'Top 5' Weekly Music Round-Up
We Speak Media | ‘Top 5’ Weekly Music Round-Up (16.08.24)
Find the latest new music in our ‘Top 5’ weekly music round-up here at We Speak Media. In this weekly feature, we will be bringing you the hottest new acts and music out there.
Brown_buddha ‘Big Buddha’
In the current music landscape, Brown Buddha stands out as a visionary musician who deftly crafts a distinctive story by fusing his urban and Caribbean heritage with modern inventiveness. His music presents a dynamic blend of rhythms and emotive melodies, and is rich in cultural influences and introspective themes of identity, social justice, and human connection. His most recent release, “big buddha,” is a perfect example of his creative style; it combines gritty, raw hip-hop with contemporary trap music. Brown_buddha is a unique and interesting voice in the business because of his ability to tell captivating stories via his music and transcend genres.
The Lower Aetna ‘Blood Moon’
Fast-rising group The Lower Aetna are back with their breezy new song “Blood Moon,” following up their highly acclaimed 2022 debut album “Waiting For God To Turn On The Lights” with their amazing return releases “Carny Song” and “Last Girl Standing.” ‘Blood Moon’ is a stunning comeback for them, capturing even more of that cosy and captivating atmosphere for which they have been known over the years. They are back with one of their most powerful songs to date, full of sweeping atmosphere, shimmering rich textures, and outstanding voices layered throughout.
Holy Basil ‘The Outside’
Australian musician Holy Basil is back with her captivating new tune “The Outside,” after her stunning debut singles “Creative Queen” and “Over The Edge” earlier this year. Counting to delve more into that deep and glistening alt-pop sound that she is rapidly becoming known for, ‘The Outside’ is a daring and captivating listen. She is maintaining her ascent to become one of the most intriguing names in the industry right now, with her sweeping vocals dispersed amid a melancholic composition.
Aistis ‘Clay’
The most recent release by Lithuanian-Canadian musician Aistis is titled “Clay.” While the finishing touches were being made on his impending album, “Caviar For Seagulls,” an 11-song alternative folk album sprang to life. “Clay” will astound listeners with his examination of the cyclical nature of complex relationships through a combination of fact and fiction. He will do this by creating an ambient soundscape of a character entangled in love complexity.
Will Bates ‘The Pirate Album’
British composer Will Bates has unveiled his latest project, The Pirate Album, a vibrant collection born from an unexpected turn of events. Known for his extensive work in soundtracks and diverse musical ventures, Bates initially received a commission for a new project. Embracing the opportunity, he brought in a fifteen-foot-long balafon, with percussionist Mathias Kunzli adding his expertise. However, when the commission was unexpectedly cancelled, Bates chose to press on, assembling a talented ensemble including London-based jazz musician Quentin Collins and his long-time drummer Spencer Cohen. The resulting album, reminiscent of Eden Ahbez and Talking Heads, showcases Bates’ unique, genre-blending creativity.
Find the latest new music in our ‘Top 5’ weekly music round-up here at We Speak Media. In this weekly feature, we will be bringing you the hottest new acts and music out there.
Laughing Cats ‘Jerk’
“Jerk,” the latest single from Laughing Cats, is a testament to the duo’s ability to transform classic influences into something wholly original. Lauren Schiff’s poignant lyrics tell a story of self-realization, while Tony Fredianelli’s musicianship delivers a punchy, melodic backdrop. The song’s roots in rock and new wave make it a nostalgic delight, but the duo’s inventive approach injects it with contemporary relevance. The introspective nature of “Jerk” and its anthemic message suggest Laughing Cats’ debut album, Funny Money, will be an album for fans who appreciate both the soul of classic rock and the allure of new-age sounds.
Longplayer ‘I Saw You Turning Around’
With “I Saw You Turning Around,” Mikey Long redefines the boundaries of contemporary rock through his solo project, Longplayer. The song intricately weaves a narrative of reflection and closure, inspired by an unexpected encounter with an ex-lover. The lush instrumentation, reminiscent of George Harrison’s work, is complemented by carefully crafted guitar layers that enhance the emotional weight of the lyrics. Long’s collaboration with Jay Watson brings an added rhythmic vitality to the track, while Shags Chamberlain’s synth contributions create an immersive listening experience. This single is a beautifully crafted piece that showcases Long’s growing prowess as a songwriter and producer.
Amelie Aldner ‘Touch Me’
Set against the lush, emotive backdrop of her Scandinavian roots, Amelie Aldner’s new single ‘Touch Me’ is an alluring glimpse into Aldner’s upcoming album, anticipated for release in 2025. ‘Touch Me’ shines with Aldner’s trademark style—gentle, layered vocals and deeply personal lyrics, inviting listeners to explore themes of intimacy and connection. With subtle gospel undertones, ‘Touch Me’ steps outside conventional pop, blending soul with a timeless warmth. Aldner’s emotional delivery is matched by a seamless fusion of folk, soul, and gospel sounds, showcasing her ability to create music that feels both deeply personal and universally relatable
ION ‘You Hear Her Too?’
ION’s new single “You Hear Her Too?” unfolds as a captivating exploration of the duality of witchcraft, presenting two contrasting perspectives in a seamless musical journey. The first part immerses listeners in the inner sanctum of witches, portraying them as benevolent healers deeply attuned to nature and its spirits. In stark contrast, the second half exposes the long-held societal perceptions that depict witches as malevolent and insane, creating a powerful commentary on the tension between acceptance and fear. The track masterfully blends alternative and ambient soundscapes with intense moments, inviting listeners to grapple with the choice of dismissing these voices as mere delusion or embracing the rich, mystical reality they have inhabited for centuries. In doing so, ION challenges us to reconsider our understanding of the occult and its profound connection to the human experience.
Kendra & The Bunnies ‘Manic Pixie Nightmare’
Kendra & the Bunnies’ latest release, “Manic Pixie Nightmare,” is a fierce commentary on self-identity and a sonic rebellion against the “manic pixie dream girl” stereotype. Kendra Muecke’s storytelling shines, as she narrates a journey of breaking free from the confining labels placed upon women, delivering a fresh perspective that’s refreshingly authentic. Her raspy, soulful voice carries an almost cathartic energy, blending seamlessly with the edgy instrumentals to evoke a sense of liberation and power. Set against the Los Angeles subway, the music video brings this ethos to life, showing Muecke at home among the city lights and chaos, unapologetically owning her individuality. “Manic Pixie Nightmare” is a manifesto for anyone ready to find themselves beyond the expectations and to “live for the plot.”
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