We Speak Music
Hannah Schneider teases new album with vibrant new single ‘Lighthouse’
At a time when AI is taking over the music industry, Hannah Schneider takes a different path on her new album ‘In This Room’ which is scheduled for release in Spring 2026. In a desire for human presence in the recording process, Hannah invited musicians she admired into her residency at the historical Thorvaldsens Museum in Copenhagen to create music.
’If these walls could talk, what would they say?’ was the inspiration behind the process. There, in the Thorvaldsens Museum, the composition and recording phase was turned on its head to investigate what happens when acoustic orchestral instruments are the very starting point. The new music is based on string effects, organic sounds, breathing and overtones, and is a distinctive mix of electronic beats, catchy melodies and modern compositions.
Produced with longtime collaborator Christian Balvig (When Saints Go Machine, and arranger for BBC Proms) and featuring Efterklang frontman Caspar Clausen, and drummer and vocalist Øyunn, amongst others, Hannah Schneider’s new record see’s her in a new lane to her previous critically acclaimed solo albums, but with the same brilliance that has established her as as one of the strongest voices in Denmark throughout her career. Her music has been used extensively in film, television and on some of the largest theater stages in Scandinavia and in 2023 and 2024 she won the Danish composers prize ‘Carl Prisen’ together with the contemporary jazz duo Kaleiido, for her work on the albums “Elements” and “Places”.
As a composer, Hannah has made a strong mark in recent years, where she has created commissioned pieces for several of the essential museums and cultural institutions across Denmark. From 2016-2021, Hannah was one half of the electronic duo AyOwA, which combine noise pop with vapor wave and melodies with improvisation in an atmospheric and playful mix with a dreamy approach. The duo has received international attention with their remarkable sound and songs, and has received airplay from BBC Radio 1 and BBC 6 Music and press acclaim from The Huffington Post, Wonderland Magazine and Clash to name a few. Hannah is also part of the performance duo Philip | Schneider, who create seductive spatial compositions and installations that engage the body, ears and mind. Starting from the voice, they explore the boundaries between the worlds of music and art.
All of these recent developments and experiences have fed wonderfully into ’In This Room’, the first taster of which is Hannah’s vibrant new single ‘Lighthouse’,which she’s now ready to unveil. Bursting with anticipation, ’Lighthouse’ describes the dizzying state of waking up in the middle of a troubling dream. With swirling strings and electronic beats, the track captures the listener in a chilling embrace.

We Speak Music
Irish Blues Survivor Paddy Smith Brings a Remarkable Story of Music, Loss and Redemption to The Andrew Eborn Show
Irish blues-rock veteran Paddy Smith opens up about surviving the streets of Chicago, battling alcoholism, losing his daughter and transforming a lifetime of pain into powerful music.

There are musicians who sing the blues, and then there are musicians who have lived them.
Irish singer, songwriter and acclaimed harmonica player Paddy Smith belongs firmly in the second category.
Smith recently joined The Andrew Eborn Show for a deeply personal conversation about the extraordinary journey behind his music — a life that has taken him through addiction, homelessness, devastating loss, sobriety and ultimately redemption.
The interview, titled “Irish Blues Legend Survived Chicago Streets, Lost His Daughter & Battled the Bottle – Paddy Smith,” gives audiences a revealing look at the man behind one of Ireland’s most authentic blues-rock voices.

For Smith, the blues has never been an image or a musical pose. His songs have been shaped by experiences most people would struggle simply to survive.
At one point in his life, Smith found himself living on the streets of Chicago while battling alcoholism. He eventually fought his way back, but another unimaginable tragedy would follow when his 17-year-old daughter, Ciara, died from cystic fibrosis in 2010.
Rather than hiding from those chapters of his life, Smith has increasingly allowed them to become part of his music.
That honesty is at the heart of his acclaimed album Could Have Found Grace, an eight-track collection steeped in hardship, survival, resilience and the possibility of redemption.
The album represents something deeper than another release in Smith’s career. It feels like the musical autobiography of a man looking back at where he has been without pretending the scars have disappeared.
Smith has spoken openly about drawing inspiration from his own life experiences, and that authenticity can be heard throughout his work. His gravel-edged vocals, harmonica playing and blues-rock arrangements carry the weight of someone who understands the stories he’s singing because he has actually lived them.

Could Have Found Grace was created with guitarist Danny Tobin and features an impressive group of musicians, including Aongus Ralston of The Waterboys on bass, Jason Duffy of The Corrs on drums and keyboard player James Delaney, whose credits include work with Van Morrison, Rory Gallagher and Chuck Berry. The album was produced by Ivan Jackman at Hellfire Studios in Dublin.
Yet impressive credits aren’t what make Paddy Smith compelling.
It’s the survival.
It’s the willingness to talk about alcoholism without romanticizing it, grief without exploiting it and redemption without pretending that redemption erases what came before.
That makes Smith particularly well suited to The Andrew Eborn Show, where Andrew Eborn’s conversations frequently move beyond conventional celebrity interviews to uncover the stories behind the public persona.
During Smith’s appearance, audiences get something much more interesting than a musician simply promoting an album. They meet a survivor whose relationship with music has been forged through decades of experience.
Smith has cited artists including Muddy Waters among his earliest influences, while his own sound combines traditional blues with rock, folk and the raw energy of the Irish music scene. He’s also expressed admiration for artists ranging from Rory Gallagher and Phil Lynott to contemporary Irish band Fontaines D.C.
The result is music that respects the blues tradition without sounding trapped inside it.
Perhaps the most powerful thing about Paddy Smith’s story is that the difficult chapters haven’t disappeared. They’ve simply been transformed.
The streets, the bottle, the loss and the years of rebuilding are still there — but now they’re inside the songs.
And that’s exactly where the blues has always found its greatest power.
Watch Paddy Smith’s revealing appearance on The Andrew Eborn Show:
https://youtu.be/B_UlT2qB8Z8
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