We Speak Music
YFN Lucci’s Debut Album ‘Ray Ray From Summerhill’ [Stream Here]
As the owner of the “key To The Streets,” no one can tell YFN Lucci anything about his grueling hustle to get to the top. After dominating the airwaves with his PnB Rock assisted “Everyday We Lit” last year, the Atlanta native has been teasing his major label debut for some time. Warm-up projects like Freda’s Son held down the fans for a bit, but the EP served as the perfect prelude to his first album, Ray Ray From Summerhill via Think It’s A Game/Warner Bros. Records Inc
The 20-track LP holds dank solo tracks like “Down,” in which he channels his inner Dipset, and fresh collaborations with T.I., Offset, Dreezy, YFN Trae Pound and more. Lucci also calls on MMG’s Meek Mill to embrace their roles as “Street Kings” and Atlantic Records’ former signee Wale, who throws down “too much” sauce as a free agent. Although he’s signed to Think It’s A Game/Warner Bros, Lucci has already expressed his frustrations about the downfalls being signed. Hours before the album was set to drop, YFN took to Instagram tell us how he really feels about his label situation.
Despite the angry outburst, YFN Lucci’s album is available everywhere music is sold. Stream it via Apple Music below.
“Balancing Act” by Vinyl Floor is a real treat. It is the sixth record from brothers Daniel and Thomas Charlie Pedersen sounds like it was made for right now and how they blend the ’60s and ’70s with modern elements never feels forced.
The production is clear and thoughtful. Every string, every horn, every vintage keyboard has space to exist. “Puppet Laureate” opens strong with real energy, while “The Swan of Eileen Lake” catches you off guard with folk warmth. “Adelaide” might be the best track, built on a lovely piano line with vocals that cut through cleanly. No hiding behind effects here.
The title track closes things out with the reflection the album’s been working toward. The core idea of finding hope in a fractured world could tip into despair easily, but Vinyl Floor stays honest about it. They’re not offering false comfort, but they’re not drowning either.
Progressive rock this restrained is rare. The arrangements serve the songs instead of overshadowing them. If anything, some moments could use more breathing room, but that’s small in a record made by people who clearly care about what they’re saying.
This is for anyone who wants rock that actually wrestles with real ideas. It counts for something.
You can listen here.
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