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Cheers! New micro-doc from Jacqueline Fernandez celebrates the iconic creator of the Espresso Martini

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London-based filmmaker Jacqueline Fernandez’s new micro-documentary, ‘Dick Bradsell Espresso Martini’, premieres on 15th of March  National Espresso Martini Day. The five-minute film tells the racy story of the iconic drink’s creation: in 1980s London, a famous model asks Dick Bradsell to make her a drink that will “wake me up and then fu*k me up”. The visual style of the film is cinematic, drawing inspiration from directors such as Steve McQueen and Edgar Wright, and it was filmed at The Social (where Bradsell frequently did DJ sets). The documentary celebrates both the drink and the innovative bartender who created it. We asked Jacqueline how it came about:

Why did you decide to make a short documentary about the Espresso Martini?

“My journey began with a seemingly simple discovery: Dick Bradsell’s name – alongside some of his cocktails such as the Bramble and the Treacle – on a menu at the Wigmore Bar at The Langham.

“I was shocked by how little people knew about the Espresso Martini’s true origins – even in Britain! I had conversations with locals who assumed the drink was Italian or had existed since the 1800s.”

So I wanted to tell the unique story of the Espresso Martini, to mark its 40th anniversary.”

Jacqueline Fernandez by Ellsion Aston

Tell us a little more about Dick Bradsell?

“Dick Bradsell’s transformative impact on cocktail culture is this film’s core message. His commitment to quality, bartender training, and democratising the sophisticated cocktail experience redefined London’s drinking scene.”

“He was a true legend who many in hospitality call The Cocktail King, but he was a revolutionary rebel at heart.”

What’s the most interesting fact you uncovered?

“Beyond bartending, Dick Bradsell had a huge impact on London’s creative world. He was cast by Christopher Nolan in his first feature film, ‘Following’, co-wrote a song for The English Beat, and even had the Espresso Martini renamed ‘Pharmaceutical Stimulant’ by artist Damien Hirst, at his bar, The Pharmacy.”

Beatrice Bradsell, documentary still

Who will enjoy this documentary?

“Whether you’re a cocktail connoisseur or simply curious about the history of a beloved drink, the Espresso Martini’s creation story has a racy bite – and makes for a fun conversation-starter!”

Who was involved in bringing this project to life?

“The micro-doc was a collaborative effort, deeply enriched by the invaluable personal insights and contributions of Beatrice Bradsell (Dick Bradsell’s daughter, co-producer and On-Trade Director at The Drink Cabinet). Our support from illycaffè, the original coffee used in that first Espresso Martini, Tia Maria Coffee Liqueur, and Emporia/Wyborowa, including product and partial production funding, was also vital.” 

Documentary still

Who helped you make the film?

“This seemingly modest five-minute project benefited from a vast support network across London, Austin, Atlanta and Los Angeles. Our exceptional crew included Director of Photography Jon Muschamp (a recent BSC Award winner), along with Sam Irwin (1st AC) and Alex Magill (Gaffer); Oscar-nominated musician Adrian Quesada; and Editor JJ Castillo, who worked tirelessly, including multiple all-nighters, to meet deadlines. Jerome McCann’s (sound mixer) extensive experience was crucial, as well as Katy Fray’s (hair and makeup) expertise, and the diligent hard work of Associate Producers Chloe Tweedy and Lizzie Maxwell and 1st AD Tom Reynolds. VFX artist Bryan Haines (GVX4VFX) and Sound Designer Ruth Rainey (We Are Audio) completed the team and Graeme and Maria at The Social provided additional support. Colourist Vlad Barin of Harbor Picture Company gave the film its gorgeous final look; we owe him and Sarah Banks for stepping in at the last minute! Also a huge shout out for Mixellany Limited for allowing us to feature Dick’s book, ‘Dicktales, or Thank yous and Sluggings’.” 

Where and when will the documentary be available to view?

“The micro-documentary will premiere on the 15th of March, National Espresso Martini Day, on ArlingFilms.com. Some content will be available via the social media platforms of The Drink Cabinet, as well as the ingredients in the final recipe cocktail, Tia Maria Coffee Liqueur, Emporia/Wyborowa Vodka, and illycaffè. We are hosting a soft screening on the 14th of March for an Espresso Martini Happy Hour at The Social from 5-6:30 pm – the address is 5 Little Portland Street, London W1W 7JD. We also aim to screen it at festivals.”

About Arling Films:

“Arling Films, founded by Jacqueline Fernandez and Jack Sutcliffe, is a London-based independent production company committed to transparency and collaboration. This micro-documentary is their inaugural project.”

Featured photo credit: Documentary still

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We Speak Actors

Rising star Evan Hengst on his “rocket-powered” role in new film ‘Novocaine’

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South African actor Evan Hengst’s star is on the rise. His latest role is chaos-fuelled Ben in action-comedy movie ‘Novocaine’, which also stars Jack Quaid from ‘The Boys’. ‘Novocaine’ is about Nate (played by Quaid) who becomes a superhero when he uses his inability to feel pain to rescue his kidnapped girlfriend. Evan, who studied at Act Cape Town before beginning his acting career in the theatre, tells us about training for fight scenes, playing cops and robbers, and getting in the headspace of a maniac…

Tell us more about your role in ‘Novocaine’?

“Ben is a rocket-powered rage train fuelled by a love of chaos. Whatever he chooses to do, he’s going to cause as much mayhem as he can and enjoy every second of it. He’s that guy in the bar nobody wants to mess with because he’ll buy you a tequila, right before biting your ear off. Which was a joy to play, because I’m actually a big softy! I almost lost the role because I was working on three different projects at the time, so scheduling all the training and stunt rehearsals was a challenge. It’s truly miraculous how we managed to make it work out.”

Evan Hengst as Ben in Novocaine from Paramount Pictures. © 2025 PARAMOUNT PICTURES. ALL RIGHTS RESERVED

What was your experience working on the film?

“Getting to work alongside such an extraordinary cast and crew was a dream come true. We were all just a bunch of kids playing cops and robbers, but with a lot more gore.”

“The directors Robert Olsen and Dan Berk cultivated such an infectious, fun and collaborative space on set from the get-go.”

“From the cast to the crew, the excitement was palpable and you could feel what we were making was going to be a really wild ride.”

What did you do to prepare for the role?

“It’s definitely the most physical role I’ve done to date and I was blessed to be given a whole team of trainers and coordinators to guide me. I annihilated so many chicken breasts to turn me into a tank, and got my ass handed to me by the stunt coordinators for a few hours each day. Lots of personal training and sparring sessions to get me moving like a fighter, and then I played video games – I played a lot of Grand Theft Auto 5 to prepare myself for robbing banks! I made this really wild playlist of country, German oompa, heavy metal and classical music to create a constant circus in my head. I also watched the movie ‘Heat’ about five times just to get a feel of the shootout scene.”

What was it like being involved in such an intense fight scene?

“‘Slow means flow’ was in my head every day for six weeks.”

“We would run through the scene meticulously piece by piece and in the end put it together like a beautiful dance.”

“It was an incredibly humbling experience to go through. My mind and body were pushed to the limit and was shown what I was truly capable of doing.”

What was your favourite moment on set?

“Being with Jack [Quaid] on his birthday. We filmed our big fight scene that day and were both exhausted between takes, but the crew got him a beautiful cake to celebrate. We both were on strict meal plans at the time and he was being extremely disciplined, but I managed to convince him to have a few slices. The satisfaction  on his face was priceless.”

Evan Hengst as Ben in Novocaine from Paramount Pictures. © 2025 PARAMOUNT PICTURES. ALL RIGHTS RESERVED

Who would enjoy watching this film?

“Anyone who likes action, romance and comedy with a touch of sadism and a great underdog story. For people who happen to be a bit squeamish about blood,  this might cure you once and for all. Or maybe not!”

What does the future hold for you?

“I have a film coming out called ‘A Kind of Madness’, which I’m really excited about – it’s released in South Africa on 11 April. My focus is on building my career internationally and finding the right people to give me the opportunities to be a part of the stories I want to tell. I think South Africa has such untapped talent and I want the chance to show the world what we have to offer.”

‘Novocaine’ is released in US cinemas today (14 March) and is out in the UK on 28 March

Featured photo credit: Chris Pizzello, Invision

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