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Nana Yaw Ofori-Atta Releases ‘Onyame Ben’ – First Track from His Debut EP Solitude

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An authentic blend of highlife and gospel, “Onyame Ben” celebrates God’s greatness with the richness of Ghanaian sounds.
Ghanaian gospel artist Nana Yaw Ofori-Atta is excited to release “Onyame Ben,” the first single from his debut EP Solitude, distributed by HFP Music. With a vibrant highlife groove and a simple yet powerful chorus, Onyame Ben is an uplifting anthem that projects the greatness of God in the best Ghanaian way possible.
Recorded live at 2020 Live Studios, Solitude is brought to life by a talented lineup of musicians, including Christian Edem Taylor Jr. on cajon and as co-producer, Kwame Banson Aninakwa on lead guitar, Nana Kwaku Ohene-Bekoe on lead guitar, and Papa Kojo Anamoah-Arthur on bass and as co-producer. Expertly mixed and mastered by David Dvnks, the EP reflects Nana Yaw’s vision of creating music that goes beyond worship into a realm of deep, authentic expression birthed in the secret place.
Unlike traditional worship the EP, Solitude showcases the creative inspiration drawn from personal reflection and communion with God, allowing Nana Yaw to delve into new artistic territories. Onyame Ben sets the tone, offering audiences a blend of Ghanaian rhythms and heartfelt praise that’s both timeless and refreshingly contemporary.
Onyame Ben is now available on all major streaming platforms, marking the beginning of a journey through Solitude that will bring listeners closer to the unique fusion of faith and highlife sound Nana Yaw Ofori-Atta embodies.
Listen to Onyame Ben now and experience a fresh expression of gospel music rooted in Ghanaian tradition and creativity.
About Nana Yaw Ofori-Atta
Nana Yaw Ofori-Atta is a Ghanaian gospel musician dedicated to combining authentic Ghanaian sounds with messages of faith. Distributed by HFP Music, Nana Yaw’s music invites listeners to discover a new side of gospel music through creativity birthed in the secret place, blending cultural heritage with the profound truths of faith.

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Megan Burke Turns Personal Experience into Pop Catharsis on ‘Not All Men, Apparently’

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Megan Burke’s debut EP Not All Men, Apparently arrives with a title designed to provoke conversation, but beneath its pointed framing lies a deeply personal collection of songs rooted in lived experience. The project sees the Irish artist tackling themes of heartbreak, deception and emotional recovery with an unfiltered honesty that has become increasingly rare within contemporary pop.

Produced by Hungarian hitmaker Áron Somody, the EP documents Burke’s journey through a series of difficult relationships, transforming private frustrations into universally relatable songwriting. Rather than presenting neat resolutions, the songs lean into complexity, examining the lingering impact of toxic dynamics while charting a gradual path towards self-awareness. It is this willingness to confront uncomfortable truths that gives the record its emotional weight.

Among the collection’s standout moments is Make Me, the focus track that introduces a welcome sense of levity. Written as a break from the darker material surrounding it, the song captures a more playful side of Burke’s personality, embracing independence and spontaneity without abandoning the candid perspective that defines the wider project. Its inclusion adds balance to a release that might otherwise feel relentlessly introspective.

Burke’s rise has been built largely on her ability to connect directly with audiences, amassing a substantial online following while earning notable milestones including a No.1 iTunes chart position and performances at some of Ireland’s biggest venues. With Not All Men, Apparently, she delivers her most cohesive artistic statement yet, confirming her status as a compelling new voice in Irish pop and a songwriter unafraid to tell difficult stories.

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