We Speak Music

Marsha Swanson Releases New Song “Like An Angel”

Published

1 year ago

April 3, 2025

Emily

Now out, Marsha Swanson’s most recent track, “Like An Angel,” has already started to stir among listeners of progressive pop. Released on January 31, 2025, the song, which offers a very personal experience, honours the one-year anniversary of her album “Near Life Experience” which came out in 2024.

The track was originally an untitled ghost track from the album and it has been re-recorded with a live band and a string section, bringing a new level of emotional depth. It was produced at Echo Zoo Studios by Henry (King Thumb) Thomas, whose credits include Randy Crawford and Paul Weller, the track blends the ethereal beauty of the original with a fresh, dynamic arrangement. The lineup of talented musicians—Martyn Barker (drums), Tony Qunta (guitar), and Anders Olinder (keyboards)—adds to its lush, atmospheric sound.

Inspired by those who have departed but still lead us, in life “Like An Angel” pushes into themes of love, acceptance, and remembrance accompanied by a visually spectacular video filmed by award-winning filmmaker Sam Chegini. Comparisons to the work of Kate Bush and Tori Amos help one to really relate to the spiritual and cinematic sense of the song.

Having already reached the semi-finals of the UK Songwriting Contest, “Like An Angel” reinforces Swanson’s reputation for insightful lyricism and compelling compositions. With continued airplay and critical acclaim, the single stands as a powerful testament to her artistry—a gift to listeners and a celebration of the album’s lasting impact.

We Speak Music

Mané’s ‘The Goddess in the Room’ Turns Self-Discovery Into Sonic World-Building

Published

5 hours ago

June 2, 2026

Philomena Marie

There is a remarkable sense of intention running through The Goddess in the Room, the latest project from Swiss artist Mané. Blending alternative electronic pop with ritualistic percussion and spiritual symbolism, the album presents itself as both a personal statement and a carefully constructed narrative. Across its nine tracks, Mané explores identity, healing, queerness, and empowerment with impressive clarity of vision.

The opening track, “The GODDESS in the Room,” functions as both invitation and thesis statement. It introduces listeners to a world where intuition and self-trust become guiding principles, while establishing the atmospheric production style that shapes much of the record. The song’s spacious arrangement creates room for reflection, a quality that becomes one of the album’s defining characteristics.

That introspection deepens on “perles de sang” and “sappho.” The former grapples with inherited pain and bodily experience, while the latter offers a moving celebration of queer identity. Throughout these songs, Mané avoids reducing complex themes to slogans, instead allowing emotional nuance to emerge through carefully crafted songwriting and evocative imagery.

Musically, the album reaches some of its most intriguing moments on “)O(” and “moonstones.” Both tracks highlight Mané’s growing confidence as a sonic architect, blending electronic textures with organic rhythmic elements inspired by shamanic practice. The resulting sound feels immersive and transportive without losing its emotional immediacy.

Meanwhile, “j’serai tjr là” and “chocolate con sangre” provide some of the record’s most vulnerable moments. Here, Mané strips back some of the conceptual grandeur to focus on connection, memory, and emotional endurance. These songs reveal an artist equally capable of intimate storytelling and ambitious world-building.

The penultimate track, “Witches,” injects a surge of collective energy into the album’s narrative. Drawing on themes of resistance and feminine power, it stands as one of the project’s most direct statements while retaining its atmospheric sophistication. It is both politically resonant and emotionally charged.

By the time “ALIGNED” closes the record, the journey feels complete. Not because all questions have been answered, but because the search itself has become meaningful. The Goddess in the Room succeeds through its commitment to authenticity and vision, establishing Mané as an artist unafraid to follow her own path, wherever it may lead.

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