We Speak Electronic
ASPEN Unveils Summer Anthem “Heal Me Now”
Exactly a month ago, up-and-coming DJ and producer ASPEN released his third single, “Endgame,” which featured AWAL’s Liv Hanna. The single was met with much acclaim and caught the attention of renowned record label, LVLD. “Heal Me Now” is ASPEN’s inaugural release with LVLD.
“Heal Me Now” continues with the love and relationships themes that ASPEN has been curating through his discography. The song dives into the ebb and flow that is omnipresent in relationships. “Sometimes relationships don’t work and sometimes they do, but they all have ups and downs.” ASPEN continues, “This song is about those ups and downs, but more specifically about someone that knows they need their significant other.” ASPEN cleverly juxtaposes downtempo with up-tempo EDM, which perfectly encapsulates the premise of the record.
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Brooklyn duo Dancing In Tongues return with their new single “Petri Dish” and it lands like a quiet exhale in a loud world.
Built from soft-focus electronics, delicate rhythms, and vocals that feel almost whispered into the room, “Petri Dish” is less a traditional single and more a suspended moment. It drifts, pulses, and holds its breath in all the right places.
The track is the first glimpse of their upcoming 4-track EP of the same name, due 3rd July, and was written and produced in Berlin with Lucas Herweg (LLUCID) and Jacob Bergson (TAUT), working together as Designer.
At its core, “Petri Dish” comes from something deeply personal: the duo’s experience with IVF. Rather than framing it in heavy-handed terms, the song captures the emotional weather of it all; the waiting, the hope that arrives faster than you expect and the strange stillness that sits alongside it.
That duality runs through everything here. The production feels weightless but never empty with shimmering synths that blur at the edges, textures gently fold into one another, and the rhythm never quite settles into certainty. It moves the way thoughts do when you’re waiting for news you can’t control.
Vocally, Sarah Martin-Nuss stays close to the mic, almost conversational at times, which makes the emotional impact feel even more direct. There’s no performance of grandeur here, just presence, honesty, and space to feel things as they are.
Dancing In Tongues have always worked in that in-between zone where electronic music becomes something more tactile and personal, and “Petri Dish” is no exception.
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