We Speak Music
Unstoppable dancehall figure Blaiz Fayah teams up with Martinician beatmaker Mikado for ‘Ring Ring’
Following the highly acclaimed release of his album ‘Shatta Ting’, the unstoppable dancehall figure Blaiz Fayah, who performed for DJ AG live in Kings Cross this week, unveils a bonus single, ‘Ring Ring’!
With a sharp and powerful production by Martinican beatmaker Mikado (Alpha, So Coman, Ou Pani), the track combines Blaiz’s signature flow and a catchy hook written by Specta, which come together perfectly in this huge shatta track which will keep dancehall fans whining!
‘Money Pull Up’, from the album is still going viral and has already accumulated billions of views and generated more than 1 million user generated content on Tiktok in 2 months. The track earns 10k daily from a dance challenge that turned into a global trend within just a few weeks. See here.
As influencers and enthusiastic fans all around the world join the challenge of busting some serious moves to this sizzling dancehall banger, the popularity of the track has earned it the #1 spot on the reggae / dancehall chart on Shazam, over 28 million streams on Spotify with more than 400k streams in one day and the track’s video on Youtube has surpassed 9 million views. Read Blaiz’ interview about the track with Billboard here.
With his unique style, Blaiz Fayah is experiencing growing success across the globe, from Colombia to Kenya, the Netherlands, Costa Rica, and France, where he hails from. With ‘Money Pull Up’ leading his current wave of success, Blaiz currently boasts over 3 million monthly listeners and 320 million views on YouTube.
If you’re not already familiar, Blaiz Fayah emerged as a Dancehall revelation in 2018 with his hit ‘Best Gyal’, taken from the album ‘Level Up’. Between 2020 and 2023, he released the ‘Mad Ting’ series, three albums featuring collaborations with beatmakers like DJ Glad and Mafio House, with whom he has consistently delivered hits. Through this series, Blaiz Fayah showcased his diverse influences, blending elements of Dancehall, Kompa, Moombahton, Reggae, Shatta, and Zouk into his music.
Simultaneously, he has collaborated with Basshall Records, delivering some of the Dutch label biggest hits, including ‘Bad’, ‘Pon Di Ting’, ‘Pilot’, ‘Basshall Session #3’, and more recently, ‘Badman Party’. Alongside Kybba, head of Basshall Records, Blaiz Fayah has become a driving force behind the Shatta wave sweeping the international scene.
‘Shatta Ting’ features collaborations with top-tier Martinican beatmakers such as DJ Glad, Mafio House, Gyzmo, Natoxie, Mikado, Bmad, as well as Kybba, Tribal Kush, and Limitlezz from the Basshall Records roster. Over the years, Blaiz Fayah has built a strong artistic connection with these accomplished producers, whose composition forms the foundation of each of his tracks.
‘Shatta Ting’ also includes two standout collaborations: the “bad queen” Maureen on ‘Money Pull Up’, and the rising star of the new generation of Martinican artists, Le Jèm’ss, on ‘Whole A Dem’. It was actually with a track by Le Jèm’ss that Blaiz Fayah launched his own label, Mad Ting Records, in late 2024.
To accompany the release of ‘Shatta Ting’, Blaiz Fayah will embark on an international tour with his musicians and dancers, performing in France, Europe, Canada, Latin America, and East Africa. The tour will culminate in a special gig at the iconic Olympia Hall in Paris on January 31, 2026, promising a brand-new show, fresh arrangements, and plenty of surprises!
Reece Rosé is not trying to reinvent the wheel. He is here to remind you why it worked in the first place. With “Misbehaving”, the rising electronic artist taps into something instantly familiar, then flips it into a feel-good house cut that lands right where nostalgia meets the dancefloor.
Teaming up with Capri Everitt, Reece Rosé leans into warm textures and groove-driven production that echo the roots of early ’90s house and UK garage. The result is effortless but intentional. Smooth chords, playful rhythms, and just enough bounce to keep things moving without overcomplicating the mood.
“Misbehaving” plays like a memory you did not realize you still had. Late nights, no responsibilities, music loud enough to blur everything else. It pulls from that space where time felt slower but nights somehow lasted longer. “It’s a reminder of those carefree high school days, when life felt simple, the nights felt endless, and the only thing that mattered was the music and the memories we were making,” Rosé explains. And that feeling runs through every second of the track.
What makes it click is that it never gets stuck in the past. The influences are clear, but the execution stays sharp and current. This is not revival for the sake of it. It is a continuation. Rosé understands the DNA of dance music and builds on it, keeping the energy light, summery, and forward-facing.
That balance is quickly becoming his signature. With international airplay on Kiss FM UK and Insomniac Radio, plus support from names like AC Slater, Zeds Dead, Boombox Cartel, DJ Q, REH4B, and DJ Craze, his momentum is building in all the right places. On Beatport, his releases are already making noise, proving that his sound connects both in clubs and beyond.
“Misbehaving” does not try too hard. It does not need to. It is light, nostalgic, and built to move. The kind of track that makes you look back for a second, then pulls you straight into the moment.
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