We Speak Actors
Actor Adam Basil on stunts, Spielberg and Orcs

Hollywood actor and stunt performer Adam Basil has appeared in movies and TV shows including ‘Beauty and the Beast’, ‘No Time to Die’ and ‘Game of Thrones’. His other credits include ‘Venom: Let There Be Carnage’, ‘Avengers: Age of Ultron’, ‘Kingsman: The Golden Circle’ and ‘Spider-Man: Far from Home’, as well as several ‘Fast & Furious’ movies. He talked to us about his gruelling stunt work, the celebrities he gets to work alongside, the secrets of prosthetics and how being big and bulky has been the making of his career.
How did you get into the film industry?
After working in the theatre and in other jobs (including yacht delivery!), by coincidence I happened upon a stuntman and actor who told me about the British Stunt Register. In the UK, there’s a qualification process for stuntmen and women – you have to be at national level in six different sporting disciplines. It took me many years to complete my training and qualify as a stuntman.
Which celebrities have you worked with?
I’ve worked with lots of well-known actors and directors – Steven Spielberg, Tom Cruise, Tom Hardy, Charlize Theron, Samuel L Jackson, Ryan Reynolds, and many more.

What have been your favourite projects?
My favourite project so far was working with Andy Serkis when I played Venom.
“I also played the Beast in ‘Beauty and the Beast’, and Baloo in ‘The Jungle Book’. Playing a death trooper in ‘Rogue One’ was a challenging role due to the costumes being very restrictive.”
And I really enjoyed playing the body double for Will Smith in ‘Aladdin’ – yep, that big blue body is mine! I did four seasons of ‘Game of Thrones’ and stunt-doubled for the Hound and the Mountain. I had four hours of prosthetics from the great Barry Gower, the mastermind who created the amazing characters you see on those programmes.
Who’s your inspiration?
I grew up on a diet of films like ‘ET’ and ‘Indiana Jones’ and always loved the work of Steven Spielberg. His epic adventures gripped me from an early age, and I had the luck of working with him on ‘Ready Player One’.
What advice would you give someone who wants to become a stuntman and actor?
I’d say think long and hard if it is the job for you. The hours are gruelling, and after long days at work you’ll usually find us in the gym. If that excites you, then get involved by contacting the British Register, or if you’re in America contact SAG to find out how to join us!
What’s your most recent project?
This year, when Penguin released the new Judge Dredd audiobooks, I played the voice of Judge Dredd. We recorded three audiobooks in three days, and one of the scripts alone was 160 pages. I also acted in ‘The Beekeeper’ with Jason Statham, I’m an Ork in the new ‘Lord of the Rings’ franchise and I’m in HBO’s ‘The Last Of Us’. I’m also a guest lead in ‘Django’, a new Sky Atlantic series coming out in February.

What training do you do to prepare for films?
Films are intense – we work six days a week, sometimes seven.
“When working on ‘Beauty and the Beast’, I worked 21 days straight. The days are long – 10 hours minimum, plus travelling to and from work – and we sometimes have to change our body weight for a role.”
For example in ‘Beauty and the Beast’ the Beast is very big, so I was encouraged to bulk up for the role to make the character more menacing. I’d eat 4,20 calories a day and lift weights twice a day, five days a week. For other roles we can be asked to lose weight to fit into costumes that can’t be changed to accommodate the performer. My size has worked well for me, as I’m 6ft4in and weigh 110kg, which helps me get roles and has meant I have travelled all over the world with my work.
Featured photo credit: Andy Serkis
We Speak Actors
Michael William Freeman on his exciting role in new Netflix medical series, ‘Pulse’

American actor Michael William Freeman has appeared in many hit shows, but is perhaps best known for playing militia member Blake Sarno in ‘Fear The Walking Dead’. Now he’s swapped the zombie apocalypse for a medical procedural, playing the character of Glenn Vogel in the new Netflix series ‘Pulse’, which follows the personal and professional lives of doctors and staff at a busy Miami trauma centre. We talk to Michael about working with his idols, the joys of collaboration, and why ‘Pulse’ feels like it comes from the golden age of TV.
Tell us about your experience working on the new Netflix series ‘Pulse’?
“It was epic. I had such an amazing time on this show, and it was really great to work with Netflix. The very first day I stepped on set, the energy was palpable. Everyone was just so happy and grateful to be part of this project – it really elevated the whole process.”
“Sometimes work can feel like a grind, but this show was a real pleasure. It was such a warm and welcoming environment, and I know that is reflected on screen.”
What was it like working with series creator Zoe Robyn and co-showrunner Carlton Cuse?
“Man, what an absolute dream! Zoe is such a brilliant talent, her writing is so rich and compelling. And Carlton is a master of his craft, an absolute legend in the industry. Yet they both approach the work with zero pretension. It was inspiring and heartening to be around them both. I think it was the most supportive, collaborative environment I’ve ever worked in; it really felt like a family on set. I’d do anything for those two.”

This is Netflix’s first medical drama – did you enjoy working in this genre?
“I’ve done medical procedurals before, which are fun, but this is something different. The heart of this show is the relationships. Don’t get me wrong, there’s plenty of action and excitement, but what really drives the story are the people. It feels like a show from the golden age of television, something like ‘ER’, it’s so thoughtfully crafted and executed.”
“The way all the stories intersect and collide is really special, I’ve never been a part of anything quite like it. I’m really excited for people to see the show, I think they’re going to love it.”
Who will enjoy watching this show?
“There’s something for everyone! There’s romance, action, drama… even a few laughs. It’s stunning work from Zoe, Carlton and the whole cast and crew. Seriously, every department killed it: from hair and makeup, to wardrobe, to camera, everyone really shines. And I know the audience will appreciate the artistry and craftsmanship. Plus it’s such a fun and vivid world to explore.”

You’ve acted in so many hit TV series and films; which projects have been the most pivotal for you?
“‘In Time’ was my first big studio movie and the first time I saw myself on a big screen in a movie theatre. So that was a pivotal job for me and I certainly learned a lot from that experience. ‘Doll & Em’ on HBO was another one. Getting to act with Chloë Sevigny and be directed by Azazel Jacobs was momentous; I was such a big fan of them both and working with them exceeded my expectations. But most people recognise me from ‘Fear The Walking Dead’ – that show definitely raised my visibility and had a lasting impact on my career. I’m really grateful to be a part of that franchise. And now I can add ‘Pulse’ to that list.”
All episodes of ‘Pulse’ are available to stream on Netflix now.\
Featured photo credit: Netflix
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