We Speak Indie Artist
Edge Of The World Release New Album ‘Signs’

Edge Of The World was formed shortly after Russian poet Vladimir took part in the recording of the album “My Book Of Answers” with Rock legend Ken Hensley (ex-Uriah Heep), which was based on Vladimir’s poems. Vladimir was soon introduced to musicians Igor and Anton then pianist Timofey, and a fruitful cooperation was formed. The first songs were recorded in Russian, but seeing their potential, the guys decided to record an album in English. They picked 14 poems, translated them into English, and sent them to London for editing. The result of this work is the album ‘Signs’.
The album swings from fast-paced bangers to slower, sing-along worthy Rock ballads and the band have made it clear that they’re able to seamlessly fuse poetry and an addictive, throwback Post-Grunge sound.
Talking about the inspiration for the album and the title track, Edge Of The World share: “Most of the songs are Vladimir’s personal experiences, the relationship between a man and a woman, but the main song from the album called “Signs”is about something else, something maybe even mystical, hidden side of our life. Global issues are regulated by a small group of people, very rich people, we can say that our world is ruled by money, you can buy everything you want, if you have enough money: food, clothing, human resources or even man himself, and this is so sad! Those people who have gathered money and resources, act solely in their own interests, and not in the interests of society. And that’s what this song is about, most people have sold themselves for nothing, they work at a job they don’t like, they buy things they don’t need, they eat junk food, they don’t sleep well and suffer from depression, and why? because they sold themselves for nothing, but sooner or later all this will collapse overnight and people will realise that they are chasing false values.”
The album was written, recorded, produced, mixed and mastered by one man – Anton Poluykov, he’s also the voice of the band. When the album was ready Anton and Vladimir decided to play it live, and then Igor joined the band as a Bass player, Vladislav as a drummer, Tim as a pianist and then Vitaly joined the band as a lead guitarist.
We Speak Indie Artist
Marz Starlife Makes A Striking First Impression With Healing

Every once in a while, a debut comes along that doesn’t just introduce an artist – it reveals a soul. Marz Starlife’s first EP, Healing, is exactly that. It’s raw, it’s heartfelt, and it doesn’t pretend to have everything figured out. Instead, it leans into the messiness of real life – the mistakes, the heartbreak, the isolation – and tries to make sense of it all through music. Born in Jamaica, raised in the UK, and now back on the island, Marz brings a cross-cultural perspective to his storytelling, but at the heart of Healing is something deeply human: the need to reckon with the past in order to move forward.
Across the project’s standout tracks, Marz doesn’t hold back. In Bad Memories, he opens up about years lost to incarceration, fractured relationships, and the weight of regret. “Spent four birthdays locked up, baby remember me please,” he raps, in a tone that’s both matter-of-fact and aching. The production stays subdued and moody, letting the lyrics breathe. There’s no glorification of the streets here, only reflection. He admits to being young and caught up in the chase for fast money, but he also shows growth, making it clear that he’s not the same person he once was. It’s a track that lingers, not because it tries to be flashy, but because it feels real.
The title track, Healing, is where everything clicks. Marz taps into something almost spiritual as he raps, “I turn pain into power, darkness to light.” The song is layered with poetic lines and subtle emotional shifts, balancing toughness with tenderness. There’s a determination to rise above, even when the scars still sting. He reflects on his upbringing, his time in the streets, and the inner battles he continues to fight. “No shrink can understand how I’m feeling,” he says, and honestly, it’s hard not to believe him. The pain here is too specific, too lived-in. But instead of letting it swallow him, he uses it to fuel something greater.
What’s refreshing about Healing is that it doesn’t try to fit neatly into any one genre or narrative. Marz blends elements of UK hip-hop, Jamaican rhythm, and emotional rap into something that feels uniquely his own. He’s not here to be the loudest or the flashiest; he’s here to be honest. And in a world full of over-produced, over-polished music, that honesty stands out.
With Healing, Marz Starlife has given us more than a debut; he’s given us a mirror into his journey, and maybe even our own. Whether you’ve lived through similar struggles or are just someone who appreciates music with depth and heart, this EP is worth your time. It’s a reminder that healing isn’t linear, but it’s possible, and that sometimes telling your story is the most powerful thing you can do.
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