th anniversary as part of the station’sPublic Song Project. The 7-inch is backed with the track “Buckle Down, Winsocki” and is available for purchase here.

The band are also returning to the UK this November 2024 with their ‘An Evening With They Might Be Giants: Flood, BOOK and Beyond’ UK tour. Nine of the twelve dates across the country have already sold out and tickets are going fast for the remaining 3rd of November Shepherds Bush Empire London date and Southampton and Belfast shows, so don’t wait to book!

The shows will include two sets which span early favourites to songs from their new, Grammy-nominated album ‘BOOK’. TMBG’s superlative live band has now expanded to eight, with a three-piece horn section including trumpet virtuoso Mark Pender from the Conan show. This once-in-a-lifetime show is guaranteed to delight!

Tickets for ‘An Evening With They Might Be Giants: Flood, BOOK and Beyond’ shows are available here

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Phoebe June Traces Love, Distance and Heartbreak on New EP ‘Kiss Me Over The Garden Gate’

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For Phoebe June, some stories are easier to tell through music.

Her new EP, ‘Kiss Me Over The Garden Gate’, is an intimate collection that traces the emotional journey of a relationship from the exhilaration of falling in love to distance, uncertainty, heartbreak and, ultimately, learning to let go.

Inspired by artists including Gracie Abrams, Taylor Swift and Phoebe Bridgers, Phoebe June combines diary-like lyricism with melancholic ballads, subtle uptempo moments and an understated, emotionally honest production style.

At the centre of the project is ‘Thursday’, a bittersweet track about loving someone from a distance and holding onto the hope that the connection might survive.

Written after Phoebe left a country that held deep personal meaning, and left someone she cared about behind, the song looks back at the relationship from its beginning. Even its title is personal: the two first met on a Thursday.

The song captures the complicated feeling of walking away from something meaningful without believing that it necessarily has to be over. It’s about distance, memory and the possibility of finding your way back to someone, while recognising that hope only works when it goes both ways.

Across six tracks, the EP develops that story in sequence.

‘Everything You Are’ opens the project with the warmth of new love, while ‘Dead Sea’ explores the security of finding someone who helps you stay afloat through difficult times. As the story progresses, ‘Thursday’ introduces separation before ‘Getaway Car’ moves into the aftermath; unanswered questions, lingering attachment and the realisation that someone can profoundly affect your life while still being unhealthy for you.

‘One Day’ leaves the door open to the possibility of a future reunion, balancing hope with the understanding that some relationships may only exist in memory.

The EP closes with ‘Ophelia’, its emotional breaking point. Inspired in part by Friedrich Heyser’s painting of the same name, the track confronts the pain of feeling manipulated and unappreciated after giving everything to someone else.

The result is a project that deliberately moves from light to dark. Phoebe June considered not only the narrative but the emotional progression when sequencing the EP, allowing the brightness of its opening to gradually give way to the heartbreak of its closing moments.

Even the title reflects that feeling.

‘Kiss Me Over The Garden Gate’ takes its name from a flower, with the image of a gate separating two people becoming a metaphor for a love that remains beautiful but just out of reach. To reach over it requires effort, just as maintaining a connection across distance, uncertainty and changing circumstances does.

Ultimately, Phoebe June isn’t interested in simply documenting her own heartbreak.

She wants listeners to recognise themselves in it.

‘Kiss Me Over The Garden Gate’ is a collection about love, nostalgia, hope and regret and about what remains when something beautiful ends up on the other side of the gate.

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