We Speak Music

Waithaka: A 20-Year Legacy of Elevating African Music

Published

2 years ago

September 10, 2024

Celebrating two decades of profound influence in the music industry, US-based Kenyan producer, artist, and composer Waithaka marks a milestone with the release of his latest album, Soul’d Duets. This R&B and soul project not only showcases his artistic evolution but also reaffirms his unwavering dedication to crafting timeless music that resonates across generations and borders.

Waithaka’s journey from a budding pianist in the early 2000s to a globally respected music producer is a testament to his passion, resilience, and forward-thinking vision. His label, Waithaka Ent, serves as a cornerstone for nurturing African talent, bolstering the careers of numerous artists and contributing to the vibrant cultural exchange between Kenya and the world.

The Evolution of a Visionary

Waithaka’s musical trajectory has been defined by his versatility and commitment to creating a diverse catalogue. His debut album, Odes by Queens (2020), set the tone for his approach—centering strong female voices in his productions. The collaborative project BLK2541 (2020) further pushed the boundaries of African music, while his recent joint album, Moshi (2024), with Zimbabwean artist MJ Wemoto, highlights his ability to blend traditional African sounds with modern influences. Each project reflects Waithaka’s love for storytelling through music and his desire to elevate the African narrative on a global stage.

Soul’d Duets: A Masterclass in R&B and Soul

Waithaka’s latest release, Soul’d Duets, is an artistic triumph that beautifully blends R&B and soul with his signature touch of innovation. The album features an array of vocalists, each carefully selected to create dynamic and emotional duets that pull the listener into an immersive soundscape. The lead single, “I Surrender,” is a standout—featuring the hauntingly beautiful vocals of Zaituni Wambui, accompanied by the award-winning saxophonist Kimbassax. The track captures the essence of the album, blending rich instrumentation with heartfelt emotion.

This project is more than just an album—it’s a celebration of Waithaka’s 20-year journey, a tribute to the artists he has worked with, and a reflection of his deep connection to the R&B and soul sounds that have shaped his life.

A Champion for African Talent

Beyond his personal projects, Waithaka has made a significant impact on Kenya’s music scene through his role as an executive producer. He has been instrumental in the careers of several prominent Kenyan artists, including Kwame Rĩgĩi, whose EPs Rugendo, Malkia, and Cama Wendo bear Waithaka’s production stamp. He also produced five of the nine tracks on Wangechi’s Don’t Consume If Seal is Broken EP, showcasing his ability to seamlessly blend genres and create sonic depth.

Waithaka’s work extends beyond Kenya, with collaborations that include Grammy-nominated engineer Giggz, Congolese-French musician Kaysha, and BET’s 106 & Park All-Star ’09 winner Chris Deshield. His influence on the global music scene has made him a sought-after producer, not just for his technical skill, but for his ability to bring out the best in every artist he works with.

A Legacy of Timeless Music

As he reflects on his two-decade-long career, Waithaka continues to stay true to his mantra: “Music is Life & Life is Music.” His sound—rooted in the R&B and soul of the 80s—serves as a reflection of his personality: deep, introspective, and full of heart. With Soul’d Duets, Waithaka solidifies his legacy as an artist and producer who not only champions African talent but also bridges cultural divides through the universal language of music.

As Waithaka continues to evolve, his impact on the music industry—both in Kenya and globally—remains undeniable. With his label, Waithaka Ent, at the forefront of supporting African artists, he is set to shape the future of African music for years to come.

We Speak Music

Mané’s ‘The Goddess in the Room’ Turns Self-Discovery Into Sonic World-Building

Published

5 hours ago

June 2, 2026

Philomena Marie

There is a remarkable sense of intention running through The Goddess in the Room, the latest project from Swiss artist Mané. Blending alternative electronic pop with ritualistic percussion and spiritual symbolism, the album presents itself as both a personal statement and a carefully constructed narrative. Across its nine tracks, Mané explores identity, healing, queerness, and empowerment with impressive clarity of vision.

The opening track, “The GODDESS in the Room,” functions as both invitation and thesis statement. It introduces listeners to a world where intuition and self-trust become guiding principles, while establishing the atmospheric production style that shapes much of the record. The song’s spacious arrangement creates room for reflection, a quality that becomes one of the album’s defining characteristics.

That introspection deepens on “perles de sang” and “sappho.” The former grapples with inherited pain and bodily experience, while the latter offers a moving celebration of queer identity. Throughout these songs, Mané avoids reducing complex themes to slogans, instead allowing emotional nuance to emerge through carefully crafted songwriting and evocative imagery.

Musically, the album reaches some of its most intriguing moments on “)O(” and “moonstones.” Both tracks highlight Mané’s growing confidence as a sonic architect, blending electronic textures with organic rhythmic elements inspired by shamanic practice. The resulting sound feels immersive and transportive without losing its emotional immediacy.

Meanwhile, “j’serai tjr là” and “chocolate con sangre” provide some of the record’s most vulnerable moments. Here, Mané strips back some of the conceptual grandeur to focus on connection, memory, and emotional endurance. These songs reveal an artist equally capable of intimate storytelling and ambitious world-building.

The penultimate track, “Witches,” injects a surge of collective energy into the album’s narrative. Drawing on themes of resistance and feminine power, it stands as one of the project’s most direct statements while retaining its atmospheric sophistication. It is both politically resonant and emotionally charged.

By the time “ALIGNED” closes the record, the journey feels complete. Not because all questions have been answered, but because the search itself has become meaningful. The Goddess in the Room succeeds through its commitment to authenticity and vision, establishing Mané as an artist unafraid to follow her own path, wherever it may lead.

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