We Speak Rock
Ewan MacFarlane releases ‘You’re Wasted On Me’
Introducing ‘You’re Wasted on Me’, the sensational new single from the highly acclaimed indie rock artist Ewan Macfarlane. The first single from his much-anticipated fourth studio album, ‘Fade Out the Fear’, sees Macfarlane in tremendous form, sounding as fresh as ever channelling Richard Ashcroft meets Paolo Nutini in an MC Battle.
No stranger to success having led cult favourites Apollo 440 and Grim Northern Social and written with Robbie Williams in a distant past, Macfarlane’s distinctive blend of raw emotion, infectious melody, and powerful dance-driven soundscapes, have made him a force to be reckoned with in the indie rock scene. ‘You’re Wasted on Me’ showcases his signature songwriting prowess and captivating vocals, leaving a lasting impression on anyone who listens.
‘You’re Wasted on Me’ delves into the complexities of being desperate and longing, delivering an anthemic chorus that will resonate with audiences from all walks of life. The heartfelt lyrics, combined with Macfarlane’s charismatic delivery, create an experience that draws you in from the first note.
As an artist known for his consistent output and musical evolution, Ewan Macfarlane has crafted an album that is sure to be a standout in his illustrious career. ‘Fade Out the Fear’ is expected later this year and explores new sonic territories while staying true to the raw energy and honesty that fans have come to expect. This album is a testament to Macfarlane’s growth as a songwriter and musician, solidifying his status as one of the most exciting indie rock artists of our time.
‘You’re Wasted on Me is a track that deserves a spot on your most cherished playlists. Its infectious hooks and relatable themes make it a perfect fit for popular indie rock/dance playlists, capturing the attention of fans and critics alike ‘Your Wasted on Me’ will leave you craving more and that’s just how Ewan likes it.

We Speak Rock
Strawhouses Have Made An Album That Needs To Be Heard
Some records give the impression they’ve been lived with for a long time. Not because they’re nostalgic, but because they carry a quiet confidence that’s difficult to manufacture. That’s the feeling Time in the Light leaves behind.
Strawhouses never sound as though they’re trying to impress with sheer scale. The arrangements expand when they need to, then step aside just as easily, leaving plenty of space for the album’s ideas to settle. That gives the music a natural pace, allowing each track to find its own character without pushing too hard for attention.
The record also avoids taking the same route twice. “Fireworks” opens with a striking historical setting, while “No Other Way Round” explores how timing can change the course of a relationship. Elsewhere, the title track finds meaning in everyday life, before the closing songs gradually shift the focus towards life’s final chapter.
One of the album’s biggest strengths is its sense of perspective. Big themes are approached through recognisable situations rather than grand statements, making the songs easy to connect with without ever feeling overplayed.
Out now via Now Listen, Time in the Light leaves a lasting impression because it never tries to force one. Strawhouses trust the listener to spend time with these songs, and that quiet confidence gives the album a character that’s increasingly uncommon.
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