We Speak Indie Artist
‘Infinity War’ record opening revised to $257.7M
“Avengers: Infinity War” was even bigger than previously estimated.
The Walt Disney Co. on Monday reported final weekend numbers for the superhero smash at $257.7 million in U.S. and Canadian theaters, further boosting the film’s record-breaking opening weekend.
The revised figure was due to unexpectedly strong Sunday ticket sales, Disney said. The Marvel blockbuster grossed $69.2 million on Sunday, besting the record held by “Star Wars: The Force Awakens” by more than $8 million.
Disney had forecast a $250 million debut, which topped the $248 million record set by “The Force Awakens” in 2015. Accounting for inflation, “The Force Awakens” would still narrowly edge “Infinity War” by a few million.
Marvel now holds six of the top 10 opening weekends of all time, with Disney accounting for nine of the 10. “Infinity War” also set a new global opening weekend record with ticket sales exceeding $630 million worldwide.
The top 20 movies at U.S. and Canadian theaters Friday through Sunday, followed by distribution studio, gross, number of theater locations, average receipts per location, total gross and number of weeks in release, as compiled Monday by comScore:
1. “Avengers: Infinity War,” Disney, $257,698,183, 4,474 locations, $57,599 average, $257,698,183, 1 Week.
2. “A Quiet Place,” Paramount, $11,004,977, 3,565 locations, $3,087 average, $148,528,278, 4 Weeks.
3. “I Feel Pretty,” STX Entertainment, $8,176,757, 3,440 locations, $2,377 average, $29,620,318, 2 Weeks.
4. “Rampage,” Warner Bros., $7,205,315, 3,508 locations, $2,054 average, $78,030,872, 3 Weeks.
5. “Black Panther,” Disney, $4,736,428, 1,650 locations, $2,871 average, $688,364,917, 11 Weeks.
6. “Super Troopers 2,” 20th Century Fox, $3,729,287, 2,125 locations, $1,755 average, $22,214,216, 2 Weeks.
7. “Truth or Dare,” Universal, $3,268,145, 2,420 locations, $1,350 average, $35,374,140, 3 Weeks.
8. “Blockers,” Universal, $2,975,260, 2,324 locations, $1,280 average, $53,246,750, 4 Weeks.
9. “Ready Player One,” Warner Bros., $2,563,325, 2,365 locations, $1,084 average, $130,811,543, 5 Weeks.
10. “Traffik,” Lionsgate, $1,654,694, 1,046 locations, $1,582 average, $6,786,968, 2 Weeks.
11. “Isle of Dogs,” Fox Searchlight, $1,427,275, 1,001 locations, $1,426 average, $27,047,998, 6 Weeks.
12. “MET Opera: Cendrillon (2018),” Fathom Events, $1,300,000, 900 locations, $1,444 average, $1,300,000, 1 Week.
13. “A Wrinkle in Time,” Disney, $981,856, 371 locations, $2,647 average, $94,930,902, 8 Weeks.
14. “I Can Only Imagine,” Roadside Attractions, $777,709, 970 locations, $802 average, $81,084,294, 7 Weeks.
15. “Chappaquiddick,” Entertainment Studios Motion Pictures, $694,989, 704 locations, $987 average, $15,808,830, 4 Weeks.
16. “Sherlock Gnomes,” Paramount, $673,943, 731 locations, $922 average, $40,637,943, 6 Weeks.
17. “Tyler Perry’s Acrimony,” Lionsgate, $640,477, 540 locations, $1,186 average, $42,223,020, 5 Weeks.
18. “Bharat Ane Nenu,” Great India Films, $366,996, 189 locations, $1,942 average, $3,156,805, 2 Weeks.
19. “You Were Never Really Here,” Amazon Studios, $350,105, 233 locations, $1,503 average, $1,793,481, 4 Weeks.
20. “The Miracle Season,” MIRR/LD, $290,939, 430 locations, $677 average, $9,441,585, 4 Weeks.
We Speak Indie Artist
FRGN-SPCMN’s RIDE AROUND THE SUN: A Masterpiece of Sound, Reflection, and Emotional Depth
North Carolina-based producer duo FRGN-SPCMN, composed of Ronnie Belle and André Jones, have crafted an album that feels as much like a personal diary as it does a universal meditation. RIDE AROUND THE SUN is a vivid exploration of life’s complexities, set against a backdrop of experimental beats, rich instrumentation, and hauntingly introspective lyrics. Known for their collaborations with Coast Contra and TDE’s Lance Skiiiwalker, as well as their contributions to Issa Rae’s Insecure soundtrack, FRGN-SPCMN have taken their own artistry to new heights with this release.
At its core, RIDE AROUND THE SUN is a reflection on the dualities that define our existence—pain and pleasure, chaos and calm, struggle and growth. The title track, featuring Mez and Ace Henderson, serves as the album’s emotional anchor. Mez’s poignant storytelling tackles systemic struggles and personal resilience, while Henderson’s smooth, reflective chorus encapsulates the perpetual search for peace and meaning. The lyric, “Round and round the sun again, I feel like I should go,” feels like a mantra for anyone grappling with the cyclical nature of life’s challenges.
The production throughout the album is strikingly cinematic. Inspired by a transformative trip to Joshua Tree, Belle and Jones weave together sounds that evoke the vastness of the desert. Tracks like “TO THE SKY” and “LOVE IN VEIN” combine earthy guitar riffs, subtle electronic flourishes, and layered percussion, creating a soundscape that feels both grounded and surreal. The duo’s ability to create space within their music allows listeners to lose themselves in its expansiveness while connecting deeply to the themes it explores.
What sets this album apart is its pacing and cohesion. FRGN-SPCMN have mastered the art of creating a narrative arc within their music. From the contemplative opener (“DAWN”) to the meditative closer (“CABANA BLUE”), each track feels intentional and interconnected. The tempos remain largely laid-back, but there’s an underlying tension—a pull that mirrors the unpredictability of life. It’s the kind of album that rewards repeated listens, with new details revealing themselves each time.
Beyond the sonics, RIDE AROUND THE SUN is a call for empathy and understanding. The duo’s message is clear: while our individual journeys may differ, we are all passengers on this shared ride around the sun. It’s an album that doesn’t just entertain but challenges the listener to reflect on their place in the world.
In a time when music often feels disposable, FRGN-SPCMN have delivered a project that demands attention and reflection. RIDE AROUND THE SUN is a masterpiece of sound and substance—a reminder of the beauty and complexity of the human experience. For those seeking depth, emotion, and artistry, this album is not to be missed.
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