We Speak Rock
Drag Talk Release New Album, Share “Kingdoms” Single — ‘Drink The Ocean’ Out Now via MNRK Heavy
Los Angeles based band Drag Talk today have released their new album Drink The Ocean via MNRK Heavy. They’ve also released new single “Kingdoms,” which follows album singles “Pony Up” and “Would It Kill You.” The LP and its tracks have earned praise and support from New Noise Magazine, Northern Transmissions, Ghost Cult Magazine, Distorted Sound, Chorus.fm, Music Connection and many more.
“The verses are about a relationship, Mars and Venus, the reconciliation of opposites,” Jutty Taylor explains. “The chorus more about para-social entitlement, but it’s all about the thin line between love and hate.”
Drag Talk’s 2024 EP Rosy Crown earned them a cult following, evidenced by sell-out shows on both coasts. Their new record finds them melding 90s indie rock, shoegaze, and Britpop, solidifying their brand of hook-forward dream-pop.
Drink The Ocean is out today via MNRK Heavy.

Drag Talk — Live Dates: 11/5 — Houston, TX — The End; 11/6 — San Antonio, TX — Paper Tiger; 11/7 — Denton, TX — Rubber Gloves; 11/8 — Austin, TX — The Chess Club (all dates with Trash Day).
Drag Talk Bio: Nothing else sounds like Drag Talk. On debut album Drink The Ocean (MNRK Heavy), the L.A. band finds gauzy beauty in the fathomless chaos that surrounds us, their exquisite shoegaze guitars and Britpop melodicism skewed with Jutty Taylor’s genre-fluid vocals.
Harnessing ’90s indie nostalgia to here-and-now emotional responses, Drag Talk’s lush atmospherics, spacious beats, and hugely emotive hooks create something singular yet accessible and authentic. “I feel like we’re hardcore punk dudes who love Oasis,” offered guitarist Ross O’Carroll, whose pandemic home demos were the germ of the band in 2021.
Drag Talk is a coming-together of like-minded friends with long, intertwined histories. O’Carroll, Taylor, and drummer Hayden Scott were former bandmates, while the latter pair also played together in Grammy-winning Swedish rock band Ghost. O’Carroll and fellow guitarist Matt Ripp Bennett were schoolmates in Hawaii but had somehow never been in the same band, and third guitarist (yes, there are three) Neil Popkin played alongside Ripp Bennett in War Tapes. Even the band’s producer, Tom Syrowski (The Killers, Mastodon), has been in their circle since the aughts.
Drag Talk released their debut single, “Egyptian Flesh” in 2022 and the Dogs EP the following year. By the time they dropped follow-up EP Rosy Crown in 2024, they’d earned a cult following evidenced by sell-out shows on both coasts and a deal with MNRK Music Group.
“The silver lining with any kind of personal tragedies that we go through, if you’re an artist, is turning it into something,” mulled the effervescent, mustachioed Taylor of Drink The Ocean. “There were just some things that I felt compelled to say, so there’s a definite color to the record.”
Drink The Ocean is a lovingly layered creation that connects on multiple levels, its recurring themes of injustice and femininity flavored with Taylor’s spiritual and esoteric interests. Even the album’s title is open to interpretation: a dismissive kiss-off; an ode to one-life-to-live experimentation and excess; or an allusion to the struggles that beset the album’s creation.
“It’s an impossible task but you can spend your life trying — it might be fun!” grinned Taylor, whose wry curiosity and irrepressible charisma permeate Drag Talk’s majestic music. “Maybe that’s what the record felt like for some of us — drowning in liberation!”
Once again working with Syrowski, their sole producer to date, Drag Talk tracked Drink The Ocean at his L.A. home and at Hollywood’s storied Henson Studios. Rooted in heady, shimmering shoegaze evoking Swervedriver, The Verve, and Jesus and Mary Chain, the album also flirts with dream pop, psych, and classic rock. Its defining trait is mating all this to the single-minded cadence and mischievous vaudevillian instincts of Taylor, an inimitable force-of-nature fusion of David Berman and Elliot Smith.
“Whereas my bandmates are definitely more schooled in the encyclopedic aesthetic of just beautiful ’90s guitar rock, I kind of rely on my own ignorance when it comes to putting my own voice on it,” Taylor continued. “This fucking guy who’s never heard a shoegaze record!”
Drink The Ocean opens with narcotically escapist single “Pony Up,” its burbling bass, gossamer guitars, and intriguingly irreverent lyrics setting the tone for the album. “There’s also a theme to the record of gambling — certain phrases and things that I allude to,” Taylor explained. “So, yeah, ‘pony up’ — cough up; it’s time to pay.”
Driving yet dreamy second single “Kingdoms” is simultaneously visceral, vengeful, and ecstatic, its message rich in ostensibly mysterious metaphor. “The lyrics of the chorus were going to be something different that would have put us in hot water. I was feeling pretty angry, so this is the radio edit!” Taylor recalled. “All the modalities of existence that I’m naming in the song — severity, splendor, victory — are specific spheres in the Tree of Life.”
“Would It Kill You” channels Nirvana’s potent simplicity and Smashing Pumpkins’ heart-stopping dynamics juxtaposed with Taylor’s swooning, face-to-the-sun topline, while “Mr. High Life” takes Catherine Wheel sensibilities somewhere intoxicatingly new.
Guest appearances on Drink The Ocean include uber-producer Brendan O’Brien (RATM, AC/DC) playing Hammond organ on the album’s brooding title track, and Ghost’s Olivia Morreale singing backups on the stomping “Welcome to the Aeon.”
Equally entrancing on late night home-alone headphones or at packed, immersive shows, Drag Talk has conjured a sonic and emotional niche just when none seemed left to discover. A rare creative brotherhood steeped in personal and musical chemistry, they’re a band for alt-rock fans who want to nudge the familiar forward, refract the comfortable, and respectfully reframe tradition.
Drink The Ocean — Track Listing: 01. Pony Up; 02. Kingdoms; 03. Breath and the Blood; 04. Welcome to the Aeon; 05. SY About it; 06. Drink the Ocean; 07. Mr. High Life; 08. Don’t Be Long; 09. Would It Kill You; 10. Redline.
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Weather Happy Release Debut EP ‘Moth,’ Share Title Track Single + Video
UK duo Weather Happy today have released their debut EP Moth via Easy Does It Records. Today’s release is accompanied by a new single and video for the EP’s title track, which follows singles “Day Storm,” “It Leaks Out” and “Trees.” Moth is a fantastic new EP with alt-rock and math-rock sensibilities. Angular, crunchy guitars collide with remarkable melodies, bolstered by precise and cutting rhythm section.
“Lyrically, this EP battles the complexities of mental health, resilience and relationships in their many forms, all the while rooting for the underdog,” Holly Carter (guitar/vocals) explains. “‘Moth’ is about standing tall and being bold. I liked the idea of a Moth flying in through a window attracted by the light and feeling fearless in that moment hence the lyrics ‘to be brazen, after all’ and how we could all be a little bit more like that. Moths always seem overlooked in comparison to butterflies who are colourful and beautiful but in my opinion a lot less brave.”
The EP has earned praise and support from Radio X (John Kennedy Live Session, X-Posure playlist), Northern Transmissions, Louder Than War, Chorus.fm, God Is In The TV, Phoenix FM, Freshly Squeezed (playlist), Loud Women, and more. Weather Happy is composed of guitarist/vocalist Holly Carter, who previously played in BERRIES, and drummer Harry Carter.
Moth is out now via Easy Does It Records.

Live Dates:
12/9 – London UK – Paper Dress Vintage
Moth – TRACKLISTING
- It Leaks Out
- Trees
- Day Storm
- Moth
Weather Happy – Bio:
Weather Happy are a new UK alt/rock duo delivering instantly-compelling alt/rock with crunchy, mathy undertones and lyrical depth. They are fresh from working with producer and musician Rod Jones (Idlewild) on their debut EP Moth out now via Easy Does It Records.
Having been friends since they first ever picked up their instruments (and performed some pretty clunky blink-182 covers) former BERRIES front woman Holly Carter (vocals, guitars) and drummer Harry Carter have an unmatched songwriting and performing chemistry. Aside from sharing a surname, the pair also share a love for spiky, wonky rhythms, creating the perfect mix of fuzzy yet intricate guitar lines, driving drums and powerful melodies.
Weather Happy’s tracks frequently showcase a unique duelling quality between drums and guitar. This fascinating and seemingly effortless alignment allows them to experiment with structures and time signatures, injecting an element of surprise and interest into their songs.
“Holly and I naturally push each other into unexpected places with song writing, and there’s a level of trust between us that means we can follow those ideas freely. Rhythms shift and morph spontaneously into something completely new” says Harry.
Holly says “We dug deep for this EP and pushed ourselves and our musicianship to make something we are genuinely proud of. It includes some of the rawest and most angular music either of us have ever written and we really love the direction it’s taking.”
The sum of these parts is a cerebral and engaging listen, for fans of early Biffy Clyro and Sleater-Kinney.
Holly previously fronted the Alt/Rock trio BERRIES who released two albums through Xtra Mile Recordings. Their latest album was praised by CLASH, Louder Than War, Record Collector Mag and Classic Rock Mag. They were also regulars on BBC 6 Music, Radio 1 and Radio X and toured the UK and Europe supporting bands such as The Subways, Frank Turner, Sleeper and Porridge Radio.
Harry has worked across a wide range of genres both as a session drummer and committed band member. He has collaborated with a diverse range of artists and recorded at Abbey Road, RAK studios and Albion Rooms. His work has been featured in several notable articles, at the Edinburgh Fringe Festival and across International Radio.
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