We Speak Music

Hope Easton Releases Heartfelt and Humorous New Wedding Song “3D Life”

Published

11 months ago

May 29, 2025

A Song for Family, Love, and Life’s Beautiful Complexity

Acclaimed cellist, vocalist, and composer Hope Easton announces the release of her latest single, “3D Life,” a vibrant, funny, and deeply personal song written for her niece and goddaughter, Leylan, on the occasion of her wedding to David. The song is now available on all major streaming platforms.

Blending humor, sentimentality, and a rich musical palette, “3D Life” captures the spirit of a modern wedding anthem—with a wink. Easton draws from inside family jokes, generational wisdom, and musical traditions to craft a piece that feels as timeless as it is tailor-made.

“It’s her wedding song—with a little humor, it could easily be in Wedding Crashers,” says Easton with a smile. “It’s really about life, and how we go through everything together.”

The track reflects on family legacy—quoting the bride’s grandfather’s dry wit (“You can’t always be happy” after watching someone get married) and celebrating the bride’s connection to her talented maternal grandmother, Easton’s own mother. With loving candor, Hope jokes that Leylan is the only one of six nieces who can’t sing—but inherited all the other gifts. “In the end,” Easton says, “it’s about love. We’re all here to love one another, or we wouldn’t be here.”

“3D Life” concludes with a nod to the couple’s new shared last name, now known affectionately as “The Swifts.”

About Hope Easton
Hope Easton is a genre-defying musical force. Classically trained at Cleveland Institute of Music, New England Conservatory, and as a Fulbright Scholar under Ralph Kirshbaum in the UK, she has performed as a soloist since her teenage years—including appearances at Carnegie Hall and Lincoln Center at age 15. She has performed in renowned festivals such as Aspen, Banff, Meadowmount, and Yellow Barn.

Now based in Los Angeles, Easton fuses her classical foundation with pop, jazz, and original songwriting. She’s toured with Sheila Nicholls, formed her own band Hope & The Russians, and frequently performs solo using electric and acoustic cello. Her ensemble, Sonos Chamber Players, provides high-end music for private events, corporate gigs, and public venues, including TV appearances on The Bold and the Beautiful and more.

Hope has collaborated with artists such as Adele, Sheryl Crow, OneRepublic, Garth Brooks, Don Henley, Frank Ocean, and many others. Her studio credits span top networks and commercials, including The Voice, American Idol, The Tonight Show, and multiple national ad campaigns.

She continues to perform with orchestras across Southern California, record for film/TV scores, and share moments of her eclectic musical journey via social media.

We Speak Electronic

Reece Rosé Bottles the Feeling on “Misbehaving”

Published

1 day ago

May 1, 2026

Joni Jones

Reece Rosé is not trying to reinvent the wheel. He is here to remind you why it worked in the first place. With “Misbehaving”, the rising electronic artist taps into something instantly familiar, then flips it into a feel-good house cut that lands right where nostalgia meets the dancefloor.

Teaming up with Capri Everitt, Reece Rosé leans into warm textures and groove-driven production that echo the roots of early ’90s house and UK garage. The result is effortless but intentional. Smooth chords, playful rhythms, and just enough bounce to keep things moving without overcomplicating the mood.

“Misbehaving” plays like a memory you did not realize you still had. Late nights, no responsibilities, music loud enough to blur everything else. It pulls from that space where time felt slower but nights somehow lasted longer. “It’s a reminder of those carefree high school days, when life felt simple, the nights felt endless, and the only thing that mattered was the music and the memories we were making,” Rosé explains. And that feeling runs through every second of the track.

What makes it click is that it never gets stuck in the past. The influences are clear, but the execution stays sharp and current. This is not revival for the sake of it. It is a continuation. Rosé understands the DNA of dance music and builds on it, keeping the energy light, summery, and forward-facing.

That balance is quickly becoming his signature. With international airplay on Kiss FM UK and Insomniac Radio, plus support from names like AC Slater, Zeds Dead, Boombox Cartel, DJ Q, REH4B, and DJ Craze, his momentum is building in all the right places. On Beatport, his releases are already making noise, proving that his sound connects both in clubs and beyond.

“Misbehaving” does not try too hard. It does not need to. It is light, nostalgic, and built to move. The kind of track that makes you look back for a second, then pulls you straight into the moment.