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“A Boy. A Girl. A Dream” Starring Omari Hardwick, Meagan Good Debuts at Sundance [Photos]

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Datari Turner Productions premiered its sixth film at Sundance: A Boy. A Girl. A Dream: Love On Election Night. Attending from the film were stars Omari Hardwick, Meagan Good, Jay Ellis, and Dijon Talton; director Qasim Basir; writer Samantha Turner and producer Datari Turner. The film debuted in the NEXT category, a class of films at the festival that take an “innovative, forward-thinking approach to storytelling.”The sold-out screening at Park City Library earned a standing ovation and plenty of buzz, capping off a whirlwind weekend of various press interviews, photo shoots and events.
 
A Boy. A Girl. A Dream is set on the night of the 2016 Presidential election, when “Cass” (Hardwick), an L.A. club promoter, takes a thrilling and emotional journey with “Free” (Good), a Midwestern visitor. She challenges him to revisit his broken dreams – while he pushes her to discover hers.
 
Check out a clip from the film HERE.
 
A Boy. A Girl. A Dream is written by Qasim Basir and Samantha Turner and produced by Datari Turner. Executive producers are Meagan Good, Omari Hardwick, Jash’d Kambui Belcher, Jamal ChiltonTim Weatherspoon, Louis Steyn, TJ Steyn, and Phil Thornton.
 
Datari Turner Productions is a California-based Film and Television production company founded by Datari Turner in 2010. Follow @datariturner and @boygirldream_movie on Instagram and Twitter for more information.

 

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Marz Starlife Makes A Striking First Impression With Healing

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Every once in a while, a debut comes along that doesn’t just introduce an artist – it reveals a soul. Marz Starlife’s first EP, Healing, is exactly that. It’s raw, it’s heartfelt, and it doesn’t pretend to have everything figured out. Instead, it leans into the messiness of real life – the mistakes, the heartbreak, the isolation – and tries to make sense of it all through music. Born in Jamaica, raised in the UK, and now back on the island, Marz brings a cross-cultural perspective to his storytelling, but at the heart of Healing is something deeply human: the need to reckon with the past in order to move forward.

Across the project’s standout tracks, Marz doesn’t hold back. In Bad Memories, he opens up about years lost to incarceration, fractured relationships, and the weight of regret. “Spent four birthdays locked up, baby remember me please,” he raps, in a tone that’s both matter-of-fact and aching. The production stays subdued and moody, letting the lyrics breathe. There’s no glorification of the streets here, only reflection. He admits to being young and caught up in the chase for fast money, but he also shows growth, making it clear that he’s not the same person he once was. It’s a track that lingers, not because it tries to be flashy, but because it feels real.

The title track, Healing, is where everything clicks. Marz taps into something almost spiritual as he raps, “I turn pain into power, darkness to light.” The song is layered with poetic lines and subtle emotional shifts, balancing toughness with tenderness. There’s a determination to rise above, even when the scars still sting. He reflects on his upbringing, his time in the streets, and the inner battles he continues to fight. “No shrink can understand how I’m feeling,” he says, and honestly, it’s hard not to believe him. The pain here is too specific, too lived-in. But instead of letting it swallow him, he uses it to fuel something greater.

What’s refreshing about Healing is that it doesn’t try to fit neatly into any one genre or narrative. Marz blends elements of UK hip-hop, Jamaican rhythm, and emotional rap into something that feels uniquely his own. He’s not here to be the loudest or the flashiest; he’s here to be honest. And in a world full of over-produced, over-polished music, that honesty stands out.

With Healing, Marz Starlife has given us more than a debut; he’s given us a mirror into his journey, and maybe even our own. Whether you’ve lived through similar struggles or are just someone who appreciates music with depth and heart, this EP is worth your time. It’s a reminder that healing isn’t linear, but it’s possible, and that sometimes telling your story is the most powerful thing you can do.

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