We Speak Music
Zkeletonz weave their vibrant 80’s synth wizardry to perfection on new single ‘Lonely’!
“Sounds like disco never died”- Tom Robinson, BBC 6 Music.
“a very seductive groove…7/10”- Louder Than War.
Electronic force of nature Zkeletonzhave been carving outtheir own singular path in the music industry in recent years, headlining their own self-promoted London gigs, tearing up festival stages at the likes of All Points East and Alex James’ Feastival, recording a live session for Scott Mills, and gaining love and support from BBC Radio 2, BBC 6 Music, Radio X and Channel 4’s Sunday Brunch, and many more.
The trio continue their mission for world domination this year with their first ever UK tour, which is already underway and features a new London headline date at Oslo In Hackney and support slots with Craig Charles and Martin Kemp (Spandau Ballet).
Zkeletonz also have their ‘Enhance Your Dance’ debut album currently in production at TYX, Tileyard Studios, King’s Cross where they recently won 10 hours of free time as the best on the night at their A&R mixer event hosted by Sarah Beaumont (Defected Records).
With crowd-funding support from their ever-growing and passionate fanbase, the album is due to feature collabs with; Shuta Shinoda (Hot Chip & Mercury Prize winner for Ghostpoet), Jamiroquai bassist Paul Turner and Alex Gopher (Ed Banger Records). The next taster of the album to be unveiled will be new single ‘Lonely’ out 13th September.
‘Lonely’ is an uplifting infectious, groovy banger that sparkles through a vibrant glitterball of revolving, kaleidoscopic bass loaded electronics. The track locks the listener deep into the mind of Zkeletonz singer Gav where he is “Researching on the other side of life”, wrestling with his digital spirit equivalents, who offer up paranoia, temptation and play.
The band’s own production on ‘Lonely’ by electronic drummer and multi-instrumentalist member Ed Trotsky (also Runrummer, Coin Operated Boy) weaves a sonic pallet replete with 1980s synth wizardry that evokes classic pop from the Pet Shop Boys and Human League, combined with tasteful electronica, new rave and indie sleaze sounds typified today by the likes of Confidence Man, Sofi Tukker and The Dare.
The gritty POV video for the single, directed by Adam McHattie (Star Wars, Rocketman, Guardians of the Galaxy, see IMDB), subverts contemporary social media culture with inspiration from the classic filmography and hedonism of ‘Smack My Bitch Up’ by the Prodigy. It was shot at one of the band’s own wild ‘hyperfunk’ club nights in Shoreditch, East London.
Join the party and catch Zkeletonz at the following dates in 2024. Tickets and more info here: https://zkeletonz.com/
There is a sense of arrival woven into every moment of Edwina van Kuyk’s new single, “Here To Stay.” The Irish pop-soul artist has steadily built momentum with each release, but this latest offering feels like a defining statement—one that showcases both her artistic growth and her willingness to dream bigger. Rich with warmth, heart, and ambition, the track captures an artist stepping confidently into her next chapter.
At the centre of the song is an uplifting fusion of contemporary pop-soul and gospel-inspired grandeur. Produced by Cian O’Donoghue, the arrangement gradually unfolds into something expansive and deeply moving, allowing Edwina’s expressive vocals to shine. The addition of the choir from St. Kevin’s Community College in Clondalkin proves transformative, adding a sense of community and emotional scale that elevates the song beyond a traditional pop release.
What makes “Here To Stay” particularly compelling is its sincerity. The influence of gospel music is felt not only in the choir arrangements but in the spirit of the track itself. There is an uplifting quality running through the song that feels earned rather than manufactured, driven by genuine passion and conviction. Edwina’s vocal performance anchors every moment, balancing vulnerability with strength.
The collaboration with the St. Kevin’s choir also brings an inspiring local dimension to the release. Their voices add richness and texture, creating moments that feel celebratory without sacrificing intimacy. It’s a reminder that some of the most powerful musical moments come from collective expression rather than individual spotlight.
As Edwina’s profile continues to grow, “Here To Stay” stands as her most accomplished release yet. It is ambitious without losing its emotional core, polished without feeling distant, and uplifting without becoming predictable. Most importantly, it feels like the work of an artist who knows exactly where she is headed—and who has every intention of staying there.
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