We Speak Music
HIGHWAYVES deal with escapism with intense alt-rock whirlwind ‘Evie’!

HIGHWAYVES (HWYVES) are from the North West and have honed a sound that races from spacious to suffocating, combining the dark aggression of grunge with dreamlike swathes of shoegaze. Each piece punctuated with intimate, poetic lyricism that feel both personal yet incredibly universal. HIGHWAYVES are unashamedly earnest, laying bare their deepest emotions for all to join in a form of collective catharsis.
HIGHWAYVES take an obsessive approach to their art; writing, recording, and producing their own music as well as writing, directing and editing their videos. Their uncompromising approach is the key to creating an unassailable connection with their audience.
New HIGHWAYVES single “EVIE” is a slick, fuzzed-up track that soars to epic heights. A tidal wave of gritty emotion and effervescent guitars, it’s impossible not to get swept up in the track’s chorus as it twists and turns through its verses of underbelly episodes which conjure 90s nostalgia shot through to full raw power into a highly charged energy that lifts the track through to an intense whirlwind of scream-a-long anthem levels.
On the darker tones underpinning the track, HIGHWAYVES lead singer & lyricist Brad explains; “EVIE’ is heavily based on people I knew growing up who turned to drugs as a form of escapism. It’s endemic for young people where I grew up to feel a sense of entrapment and stagnation when they hit their late teens/early 20s. This is especially true if you’re drawn to city life and have a desire to be in a place where things happen. A lot of the time this manifests itself in a way that makes these kids do everything they can when they get an opportunity, whether that be drugs, sex… whatever.”
He continues, “Most people come out the other side more or less unscathed. But some people really fuck up their lives. I’ve been really close to people who have gone far down that road, it can get really really dark. Luckily those people close to me came back around and have gone on to lead great lives, but a lot never get that chance. It can happen to anyone and often it’s people you would never expect, people on the surface level who have a life that people would kill to have”.
“EVIE” wasn’t written to make a political point or say HIGHWAYVES have an answer to the issues that Brad has seen growing up. It’s not to criticise the people who this happens to, and it’s certainly not to romanticise the lifestyle but the track is here to shine a light on it and say, “Look, this is happening. We can’t deny that it’s happening, and it can happen to anyone.”
HIGHWAYVES will be heading on tour in the UK in 2024 and setting their sights further afield soon after. “EVIE” is the latest piece that will ultimately culminate in an album-length body of work in 2024.

We Speak Music
Acclaimed US singer-songwriter Juliet Lloyd to tour the UK for the first time this summer.

Shortly after releasing her sophomore album in 2007, US-based singer-songwriter Juliet Lloyd walked away from music completely for more than 10 years, feeling burned out and unhappy with her career progression like so many other independent artists. After going through a divorce in 2019 and in the midst of a global pandemic, she found herself pulled back toward the siren call of songwriting and again making the leap to pursue it full time. Her latest album ‘Carnival’, released in 2024, is in many ways the culmination of those decisions, and the reintroduction of an artist who now has the wisdom of experience.
There’s an unmistakable urgency you can feel when a song is written and performed from a place of complete honesty. That feeling permeates ‘Carnival’. “I’ve always been envious of writers who say they write songs because they have to, because they had these things they just had to get out of themselves,” Juliet says. “I had never really felt that way until this album. I’ve become someone who writes because they have to.”
Stylistically, ‘Carnival’ draws on a range of influences from Laurel Canyon-era singer/songwriters, to Lilith Fair rockers, to confessional country/folk balladeers, to indie pop. The central theme of the record and that of its title track is not being too precious about any one experience or decision. Take them for what they are, live in the moment, and move on when they’re done. It acknowledges also that memory can be subjective, and ambiguous—was an experience ultimately a good thing or a bad thing? And whose memory can you rely on to determine the answer to that question?
‘Carnival’ doesn’t just deal with the complexities of ending relationships, it also deals with all the feelings that come with moving on. The album’snine songs feature evocative storytelling that reveals a simple truth: when the carnival inevitably leaves town, you’re left with an empty parking lot. And how you remember, it is a choice. As Juliet sings in the title track, “If only there was a way you could bottle up that feeling / and you’d drink it in / when the days are short and you long.”
Across her 20+ year career, Juliet has been admittedly stylistically non-monogamous. Her first full-length album, ‘All Dressed Up’, was released in 2005 and was heavily jazz-influenced- a label that she rejected at the time. “I am a piano player and a woman, so I was immediately compared to Norah Jones—and I bristled at that,” Juliet says. “Listening back now, I can totally see that it was true, and it of course wasn’t a bad thing.” Her follow-up release ‘Leave the Light On,’ came out two years later and featured a slick piano-pop production that led to five of its songs being placed on reality TV shows on MTV and VH1. Coming back after her 10-year break from writing and recording, Juliet released ‘High Road’, a collection of five Americana/soul-tinged songs produced by Jim Ebert (Meredith Brooks, Shai) that earned her widespread recognition and songwriting awards both in her home region of DC as well as nationally.
Now with her first ever UK tour scheduled for July 2025, Juliet has also dropped a completely brand-new single ‘Wild Again’, which like ‘Carnival’, was written with and produced by Todd Wright (Lucy Woodward, Butch Walker, Toby Lightman). ‘Wild Again’, however, charts yet another new step in Juliet’s journey.
“Carnival’, is full of deeply personal songs that are drawn from my real-life experiences and relationships. Coming out of that album cycle, I was feeling a little exhausted by my own navel-gazing and I was craving inspiration elsewhere. So, a lot of the songs I’m writing now are an evolution of sorts – focused more on external stimuli and finding the personal stories and humanity in that. Wild Again is a perfect example of this,” she explains.
The idea for ‘Wild Again’ was born out of a NY Times podcast Juliet listened to about the real-life efforts to return the whale that played Willy in the iconic movie ‘Free Willy’ back into the wild.
“It’s an insane, heartbreaking story that asks all kinds of thorny questions about human responsibility and humility and what’s the “right” thing to do and is that the same as the “kind” thing to do. There was a line that one of the trainers said in the podcast, explaining that they were trying to “train him to be wild again.” The complete absurdity of that statement hit me in the moment, and I immediately started jotting down lyrical ideas”, Juliet says.
Catch Juliet Lloyd on her UK tour this July:
1st July: The Folklore Rooms / Brighton
2nd July: The Hyde Tavern / Winchester
3rd July: Hen and Chicken / Bristol (CRH Music promotions)
4th July: Artisan Tap Hartshill / Stoke-on-Trent
5th July: Waggon & Horses, Nottingham
6th July: Cafe#9 / Sheffield
7th July: Hyde Park Book Club / Leeds
10th July: FortyFive Vinyl Café / York
11th July: The Muddy Puddle / London
13th July: The Wrotham Arms / Broadstairs

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