We Speak Indie Artist
Fishburn Impresses With “The Other Side”

Fishburn is a Billboard-charting pop/electronic/dance artist out of Chicago. Fishburn’s mission is to provide modern-sounding pop and dance music with a Christian theme and a positive message. He only arrived on the scene in 2020 but is already fast approaching half a million streams on Spotify alone as an independent act thanks to his positive and uplifting sound.
The rising artist looks set to keep his momentum going with the release of his new single, “The Other Side”. The track continues Fishburn’s feelgood, mood-boosting sound that fans have come to know and love. Infused with addictive melodies, a huge infectious hook, a groovy dance beat and meaningful lyrics, it will no doubt be another success and continue Fishburn’s exciting rise. The track arrives alongside an equally impressive music video directed by Donii Rawan and a series of remixes, such as the hit-worthy Late Night Lounge Remix.
Speaking further on the new release, Fishburn says, “‘The Other Side’ is a song about the longing here on earth to see and be with Jesus after our life is over one day. It’s a song about praying and knowing Jesus is there in our life, but it’s also the excitement of being in His presence after we die.” “The Other Side” is available to buy/stream now on all platforms: https://lnk.to/FBTOS.
Keep up to date with the latest from Fishburn:
We Speak Indie Artist
Feelgood Frequencies: Why CR Srikanth’s “Dancing in the Dark – VS Pop™” Is The Sonic Hug You Didn’t Know You Needed

If you’ve been looking for a track that feels like a warm, nostalgic hug wrapped in shimmering synths, CR Srikanth’s new single “Dancing in the Dark – VS Pop™” might be exactly what you need. It offers a beautiful balance of emotional depth and danceable energy, pulling you out of your head and into a place where you can just breathe, feel, and move. In a world that often feels overwhelming, this track delivers a sense of calm and release.
Srikanth, a US-based Indian composer and sonic storyteller, has carved out a unique musical space with his self-created genre, VS Pop™ (Very Smooth Pop). Drawing from vintage 1980s synthpop, ambient soundscapes, and cinematic orchestral touches, he’s crafted a style that feels both familiar and forward-thinking. “Dancing in the Dark” continues that evolution. It is at once intimate and expansive, polished yet deeply human.
The track features vocals from Junior Paez, whose delivery adds emotional texture to the lyrics. There’s a quiet honesty in lines like “Don’t you think you’re losing your mind again?” and “Hold on, I’ll take you a little higher tonight.” These words speak to the chaos we often feel inside, but instead of staying stuck there, the song encourages movement, connection, and hope. It is music that acknowledges the darkness but chooses to dance through it anyway.
The production is rich with shimmering arpeggiators, retro synth bass, and crisp electronic drums. It brings together nostalgia and futurism in a way that feels effortless. Imagine flickering neon lights, soft motion blur, and the kind of energy that makes you want to close your eyes and sway. It is cinematic but never overwhelming. Every layer serves the emotion at the heart of the track.
What makes “Dancing in the Dark” so appealing is how well it adapts to your mood. Whether you’re heading out for a solo night drive, setting the vibe for a weekend gathering, or simply lying on your bed in need of a reset, this song fits the moment. It never pushes too hard, but it always lands exactly where it needs to. There is something comforting about how sure of itself it feels.
CR Srikanth is not just making music for the sake of it. He is building emotional landscapes for listeners to get lost in and to find themselves again. With “Dancing in the Dark – VS Pop™,” he offers more than just a catchy tune. He gives us space to reflect, to feel seen, and to find joy in the act of simply moving forward. So press play, turn it up, and let yourself be lifted. This one’s for the heart, the soul, and the feet.
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