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Will Foulke Shines With Confidence In New Album ‘Let’s Try Again’

Published

2 months ago

April 2, 2026

With Let’s Try Again, Will Foulke steps confidently into his role as a modern torchbearer for classic songwriting. The 13-track album blends rock, pop, and blues into a polished yet heartfelt collection that wears its influences proudly while carving out its own identity.

From the opening moments, it’s clear that Foulke understands the power of melody. Songs like “Roll It To Me” and “Take A Little Time” glide forward with an easy charm, anchored by tight arrangements and memorable hooks that feel built for repeat listens.

At the centre of the record is Foulke’s guitar work—fluid, expressive, and deeply rooted in the blues tradition that first inspired him. But this isn’t a showcase of technicality for its own sake. Every solo, every flourish, serves the song, reinforcing the emotional weight behind the lyrics.

There’s a warmth to the production that gives the album its inviting feel. Co-produced with Elliott Elsey and mastered by Vlado Meller, the record balances clarity with richness, allowing each instrument, from Noah James’ keys to Alex Brouwer’s drums, to shine without overwhelming the mix.

Lyrically, Foulke leans into themes of love, loss, and redemption, delivering them with a sincerity that never feels overstated. The title track stands out as a mission statement, capturing the push-and-pull of trying again even when the outcome is uncertain.

In a landscape often driven by trends, Let’s Try Again feels refreshingly grounded. It’s a record that values craftsmanship, connection, and the timeless appeal of a well-written song, and that’s exactly what makes it resonate.

“With Let’s Try Again, Will has crafted an album that is both deeply personal and universally relatable. His blend of rock, pop, and blues creates a sound that is unmistakably his own, while his storytelling captures the raw emotion of heartbreak, resilience, and hope. Every track invites listeners to feel, reflect, and move forward with him,” notes Danielle Holian, Decent Music PR, publicist for Will Foulke.

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We Speak Music

Mané’s ‘The Goddess in the Room’ Turns Self-Discovery Into Sonic World-Building

Published

5 hours ago

June 2, 2026

Philomena Marie

There is a remarkable sense of intention running through The Goddess in the Room, the latest project from Swiss artist Mané. Blending alternative electronic pop with ritualistic percussion and spiritual symbolism, the album presents itself as both a personal statement and a carefully constructed narrative. Across its nine tracks, Mané explores identity, healing, queerness, and empowerment with impressive clarity of vision.

The opening track, “The GODDESS in the Room,” functions as both invitation and thesis statement. It introduces listeners to a world where intuition and self-trust become guiding principles, while establishing the atmospheric production style that shapes much of the record. The song’s spacious arrangement creates room for reflection, a quality that becomes one of the album’s defining characteristics.

That introspection deepens on “perles de sang” and “sappho.” The former grapples with inherited pain and bodily experience, while the latter offers a moving celebration of queer identity. Throughout these songs, Mané avoids reducing complex themes to slogans, instead allowing emotional nuance to emerge through carefully crafted songwriting and evocative imagery.

Musically, the album reaches some of its most intriguing moments on “)O(” and “moonstones.” Both tracks highlight Mané’s growing confidence as a sonic architect, blending electronic textures with organic rhythmic elements inspired by shamanic practice. The resulting sound feels immersive and transportive without losing its emotional immediacy.

Meanwhile, “j’serai tjr là” and “chocolate con sangre” provide some of the record’s most vulnerable moments. Here, Mané strips back some of the conceptual grandeur to focus on connection, memory, and emotional endurance. These songs reveal an artist equally capable of intimate storytelling and ambitious world-building.

The penultimate track, “Witches,” injects a surge of collective energy into the album’s narrative. Drawing on themes of resistance and feminine power, it stands as one of the project’s most direct statements while retaining its atmospheric sophistication. It is both politically resonant and emotionally charged.

By the time “ALIGNED” closes the record, the journey feels complete. Not because all questions have been answered, but because the search itself has become meaningful. The Goddess in the Room succeeds through its commitment to authenticity and vision, establishing Mané as an artist unafraid to follow her own path, wherever it may lead.

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