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Chicago Artist Kennyflowers Shines On “Anonymous Girl”

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Kennyflowers is a rising talent hailing from Chicago. Kenny developed a passion for music at a young age and used that passion to teach himself to play piano, produce and write songs. Following the release of debut single “Butterflys” in 2019, the independent self-made artist has been quickly growing his fanbase with a series of soothing and captivating R&B singles, including “Fireball”, which has amassed almost one million streams on Spotify alone. And Kenny looks set to continue his impressive rise with the release of new single “Anonymous Girl” (produced by Danny Dwyer).

The smooth R&B track is one of Kenny’s most impressive releases to date and stands out on the first listen. Showcasing his vocal prowess and range, Kenny’s voice on the track is crisp and soulful, with his silky falsetto particularly striking. Boosted further by Danny Dwyer’s mesmerising production and Kenny’s infectious melodies and candid storytelling, the track makes for an exciting listen and decisively marks out Kennyflowers as an artist to watch in the R&B scene. 

Speaking further on the new release, Kennyflowers says, “Initially I wrote this song about me hoping to find the girl of my dreams and to devote myself fully. But after sitting in my files for over three years, this song evolved into me singing about my fear of hurting the girl of my dreams.” “Anonymous Girl” is available to buy/stream now on all platforms: https://distrokid.com/hyperfollow/kennyflowers/anonymous-girl.

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Savoring The Sensual Rhythms Of “Moonlight Shoreside” By The Good Neighbors

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Buckle up, folks, because The Good Neighbors are back with a banger that’s bound to make waves. Hailing from the vibrant city of Buffalo, NY, this genre-defying crew is turning heads once again with their latest single, “Moonlight Shoreside.” Led by the dynamic duo of Connor Getz and Jacob Frasier, The Good Neighbors are on a mission to blur the lines between jazz, pop, and indie, and let me tell you, they’re doing it with style.

“Moonlight Shoreside” isn’t just a song; it’s a vibe. Picture this: you’re strolling along the shore on a balmy summer night, the moon casting its silvery glow over the sand. The air is thick with anticipation as you steal glances at your companion, wondering if tonight’s the night when sparks will fly. That’s the energy The Good Neighbors bring to the table with this track.

From the get-go, “Moonlight Shoreside” hooks you in with its infectious melodies and irresistible groove. The combination of shimmering synths, funky basslines, and crisp percussion creates a sonic tapestry that’s as intoxicating as a sea breeze on a hot day. Seriously, try listening to this song without tapping your foot – I dare you.

But it’s not just the music that’s got us hooked; it’s the story behind the song that really pulls at the heartstrings. “Moonlight Shoreside” is a tale of longing and uncertainty, set against the backdrop of a moonlit rendezvous by the water. As the lyrics unfold, we’re drawn into a world of whispered secrets and stolen moments, where the line between friendship and something more becomes increasingly blurred.

In the chorus, vocalist Connor Getz lays it all on the line, his voice dripping with emotion as he sings, “Now the others are all gone. Why continue to lead me on?” It’s a gut-wrenching plea for clarity in the midst of confusion, and it hits you right in the feels.

But don’t let the heavy subject matter fool you – “Moonlight Shoreside” is also a whole lot of fun. There’s a playful energy running through the track that’s impossible to resist, like a game of cat and mouse between two star-crossed lovers. It’s the kind of song that makes you want to grab your crush by the hand and dance the night away under the moonlight.

Ultimately, “Moonlight Shoreside” is a certified bop that’s guaranteed to get you in your feelings and on your feet at the same time. The Good Neighbors have knocked it out of the park once again with this one, delivering a track that’s equal parts sexy, soulful, and downright addictive.

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