We Speak Entertainment
Cheers! New micro-doc from Jacqueline Fernandez celebrates the iconic creator of the Espresso Martini

London-based filmmaker Jacqueline Fernandez’s new micro-documentary, ‘Dick Bradsell Espresso Martini’, premieres on 15th of March – National Espresso Martini Day. The five-minute film tells the racy story of the iconic drink’s creation: in 1980s London, a famous model asks Dick Bradsell to make her a drink that will “wake me up and then fu*k me up”. The visual style of the film is cinematic, drawing inspiration from directors such as Steve McQueen and Edgar Wright, and it was filmed at The Social (where Bradsell frequently did DJ sets). The documentary celebrates both the drink and the innovative bartender who created it. We asked Jacqueline how it came about:
Why did you decide to make a short documentary about the Espresso Martini?
“My journey began with a seemingly simple discovery: Dick Bradsell’s name – alongside some of his cocktails such as the Bramble and the Treacle – on a menu at the Wigmore Bar at The Langham.
“I was shocked by how little people knew about the Espresso Martini’s true origins – even in Britain! I had conversations with locals who assumed the drink was Italian or had existed since the 1800s.”
So I wanted to tell the unique story of the Espresso Martini, to mark its 40th anniversary.”

Tell us a little more about Dick Bradsell?
“Dick Bradsell’s transformative impact on cocktail culture is this film’s core message. His commitment to quality, bartender training, and democratising the sophisticated cocktail experience redefined London’s drinking scene.”
“He was a true legend who many in hospitality call The Cocktail King, but he was a revolutionary rebel at heart.”
What’s the most interesting fact you uncovered?
“Beyond bartending, Dick Bradsell had a huge impact on London’s creative world. He was cast by Christopher Nolan in his first feature film, ‘Following’, co-wrote a song for The English Beat, and even had the Espresso Martini renamed ‘Pharmaceutical Stimulant’ by artist Damien Hirst, at his bar, The Pharmacy.”

Who will enjoy this documentary?
“Whether you’re a cocktail connoisseur or simply curious about the history of a beloved drink, the Espresso Martini’s creation story has a racy bite – and makes for a fun conversation-starter!”
Who was involved in bringing this project to life?
“The micro-doc was a collaborative effort, deeply enriched by the invaluable personal insights and contributions of Beatrice Bradsell (Dick Bradsell’s daughter, co-producer and On-Trade Director at The Drink Cabinet). Our support from illycaffè, the original coffee used in that first Espresso Martini, Tia Maria Coffee Liqueur, and Emporia/Wyborowa, including product and partial production funding, was also vital.”

Who helped you make the film?
“This seemingly modest five-minute project benefited from a vast support network across London, Austin, Atlanta and Los Angeles. Our exceptional crew included Director of Photography Jon Muschamp (a recent BSC Award winner), along with Sam Irwin (1st AC) and Alex Magill (Gaffer); Oscar-nominated musician Adrian Quesada; and Editor JJ Castillo, who worked tirelessly, including multiple all-nighters, to meet deadlines. Jerome McCann’s (sound mixer) extensive experience was crucial, as well as Katy Fray’s (hair and makeup) expertise, and the diligent hard work of Associate Producers Chloe Tweedy and Lizzie Maxwell and 1st AD Tom Reynolds. VFX artist Bryan Haines (GVX4VFX) and Sound Designer Ruth Rainey (We Are Audio) completed the team and Graeme and Maria at The Social provided additional support. Colourist Vlad Barin of Harbor Picture Company gave the film its gorgeous final look; we owe him and Sarah Banks for stepping in at the last minute! Also a huge shout out for Mixellany Limited for allowing us to feature Dick’s book, ‘Dicktales, or Thank yous and Sluggings’.”
Where and when will the documentary be available to view?
“The micro-documentary will premiere on the 15th of March, National Espresso Martini Day, on ArlingFilms.com. Some content will be available via the social media platforms of The Drink Cabinet, as well as the ingredients in the final recipe cocktail, Tia Maria Coffee Liqueur, Emporia/Wyborowa Vodka, and illycaffè. We are hosting a soft screening on the 14th of March for an Espresso Martini Happy Hour at The Social from 5-6:30 pm – the address is 5 Little Portland Street, London W1W 7JD. We also aim to screen it at festivals.”
About Arling Films:
“Arling Films, founded by Jacqueline Fernandez and Jack Sutcliffe, is a London-based independent production company committed to transparency and collaboration. This micro-documentary is their inaugural project.”
Featured photo credit: Documentary still
We Speak Entertainment
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Perhaps the most compelling chapter in his story is this: no label, no co-sign, no shortcut. Every stream, every show, every spotlight has been earned through pure grind. He’s part of a new generation of artists proving that success doesn’t require permission — just vision, work ethic, and resilience. In a game where so many chase deals, NumberOneShotBoy built his own brand, his own movement, and his own momentum — and the industry had no choice but to take notice.
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As NumberOneShotBoy famously says, “When you know it’s over… but it’s just the beginning.” That line perfectly captures his trajectory — a moment of arrival that feels like the launch of something even bigger. With global buzz growing, an album on the way, and a movement behind him, he’s not just part of hip-hop’s future — he is the future.
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From St. Louis to Lubbock, from the streets to the stage, a new king is rising. NumberOneShotBoy isn’t chasing anyone else’s throne — he’s building his own. And as his sound stretches beyond city borders and into global recognition, one thing becomes clear: his reign is real, and it’s only just begun.
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