We Speak Music
Tropical mutant punk funk duo Tetine release “Music For Breathing”
“Music For Breathing” is the brand new single by the tropical mutant punk funk duo Tetine taken from their new album After the Future – out now on Slum Dunk Music.
Formed by Brazilian musicians/artists Bruno Verner, Eliete Mejorado and cellist Yoko Afi, Tetine have been producing a series of singular works intersecting electronic music, performance art, film/video, and spoken word, and acting in experimental contexts both in the music and art scenes since their creation in São Paulo in 1995.
“Music For Breathing” is a dreamy electro-acoustic meditation for cello, treated voices, electronics, and organ, dedicated to our planetary ecosystem in erosion. “Music For Breathing” dwells on such complex relationships motivated by a strong desire for collective change, a shift towards a greater understanding of the cosmos without the need to produce for ‘progress’. The track also comes with “Spaced Out in Paradise”, a washed out, hypnotic melancholic track sung by Yoko and Bruno as they search for another planetary contact.
Stream TETINE’s latest album “After The Future” now here: https://open.spotify.com/album/1cPPymclUihI1oNdsKopST?si=yxUCdht6TE6iijLA4HTKHw
TETINE play London’s Rich Mix on 19th Jan 2024. Find out more and get tickets here: https://richmix.org.uk/events/tetine-music-for-breathing/

We Speak Music
Phoebe June Traces Love, Distance and Heartbreak on New EP ‘Kiss Me Over The Garden Gate’
For Phoebe June, some stories are easier to tell through music.
Her new EP, ‘Kiss Me Over The Garden Gate’, is an intimate collection that traces the emotional journey of a relationship from the exhilaration of falling in love to distance, uncertainty, heartbreak and, ultimately, learning to let go.
Inspired by artists including Gracie Abrams, Taylor Swift and Phoebe Bridgers, Phoebe June combines diary-like lyricism with melancholic ballads, subtle uptempo moments and an understated, emotionally honest production style.
At the centre of the project is ‘Thursday’, a bittersweet track about loving someone from a distance and holding onto the hope that the connection might survive.
Written after Phoebe left a country that held deep personal meaning, and left someone she cared about behind, the song looks back at the relationship from its beginning. Even its title is personal: the two first met on a Thursday.
The song captures the complicated feeling of walking away from something meaningful without believing that it necessarily has to be over. It’s about distance, memory and the possibility of finding your way back to someone, while recognising that hope only works when it goes both ways.
Across six tracks, the EP develops that story in sequence.
‘Everything You Are’ opens the project with the warmth of new love, while ‘Dead Sea’ explores the security of finding someone who helps you stay afloat through difficult times. As the story progresses, ‘Thursday’ introduces separation before ‘Getaway Car’ moves into the aftermath; unanswered questions, lingering attachment and the realisation that someone can profoundly affect your life while still being unhealthy for you.
‘One Day’ leaves the door open to the possibility of a future reunion, balancing hope with the understanding that some relationships may only exist in memory.
The EP closes with ‘Ophelia’, its emotional breaking point. Inspired in part by Friedrich Heyser’s painting of the same name, the track confronts the pain of feeling manipulated and unappreciated after giving everything to someone else.
The result is a project that deliberately moves from light to dark. Phoebe June considered not only the narrative but the emotional progression when sequencing the EP, allowing the brightness of its opening to gradually give way to the heartbreak of its closing moments.
Even the title reflects that feeling.
‘Kiss Me Over The Garden Gate’ takes its name from a flower, with the image of a gate separating two people becoming a metaphor for a love that remains beautiful but just out of reach. To reach over it requires effort, just as maintaining a connection across distance, uncertainty and changing circumstances does.
Ultimately, Phoebe June isn’t interested in simply documenting her own heartbreak.
She wants listeners to recognise themselves in it.
‘Kiss Me Over The Garden Gate’ is a collection about love, nostalgia, hope and regret and about what remains when something beautiful ends up on the other side of the gate.
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