We Speak Music

‘Dark Storm’ is Doug Loch’s Most Personal and Potent Release Yet

Published

10 months ago

July 4, 2025

Doug Loch has always walked the line between the cerebral and the visceral, but with Dark Storm, he tears down that line completely. The Sydney-based producer and DJ delivers a track that feels deeply personal, yet designed for maximum impact on the dancefloor. It’s a rare balancing act—and Loch pulls it off with finesse.

The story of Dark Storm begins with an unscripted moment: a spontaneous riff conjured late at night in a Liveschool classroom. That riff, transitioning between minor and major chords, sets the emotional tone of the track. It’s as if the music is in constant flux, just like the storm it’s named after—unpredictable, powerful, and oddly comforting.

Loch layers in a rhythmic staccato piano and rich synth pads to build the drama, but the most distinctive element may be the field-recorded wave. It’s not just a gimmick—it’s a motif that mirrors the rise and crash of the emotional arc. By integrating natural sounds into an electronic framework, Loch elevates the listening experience beyond the club.

The release is bolstered by a commanding remix from Danny Bonnici, a name that carries serious weight in Australian electronic circles. His version has already made its way into the sets of global icons like Hernan Cattaneo, signaling that Loch’s music is now resonating far beyond his local scene. Both the original and remix stand tall, each capturing a different shade of the storm.

Doug Loch calls Dark Storm his “most important release so far”—and it’s easy to see why. It’s a track that captures where he’s been and hints at where he’s headed. With a label, a growing community, and a bold artistic voice, Loch is doing more than producing music—he’s building a movement. And if Dark Storm is the blueprint, it’s one worth following into the night.

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We Speak Electronic

Reece Rosé Bottles the Feeling on “Misbehaving”

Published

1 day ago

May 1, 2026

Joni Jones

Reece Rosé is not trying to reinvent the wheel. He is here to remind you why it worked in the first place. With “Misbehaving”, the rising electronic artist taps into something instantly familiar, then flips it into a feel-good house cut that lands right where nostalgia meets the dancefloor.

Teaming up with Capri Everitt, Reece Rosé leans into warm textures and groove-driven production that echo the roots of early ’90s house and UK garage. The result is effortless but intentional. Smooth chords, playful rhythms, and just enough bounce to keep things moving without overcomplicating the mood.

“Misbehaving” plays like a memory you did not realize you still had. Late nights, no responsibilities, music loud enough to blur everything else. It pulls from that space where time felt slower but nights somehow lasted longer. “It’s a reminder of those carefree high school days, when life felt simple, the nights felt endless, and the only thing that mattered was the music and the memories we were making,” Rosé explains. And that feeling runs through every second of the track.

What makes it click is that it never gets stuck in the past. The influences are clear, but the execution stays sharp and current. This is not revival for the sake of it. It is a continuation. Rosé understands the DNA of dance music and builds on it, keeping the energy light, summery, and forward-facing.

That balance is quickly becoming his signature. With international airplay on Kiss FM UK and Insomniac Radio, plus support from names like AC Slater, Zeds Dead, Boombox Cartel, DJ Q, REH4B, and DJ Craze, his momentum is building in all the right places. On Beatport, his releases are already making noise, proving that his sound connects both in clubs and beyond.

“Misbehaving” does not try too hard. It does not need to. It is light, nostalgic, and built to move. The kind of track that makes you look back for a second, then pulls you straight into the moment.