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Gold Casio Impress With Their Debut Album Disco Hits Radio (Or, The Ecstasy of Ego Death)

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Gold Casio are set to entrance populations through space-age disco and electrifying visuals. Based in Brooklyn, New York, the group’s advanced sounds blend indie-tronic dance rhythms and pulsing psychedelic pop, pulling from a broad spectrum of influences ranging from ‘80s art pop, nu disco, electro funk and more. With beats and rhythms that ooze Daft Punk or Justice, paired with vocals that sound like a Blondie meets Talking Heads super group, listeners are guaranteed to get these infectious melodies stuck in their heads.

Since releasing a series of ear-worming singles since 2020, the group have been busy in the lab concocting their debut album, Disco Hits Radio (Or, The Ecstasy of Ego Death), which is out now. Featuring a genre-defying journey of psychedelic pop, the album is poised to take over headphones and dancefloors across the globe. With 20 tracks in total, including the captivating lead single “Womp”, the album marks the start of an exciting new chapter for the group.

Building upon the pastiche of early synthpop and late ‘00s electroclash that’s informed the outfit’s career to date, Disco Hits Radio’s 20 tracks run the gamut of electronic music from the last four decades. Whether it’s indulging in self-serious ‘80s melodrama Human League-style from a shutter shade viewpoint (“Osaka Nights”, “Moon Lady”), employing the signature angularity and sing-speak of classic new wave (“Womp”, “$$”), leaning into the saccharine, poptimistic earnestness (“Champagne Kisses”, “Centerfold”) or basking in dulcet disco (“The Ecstasy of Ego Death Pt. 2”, “Revolver”), the breadth of influences on Disco Hits Radio are emblematic of a band at the top of their game.

Speaking further on the album, Gold Casio say, “When we began putting together the album, we were drawing inspiration from a lot of pretty disparate places, and the songs were leaning in a lot of different sonic directions; it was a pretty diverse batch. We started thinking about how to connect the dots and draw it together into a cohesive work, and we began imagining the idea of creating this cosmic mixtape or an inter-dimensional pop radio station.

“We realised an underlying theme was pop songwriting approached from many different production standpoints and imagined that the connectivity and flow between songs could be a uniting factor. That spawned the idea that grew into the broader album concept, which we then worked into putting the album together as a whole, connecting songs in continuous flow and creating transitions to make it feel like not just an album but a cohesive whole artistic work.” Disco Hits Radio (Or, The Ecstasy of Ego Death) is available to buy/stream now on all platforms: https://sparta.ffm.to/discohitsradio.

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Feelgood Frequencies: Why CR Srikanth’s “Dancing in the Dark – VS Pop™” Is The Sonic Hug You Didn’t Know You Needed

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If you’ve been looking for a track that feels like a warm, nostalgic hug wrapped in shimmering synths, CR Srikanth’s new single “Dancing in the Dark – VS Pop™” might be exactly what you need. It offers a beautiful balance of emotional depth and danceable energy, pulling you out of your head and into a place where you can just breathe, feel, and move. In a world that often feels overwhelming, this track delivers a sense of calm and release.

Srikanth, a US-based Indian composer and sonic storyteller, has carved out a unique musical space with his self-created genre, VS Pop™ (Very Smooth Pop). Drawing from vintage 1980s synthpop, ambient soundscapes, and cinematic orchestral touches, he’s crafted a style that feels both familiar and forward-thinking. “Dancing in the Dark” continues that evolution. It is at once intimate and expansive, polished yet deeply human.

The track features vocals from Junior Paez, whose delivery adds emotional texture to the lyrics. There’s a quiet honesty in lines like “Don’t you think you’re losing your mind again?” and “Hold on, I’ll take you a little higher tonight.” These words speak to the chaos we often feel inside, but instead of staying stuck there, the song encourages movement, connection, and hope. It is music that acknowledges the darkness but chooses to dance through it anyway.

The production is rich with shimmering arpeggiators, retro synth bass, and crisp electronic drums. It brings together nostalgia and futurism in a way that feels effortless. Imagine flickering neon lights, soft motion blur, and the kind of energy that makes you want to close your eyes and sway. It is cinematic but never overwhelming. Every layer serves the emotion at the heart of the track.

What makes “Dancing in the Dark” so appealing is how well it adapts to your mood. Whether you’re heading out for a solo night drive, setting the vibe for a weekend gathering, or simply lying on your bed in need of a reset, this song fits the moment. It never pushes too hard, but it always lands exactly where it needs to. There is something comforting about how sure of itself it feels.

CR Srikanth is not just making music for the sake of it. He is building emotional landscapes for listeners to get lost in and to find themselves again. With “Dancing in the Dark – VS Pop™,” he offers more than just a catchy tune. He gives us space to reflect, to feel seen, and to find joy in the act of simply moving forward. So press play, turn it up, and let yourself be lifted. This one’s for the heart, the soul, and the feet.

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