We Speak Music
HIGHWAYVES deal with escapism with intense alt-rock whirlwind ‘Evie’!
HIGHWAYVES (HWYVES) are from the North West and have honed a sound that races from spacious to suffocating, combining the dark aggression of grunge with dreamlike swathes of shoegaze. Each piece punctuated with intimate, poetic lyricism that feel both personal yet incredibly universal. HIGHWAYVES are unashamedly earnest, laying bare their deepest emotions for all to join in a form of collective catharsis.
HIGHWAYVES take an obsessive approach to their art; writing, recording, and producing their own music as well as writing, directing and editing their videos. Their uncompromising approach is the key to creating an unassailable connection with their audience.
New HIGHWAYVES single “EVIE” is a slick, fuzzed-up track that soars to epic heights. A tidal wave of gritty emotion and effervescent guitars, it’s impossible not to get swept up in the track’s chorus as it twists and turns through its verses of underbelly episodes which conjure 90s nostalgia shot through to full raw power into a highly charged energy that lifts the track through to an intense whirlwind of scream-a-long anthem levels.
On the darker tones underpinning the track, HIGHWAYVES lead singer & lyricist Brad explains; “EVIE’ is heavily based on people I knew growing up who turned to drugs as a form of escapism. It’s endemic for young people where I grew up to feel a sense of entrapment and stagnation when they hit their late teens/early 20s. This is especially true if you’re drawn to city life and have a desire to be in a place where things happen. A lot of the time this manifests itself in a way that makes these kids do everything they can when they get an opportunity, whether that be drugs, sex… whatever.”
He continues, “Most people come out the other side more or less unscathed. But some people really fuck up their lives. I’ve been really close to people who have gone far down that road, it can get really really dark. Luckily those people close to me came back around and have gone on to lead great lives, but a lot never get that chance. It can happen to anyone and often it’s people you would never expect, people on the surface level who have a life that people would kill to have”.
“EVIE” wasn’t written to make a political point or say HIGHWAYVES have an answer to the issues that Brad has seen growing up. It’s not to criticise the people who this happens to, and it’s certainly not to romanticise the lifestyle but the track is here to shine a light on it and say, “Look, this is happening. We can’t deny that it’s happening, and it can happen to anyone.”
HIGHWAYVES will be heading on tour in the UK in 2024 and setting their sights further afield soon after. “EVIE” is the latest piece that will ultimately culminate in an album-length body of work in 2024.
London-based multi-instrumentalist and producer Waz-u returns with his second album, Preludes: Dusk Psalms, set for release on 16 May 2025 via independent label Biodiversity. The 15-track record further refines the artistic depth of his debut, blending electronic textures and classical compositional techniques in an intricate, immersive listening experience.
Ahead of the album release, Waz-u is dropping an exclusive vocal version of ‘Vermillion: G Major’ from the album, accompanied by its original instrumental version. ‘Vermillion’ with Lilyg will be released on 18 April 2025, evoking intimate indie-folk and pop and follows the release of a vocal version of ‘Lament’ with Tom Norrington. ‘The singles are a way to give a voice to the atmosphere of the record and to lyrically encapsulate some of the themes explored,’ explains Waz-u. ‘Lily and Tom are good friends of mine and have both been listening to early iterations of these preludes – it felt right to involve them directly on this record.’
‘Preludes: Dusk Psalms’ marks a new branch of Waz-u’s emerging sound, guided by the duality of tradition and innovation. Combining his musical roots in early ‘90s dub techno and classical music, the album weaves carefully layered synthesizers and electronics to evoke the ambience of sacred music — from the gentle timbres of a choir or an organ to the quiet, open, and reverberating spaces of a church. Also featured throughout the album is experimental musician G9 LUV, who creates textures and drones by bowing his bass guitar, resulting in cello-like sounds. The release follows Waz-u’s 2024 debut LP, Prayer For Dawn, which merged dub, techno, and electronica in an exploration of the ritualistic traditions associated with both organized religion and dance.
Bringing the album’s themes to life, Waz-u will celebrate the release of Preludes: Dusk Psalms with a special performance at Our Holy Redeemer in Clerkenwell, London on 14 May 2025. Set against the church’s resonant acoustics, the event will feature live performance arrangements, including a choir, with further details to be announced soon.
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