We Speak Electronic
Lose Yourself in “wishful outcomes’ by literally the moon
“wishful outcomes” the latest release by Baltic producer literally the moon, is a mesmerizing meditation on those moments when life doesn’t go as planned. It blends layers of contemporary ambient music into a delicate yet melancholic soundscape that intentionally promises more than it delivers.
The track blends together mystical elusiveness and a pronounced bassline, drawing from both ethereal and dark ambient influences. Subtle melodic hints of ambient trance and grime add depth to the track, creating a foggy, dreamlike world where glimmers of hope flicker within an undercurrent of uncertainty and surrender. With each listen, new layers reveal themselves, making it impossible to hear just once.
Based in Latvia, literally the moon creates music inspired by pine forests, lonely beaches, and social anxiety.
Whether for unwinding, meditating, or simply seeking a track that transports them to another realm, “wishful outcomes” delivers. The intricate layering and immersive textures make it a song worth revisiting—again and again. Now available on all streaming platforms, it invites listeners to get lost in its hypnotic embrace.
Brooklyn duo Dancing In Tongues return with their new single “Petri Dish” and it lands like a quiet exhale in a loud world.
Built from soft-focus electronics, delicate rhythms, and vocals that feel almost whispered into the room, “Petri Dish” is less a traditional single and more a suspended moment. It drifts, pulses, and holds its breath in all the right places.
The track is the first glimpse of their upcoming 4-track EP of the same name, due 3rd July, and was written and produced in Berlin with Lucas Herweg (LLUCID) and Jacob Bergson (TAUT), working together as Designer.
At its core, “Petri Dish” comes from something deeply personal: the duo’s experience with IVF. Rather than framing it in heavy-handed terms, the song captures the emotional weather of it all; the waiting, the hope that arrives faster than you expect and the strange stillness that sits alongside it.
That duality runs through everything here. The production feels weightless but never empty with shimmering synths that blur at the edges, textures gently fold into one another, and the rhythm never quite settles into certainty. It moves the way thoughts do when you’re waiting for news you can’t control.
Vocally, Sarah Martin-Nuss stays close to the mic, almost conversational at times, which makes the emotional impact feel even more direct. There’s no performance of grandeur here, just presence, honesty, and space to feel things as they are.
Dancing In Tongues have always worked in that in-between zone where electronic music becomes something more tactile and personal, and “Petri Dish” is no exception.
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