We Speak Music
goldenbloom is back with “HEating”
Goldenbloom’s latest release, “HEating”, not only delivers a powerful post-punk anthem but also holds a unique story behind its title. As the band reveals, the spelling of “HEating” is a clever portmanteau, combining the two words mentioned in the chorus: heating and eating. This creative fusion mirrors the thematic depth of the track itself.
Recorded at Brighton Electric over two intense days, “HEating” showcases goldenbloom’s return to the spotlight with a bang. Collaborating with Tigercub’s lead singer, Jamie Stephen Hall, and Grammy-nominated engineer Robin Schmidt for mastering, the track boasts a sonic punch that demands attention.
The inspiration behind “HEating” stems from the harsh reality faced by many households today. Jordan Walker explains that the song reflects the daunting choices people are forced to make between heating their homes or putting food on the table amidst rising utility prices and the overall cost of living crisis.
“HEating” encapsulates the anger and frustration of those dealing with the relentless pressures of financial instability. goldenbloom’s signature sound, characterized by intense vocals and driving instrumentation, turns the track into a cathartic anthem for the disillusioned.
For fans of post-punk music seeking substance and depth, “HEating” offers an unforgettable listening experience that lingers long after the final chord fades away.
Photo credit: Lauren Andrews
London-based multi-instrumentalist and producer Waz-u returns with his second album, Preludes: Dusk Psalms, set for release on 16 May 2025 via independent label Biodiversity. The 15-track record further refines the artistic depth of his debut, blending electronic textures and classical compositional techniques in an intricate, immersive listening experience.
Ahead of the album release, Waz-u is dropping an exclusive vocal version of ‘Vermillion: G Major’ from the album, accompanied by its original instrumental version. ‘Vermillion’ with Lilyg will be released on 18 April 2025, evoking intimate indie-folk and pop and follows the release of a vocal version of ‘Lament’ with Tom Norrington. ‘The singles are a way to give a voice to the atmosphere of the record and to lyrically encapsulate some of the themes explored,’ explains Waz-u. ‘Lily and Tom are good friends of mine and have both been listening to early iterations of these preludes – it felt right to involve them directly on this record.’
‘Preludes: Dusk Psalms’ marks a new branch of Waz-u’s emerging sound, guided by the duality of tradition and innovation. Combining his musical roots in early ‘90s dub techno and classical music, the album weaves carefully layered synthesizers and electronics to evoke the ambience of sacred music — from the gentle timbres of a choir or an organ to the quiet, open, and reverberating spaces of a church. Also featured throughout the album is experimental musician G9 LUV, who creates textures and drones by bowing his bass guitar, resulting in cello-like sounds. The release follows Waz-u’s 2024 debut LP, Prayer For Dawn, which merged dub, techno, and electronica in an exploration of the ritualistic traditions associated with both organized religion and dance.
Bringing the album’s themes to life, Waz-u will celebrate the release of Preludes: Dusk Psalms with a special performance at Our Holy Redeemer in Clerkenwell, London on 14 May 2025. Set against the church’s resonant acoustics, the event will feature live performance arrangements, including a choir, with further details to be announced soon.
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