We Speak Indie Artist
Damien Cain and Jamie Wiltshire Unite on Emotional Ballad “Caleb (JD Radio Edit)”
Some songs demand attention through spectacle. “Caleb (JD Radio Edit)”, the new collaboration between Damien Cainand Jamie Wiltshire, takes the opposite approach, drawing listeners in with quiet vulnerability before building into an emotionally charged piano-pop anthem.
Opening with little more than piano and heartfelt vocals, the track gradually expands into a powerful pop-rock ballad that finds strength in restraint. Its greatest impact comes from the pairing of Cain and Wiltshire, whose voices carry a conversation shaped by memory, absence and the difficult act of letting go. While released ahead of Pride Month, the song’s subtle queer perspective is woven naturally into a story that speaks to anyone who has experienced love and loss.
For Damien Cain, whose career stretches across more than three decades, “Caleb” marks another chapter in an artistic journey defined by emotional storytelling. Best known for the cult success of Age of Darkness and collaborations with the late Sir Christopher Lee, Cain continues to blur the lines between cinematic rock and contemporary songwriting. Alongside him is Jamie Wiltshire, the award-winning British singer-songwriter whose work has accumulated more than 50 million Spotify streams and appeared across productions for Netflix, Amazon Prime, the BBC and other major broadcasters.
The track also benefits from the touch of London-based producer Jay Dixie, whose work with artists including Meghan Trainor, Ella Henderson and Flo Rida brings a modern polish. Rather than overpowering the performances, the production allows the duet to remain firmly at the centre, giving every lyric room to resonate.
The accompanying video mirrors that same philosophy. Shot entirely as one uninterrupted take, it follows two young men travelling together through open landscapes, allowing lingering glances and shared silence to tell a story that needs very few words.
We Speak Indie Artist
Plain Mister Smith Pieces Together a World of Sound on Bric-À-Brac Attack
Plain Mister Smith returns with Bric-À-Brac Attack, a beautifully offbeat collection of indie-folk, pop and atmospheric songwriting. Released via Amelia Records, the album finds the Vancouver and London-based multi-hyphenate turning fragments of memory, relationships and everyday absurdity into something quietly cinematic.
At its centre is “Grindavik”, a shimmering, reflective track inspired by the Icelandic town shaped by recent volcanic activity. Bright acoustic guitars and steady drums carry a constantly shifting chord progression, mirroring the song’s central metaphor of a relationship under pressure and the hope that its fissures can eventually heal. Featuring Jordan Klassen and Kitt, the track captures the emotional tension that runs throughout the album.
Elsewhere, Bric-À-Brac Attack moves effortlessly between playful guitar-driven moments, lush arrangements and more introspective passages. “Miss Sunshine” brings infectious energy, while collaborations with Findlay Brown, Leeroy Stagger, Krystle Dos Santos and Tyson Mostenbocher add colour to an already eclectic record.
Former guitarist of Canadian darkwave band Moev and a cellist with the Vancouver Philharmonic Orchestra, Plain Mister Smith brings an unusually broad musical perspective to his songwriting. Yet Bric-a-Brac attack never feels overly calculated. Instead, it has the charm of something discovered rather than constructed.
Warm, strange, melodic and emotionally searching, Bric-À-Brac Attack is a record that rewards getting lost in its details. Plain Mister Smith may remain deliberately mysterious, but the music itself speaks with remarkable clarity.
Photo credit: Sandra Lockwood
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