We Speak Music
Dead Tooth Unleashes New Single ‘Birthday Boohoo’
Post-punk outfit Dead Tooth is back with their latest single, ‘Birthday Boohoo’, via Greenway Records. Known for their raucous, unpolished sound, Dead Tooth has crafted a track that encapsulates their unique, rebellious spirit. The Brooklyn-based band, led by Zach Ellis (guitar/vox) and featuring James Duncan (bass), Taylor Mitchell (guitar), Ginno Tacsiat (drums), and John Stanesco (saxophone/EWI), continues to push boundaries with their signature blend of chaotic energy and punk attitude.
‘Birthday Boohoo’ has been produced by Tom Beaujour (Nada Surf, Pom Pom Squad, Juliana Hatfield) and is being released on a limited-edition 7” vinyl. The record also includes a remix by Oliver Ackermann, frontman of A Place to Bury Strangers, on the B-side, ensuring a mind-bending sonic experience. The band themselves describe the track as their “most collaborative” work yet, molded out of the contributions of each member. “It couldn’t be more of a Frankenstein-level horror unless you gave it to someone like Ollie,” they joke, perfectly capturing the eerie vibe just in time for Halloween.
With relentless touring and unforgettable live performances, they’ve earned comparisons to post-punk heavyweights like Refused, At the Drive-In, and The Jesus Lizard. Their raw, high-energy shows, complete with wailing sax solos, have made them a must-see act in the underground scene.
For those wanting to catch the chaos live, Dead Tooth is also gearing up for an extensive European tour in November, including three dates in the UK.
Indie-pop newcomer Suki Summer may be a fresh face, but her new EP, LOVESICK AND SICK OF LOVE, proves she’s got a veteran’s soul. Across six emotionally layered tracks, Suki unveils her most intimate and refined work yet—a sonic diary chronicling the highs and heartbreaks of modern love. With dreamy production and searing lyrics, this EP doesn’t just whisper its pain; it commands attention.
From the sugar-rush romance of “Summer Crush” to the tear-stained farewell in “outro (it’s nvr bye it’s jus c ya l8r),” Suki crafts a narrative that feels both personal and cinematic. Every track is a chapter in the emotional evolution of a young woman learning to love, lose, and find herself again. Her vocals shimmer with a quiet confidence, often drenched in nostalgia yet pulsing with clarity.
The title track, “LOVESICK AND SICK OF LOVE,” marks a pivotal moment in the EP—a bold declaration of emotional exhaustion with dating culture. “It’s about the burnout of constantly opening yourself up just to be misunderstood or ghosted,” Suki explains. The raw honesty hits hard, resonating with anyone who’s swiped, waited, and walked away empty.
What elevates Suki’s debut is her ability to balance soft melancholy with sharp insight. Fans of Clairo, Gracie Abrams, and Mazzy Star will feel right at home, yet Suki’s poetic edge and immersive production carve a new lane entirely. Each song feels like a vignette from a beautifully tragic indie film.
With LOVESICK AND SICK OF LOVE, Suki Summer doesn’t just join the indie-pop conversation—she shifts it. Vulnerable, nuanced, and breathtakingly real, this EP signals the arrival of a bold new voice ready to reshape the genre from the inside out.
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