Connect with us

We Speak Music

XCVIII Delivers Reflective EP ‘Till Next Time’

Published

on

XCVIII mark a thoughtful pause in their evolving narrative with Till Next Time, a reflective EP that balances art-pop sophistication with alternative-rock edge. The Detroit band blends cinematic textures with intimate songwriting, evoking the emotional resonance of Radiohead and the experimental curiosity of Mk.gee, while maintaining a style that feels uniquely theirs.

The EP arrives as the band navigates a period of change, including lineup adjustments and the launch of their independent label and restaurant, Crazy Charlie’s. Each song embodies the tension between loss and hope, vulnerability and ambition, capturing a moment of reflection before the full-scale ambition of their debut album unfolds.

Guided by their “Dreamsreality” philosophy, XCVIII use Till Next Time as both a pause and a promise. Co-produced by Kevin Joseph and Tristan Johnson, the release showcases a collaborative spirit and a keen sense of musical detail. The result is a concise, compelling snapshot of a band refining its voice and laying the groundwork for what comes next.

Instagram, TikTok, Spotify, YouTube, Website

Continue Reading
Advertisement

We Speak Music

Col Darcy Unveils New Single ‘Pay Up’

Published

on

Col Darcy’s ‘Pay Up’ arrives with the calm authority of an artist who has already learned that longevity is its own form of victory. The second single from ‘Redemption’, his forthcoming album, is a composed piece of independent hip-hop that places persistence, ambition and personal conviction at its centre. Rather than presenting success as spectacle, Darcy approaches it as something accumulated slowly, through experience, discipline and faith in one’s own direction.

That sense of earned perspective has been central to Darcy’s work from the beginning. As Caper, he drew national attention with ‘How Would You Like To Be Me?’, a politically charged anti-racism song whose influence eventually extended into cinema. Alongside ‘Opportunity’, the track appeared in Netflix’s A Second Chance: Rivals!, bringing Darcy’s writing to an audience well beyond the usual confines of Australian hip-hop. Yet his subsequent career has remained grounded in independence, with the acclaimed ‘Beautiful Hopeless’ further establishing his commitment to thoughtful writing and considered craft.

‘Pay Up’ continues that trajectory while revealing an artist interested in the emotional economics of perseverance. Darcy writes from the perspective of someone who has experienced the slow rewards of staying the course. The lyrics use sharp wordplay and layered metaphor to turn a familiar idea into something more personal. His delivery is particularly effective for its restraint. There is no need to overstate the message when the voice behind it sounds as though it has lived through the argument already.

The song also reflects the wider concerns of ‘Redemption’, a record shaped by travel, fatherhood, gratitude and renewed self-awareness. Much of the album was recorded in Bali, and the island’s atmosphere reportedly helped cultivate its more contemplative dimensions. That background lends ‘Pay Up’ an intriguing duality. It is a song about ambition, but not restless ambition. Its confidence feels less like hunger for external validation and more like an acceptance that the journey itself has meaning.

What emerges is a track that understands hip-hop as both music and testimony. Darcy’s influences, from Tupac Shakur and Eminem to Kendrick Lamar, belong to a lineage in which personal narrative can become social observation and self-examination can become communal language. ‘Pay Up’ honours that tradition while remaining contemporary in its presentation. As a statement of intent for ‘Redemption’, it suggests an artist who has found greater clarity without sacrificing his edge, and who understands that the most durable kind of success is the kind you build yourself.

Continue Reading

Trending