We Speak Indie Artist
Marvel’s ‘Black Panther’ Tops $500M After Record $65M Third Weekend

Black Panther just snagged a jaw-dropping $65.7 million in its third weekend of domestic release. That’s the third-biggest third weekend of all time, behind only Avatar ($69m in 2010) and Star: The Force Awakens ($90m in 2016). Both of those respective third frames occurred when the Friday was on New Years’ Day. Black Panther is thus the biggest third-weekend gross for a movie that didn’t have any holiday boost. If you want to adjust for inflation, the Black Panther’s third-weekend gross is the fourth-biggest of all time, behind only Spider-Man ($71m adjusted), Avatar ($79m adjusted) and Star Wars: The Force Awakens ($96m adjusted).
Like Jurassic World, it needed just 17 days to get to $500 million domestic, which will be one day slower than The Last Jedi and seven days slower than The Force Awakens. Boy, the studio that distributed Black Panther is gonna be pissed that it took longer to top $500m than those last two episodic Star Wars movies. In all seriousness, the ridiculous hold arguably implies that Black Panther will eventually catch up to The Last Jedi in day-to-day grosses. But it might take a moment, which just goes to show that year-end Christmas/New Years advantage.
It has already passed Finding Dory to become the tenth-biggest U.S. grosser of all time, with a final landing spot of between seventh place and fifth place by the time it wraps up. Either way, this gives Walt Disney 15 of the top 30 domestic earners of all time, with 12 of those being in just the last six years. That’s a terrifying monopoly on the top-tier of mega-bucks franchises, which is why (all due respect), you might want to be rooting for Deadpool 2 and Jurassic World: Fallen Kingdom to kick unholy butt this summer.
Among comic book superhero flicks, it sits behind only The Dark Knight ($1 billion in 2008), The Dark Knight Rises ($1.1b in 2012), Captain America: Civil War ($1.1b in 2016), Iron Man 3 ($1.2b in 2013), Avengers: Age of Ultron ($1.4b in 2015) and The Avengers ($1.5b in 2012). Yes, it’s going to make a play for Iron Man 3’s milestone as the biggest solo superhero flick worldwide. Yes, it’s thus-far tracking for a solid bow in China next weekend. No, it doesn’t need to hit a home run in China to prove anything. Come what may, Black Panther is already a glorious smash hit.
Your move, Teen Titans Go to the Movies!.
We Speak Indie Artist
Marz Starlife Makes A Striking First Impression With Healing

Every once in a while, a debut comes along that doesn’t just introduce an artist – it reveals a soul. Marz Starlife’s first EP, Healing, is exactly that. It’s raw, it’s heartfelt, and it doesn’t pretend to have everything figured out. Instead, it leans into the messiness of real life – the mistakes, the heartbreak, the isolation – and tries to make sense of it all through music. Born in Jamaica, raised in the UK, and now back on the island, Marz brings a cross-cultural perspective to his storytelling, but at the heart of Healing is something deeply human: the need to reckon with the past in order to move forward.
Across the project’s standout tracks, Marz doesn’t hold back. In Bad Memories, he opens up about years lost to incarceration, fractured relationships, and the weight of regret. “Spent four birthdays locked up, baby remember me please,” he raps, in a tone that’s both matter-of-fact and aching. The production stays subdued and moody, letting the lyrics breathe. There’s no glorification of the streets here, only reflection. He admits to being young and caught up in the chase for fast money, but he also shows growth, making it clear that he’s not the same person he once was. It’s a track that lingers, not because it tries to be flashy, but because it feels real.
The title track, Healing, is where everything clicks. Marz taps into something almost spiritual as he raps, “I turn pain into power, darkness to light.” The song is layered with poetic lines and subtle emotional shifts, balancing toughness with tenderness. There’s a determination to rise above, even when the scars still sting. He reflects on his upbringing, his time in the streets, and the inner battles he continues to fight. “No shrink can understand how I’m feeling,” he says, and honestly, it’s hard not to believe him. The pain here is too specific, too lived-in. But instead of letting it swallow him, he uses it to fuel something greater.
What’s refreshing about Healing is that it doesn’t try to fit neatly into any one genre or narrative. Marz blends elements of UK hip-hop, Jamaican rhythm, and emotional rap into something that feels uniquely his own. He’s not here to be the loudest or the flashiest; he’s here to be honest. And in a world full of over-produced, over-polished music, that honesty stands out.
With Healing, Marz Starlife has given us more than a debut; he’s given us a mirror into his journey, and maybe even our own. Whether you’ve lived through similar struggles or are just someone who appreciates music with depth and heart, this EP is worth your time. It’s a reminder that healing isn’t linear, but it’s possible, and that sometimes telling your story is the most powerful thing you can do.
-
We Speak Music1 week ago
New Episode: RIMIDI Brings Raw Soul & Real Talk to “Music Therapy & Motivation” Podcast
-
We Speak Entertainment1 week ago
Roq-e: The Next Big Thing in Hip-Hop
-
We Speak Music1 week ago
Jamal Gasol drops “Return Of The Threat” (Video)
-
We Speak Music1 week ago
DiElle ‘Atlas’: An Intimate Soundscape of Growth and Discovery