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AUSTIN FILM FESTIVAL TO HONOR WALTER HILL AND KEENEN IVORY WAYANS FOR ITS 24TH ANNIVERSARY

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Walter Hill Photo credit Amanda Lopez

Austin, TX – September 6, 2017– Austin Film Festival & Writers Conference (AFF), the premier festival that champions the writers’ contributions to film, television, and new media, announced today two distinguished awardees to be honored during its 24th Anniversary this October 26 – November 2. Legendary writer/director/producer Walter Hill will receive AFF’s Extraordinary Contribution to Film Award, and groundbreaking comedian/writer/director/producer Keenen Ivory Wayans will receive AFF’s Extraordinary Contribution to Television Award. Hill and Wayans join previously announced Distinguished Screenwriter award recipient Kenneth Lonergan (Manchester By The Sea).

 

For over 40 years, Walter Hill has served as a writer, director, and producer on a wide array of films, and has become known as one of the foremost action filmmakers in Hollywood. In addition to co-producing the science fiction blockbuster Alien, Hill wrote and directed notable films including 48 Hrs., The Warriors, The Driver, Southern Comfort, Last Man Standing, Geronimo, Wild Bill and The Long Riders. Hill has contributed to television as well, receiving both the Emmy and DGA Awards in 2005 for his work directing the HBO neo-western Deadwood.

 

In addition to accepting the Extraordinary Contribution to Film Award during this year’s AFF, Hill will participate in ‘A Conversation with Walter Hill’ moderated by Shane Black (writer/director The Nice Guys, Iron Man 3, Kiss Kiss Bang Bang), who cites Hill as an influence on his own career.

 

Keenen Ivory Wayans created, launched, and hosted the landmark 1990’s variety series, In Living Color. The irreverent, Emmy-winning series broke racial barriers and showcased Wayans’ scathing social humor. In Living Color also introduced the public to countless now-famous actors, musicians, and comedians including Damon Wayans, Jamie Foxx, Jim Carrey, and Jennifer Lopez.

 

Outside of television, Wayans has had a successful career writing, directing, and acting in films. He co-wrote 1987’s Hollywood Shuffle with actor/director Robert Townsend; wrote, directed, and starred in 1989’s blaxsploitiation parody I’m Gonna Git You Sucka; and directed the horror spoof Scary Movie, which remains one of the most successful feature films directed by an African-American.

 

Hill, Wayans, and Lonergan join a roundup of panelists confirmed to speak at this year’s Writers Conference, including the writers of films A Ghost Story, Arrival, Blade Runner: 2049, Girls Trip, Kong: Skull Island, Kubo and the Two Strings, Logan, Moana, Star Trek Beyond and television shows American Gods, I Love Dick, Power, Queen Sugar, The Deuce, The Wire, This is Us, Twin Peaks, and Underground. The full list can be found at www.austinfilmfestival.com.

 

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“To Love Is To Perform”: Jada Di’Larosa’s Poetic Meditation on Love, Identity, and Solitude

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On April 17, 2026, independent artist Jada Di’Larosa introduces a deeply evocative new chapter in her creative journey with the release of To Love Is To Perform. Emerging from the rich cultural undercurrent of New Orleans, Di’Larosa delivers a project that feels intimate, cinematic, and emotionally unguarded—an album that quietly lingers long after the final note fades.

Blending elements of alternative, indie, and nu-jazz, the record is less about traditional structure and more about atmosphere and emotional storytelling. It unfolds like a series of late-night reflections—soft, immersive, and deeply personal. Each track carries a sense of stillness, where restraint becomes a powerful artistic choice, allowing listeners to fully absorb the subtle complexities within her sound.

Between the Spotlight and the Shadows

Jada Di’Larosa’s artistry is shaped by a compelling dual existence. As a professional dancer and showgirl, her nights are filled with performance, light, and spectacle. Yet beyond the stage, she retreats into solitude—writing music that mirrors her introspective nature. This contrast is the emotional backbone of To Love Is To Perform, where themes of identity, vulnerability, and perception are explored with striking honesty.

Rather than presenting a polished, conventional album, Di’Larosa embraces imperfection. The project carries the raw essence of demos—unfiltered, organic, and alive. In her own words, it is “a diary” of her experiences, offering a glimpse into a world that is both quietly glamorous and deeply introspective. That authenticity gives the album its emotional weight, transforming it into something profoundly human.

Sound as Atmosphere, Silence as Language

Musically, the album is guided by minimalism and mood. Piano and violin arrangements intertwine with her haunting vocal delivery, creating a soundscape that feels almost suspended in time. Di’Larosa’s voice is uniquely her own—delicate yet assured, drifting through each composition with a poetic cadence that enhances the storytelling.

Tracks such as “showgirl” and “movie star” reflect the tension between persona and reality, while “bayou st. john” grounds the album in a sense of place and memory. The title track, “to love is to perform,” offers a philosophical lens on relationships, suggesting that love itself can be an act shaped by roles and expectations. Meanwhile, “costume” emerges as a defining moment—an exploration of identity, illusion, and the masks we wear.

Tracklist

  1. showgirl
  2. movie star
  3. bayou st. john
  4. to love is to perform
  5. candy
  6. blackbird
  7. spinster
  8. a love noir
  9. costume
  10. curtain call

A Quietly Powerful Artistic Statement

What makes To Love Is To Perform so compelling is its refusal to conform. It does not chase trends or demand attention—it invites it. The album thrives in its subtlety, rewarding listeners who are willing to slow down and engage with its emotional depth.

There is a cinematic quality throughout the record, as if each track is a scene from an unseen film—rich with symbolism, mood, and introspection. It’s an experience designed not just to be heard, but to be felt.

Defining Her Own Space

In an industry often driven by visibility and constant output, Jada Di’Larosa stands apart through intentional distance and artistic focus. She allows her work to speak on her behalf, cultivating a sense of mystery that only enhances her presence.

With To Love Is To Perform, she offers more than music—she offers perspective. It is a body of work that explores the delicate balance between who we are and who we present to the world, capturing the beauty and complexity of both.

As the release date approaches, the album positions Di’Larosa as a distinctive voice in contemporary alternative jazz—an artist unafraid to embrace vulnerability, ambiguity, and the quiet power of self-expression.

Connect with Jada Di’Larosa
Official Website: www.jadadilarosa.com
Instagram: @jada.dilarosa
Available on Spotify, Bandcamp, SoundCloud, and YouTube

For inquiries: jadadilarosa@yahoo.com

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