We Speak Music
ODO Shares New EP ‘The less we are, the more I am’
Hailing from Belgium, ODO is a youthful, dynamic rock trio that is well-known for their excellent, inventive rock, and exciting live performances.
One of ODO’s greatest moments was their performance at Gentse Feesten in the summer of last year, capping the Trefpunt stage with an incredible display. They opened for PJDS at an AB Club that was packed, and they dominated stages such as Hindu Nights, Charlatan, Theatre Aan Zee, and Ville En Vert. With their performance, the band already caught the interest of reviewers and music enthusiasts. The monthly magazine HUMO even named them among the most promising bands of 2023.
The band’s performances have already captured the attention of music enthusiasts and critics, earning them recognition as one of the most promising bands of 2023 in the weekly magazine HUMO. ODO has received enthusiastic praise and found its place in several Spotify playlists alongside tracks by DIRK., Black Box Revelation, and Ramkot.
Returning with their highly-anticipated debut EP, The less we are, the more I am, their vibrant sounds showcase their high-quality music on the collection of seven tracks that provide listeners with a raw and emotional experience. The tracks explore themes of loss, love, struggle, and grief via a heartbreaking blend of high-intensity rock anthems and soul-stirring acoustic ballads.
The band collaborated in their studio and practice space for two years while creating the EP. Their discography reflects their creative and boundless mindset, as they move between genres with unparalleled ease and adaptability with elements of indie-pop, indie-rock, pop rock, hard rock, and pop punk. Filled with enchanting melodies and engaging instrumentation, this mesmerising collection of songs will transport listeners into a realm of captivating soundscapes.
ODO’s enthusiastic rock sound has captured fans’ attention since the release of the EP. Every note reflects their love for music and dedication to their craft, leaving listeners excitedly anticipating the next exciting chapter in their captivating musical journey.
‘Oh My Mind’ is a song built on an infectious, straightforward, guitar riff, with contemplative lyrics about needing help and the fear of asking for it.
‘What A Life’ is a high-energy rock song about love, time distance, and the feeling of longing for someone you can’t keep close to. With a captivating guitar riff ending in an explosive solo.
‘Pretend’ is a heartfelt semi-acoustic pop song about heartbreak and the constant fear of losing someone, feeling like it is no one’s fault but your own.
‘How About You’ is a short, fast-paced song with punk influencers, about a struggle to keep someone close and not lose one another in conflict.
‘Fire’ is a classic love-driven rock song. It describes emotions recognizable to all. The song has a slow build-up and culminates in an epic guitar solo.
‘Long Way Down’ is a classic rock song with a catchy riff that draws you in from the first second. It is about a relationship on the rocks and the hopelessness that comes with it.
‘One Last Time’ is an ode to everyone we miss and would love to hold again. It’s an emotional rollercoaster with a recognizable chorus that you can instantly sing along to.
On the release, ODO comments, “It’s about the complexity of being young, love, loss, joy, and disaster”.
ODO are paving their way into the music scene with their promising sound. For more updates on them, please visit their social media and streaming platforms.
We Speak Music
Acclaimed US singer-songwriter Juliet Lloyd to tour the UK for the first time this summer.

Shortly after releasing her sophomore album in 2007, US-based singer-songwriter Juliet Lloyd walked away from music completely for more than 10 years, feeling burned out and unhappy with her career progression like so many other independent artists. After going through a divorce in 2019 and in the midst of a global pandemic, she found herself pulled back toward the siren call of songwriting and again making the leap to pursue it full time. Her latest album ‘Carnival’, released in 2024, is in many ways the culmination of those decisions, and the reintroduction of an artist who now has the wisdom of experience.
There’s an unmistakable urgency you can feel when a song is written and performed from a place of complete honesty. That feeling permeates ‘Carnival’. “I’ve always been envious of writers who say they write songs because they have to, because they had these things they just had to get out of themselves,” Juliet says. “I had never really felt that way until this album. I’ve become someone who writes because they have to.”
Stylistically, ‘Carnival’ draws on a range of influences from Laurel Canyon-era singer/songwriters, to Lilith Fair rockers, to confessional country/folk balladeers, to indie pop. The central theme of the record and that of its title track is not being too precious about any one experience or decision. Take them for what they are, live in the moment, and move on when they’re done. It acknowledges also that memory can be subjective, and ambiguous—was an experience ultimately a good thing or a bad thing? And whose memory can you rely on to determine the answer to that question?
‘Carnival’ doesn’t just deal with the complexities of ending relationships, it also deals with all the feelings that come with moving on. The album’snine songs feature evocative storytelling that reveals a simple truth: when the carnival inevitably leaves town, you’re left with an empty parking lot. And how you remember, it is a choice. As Juliet sings in the title track, “If only there was a way you could bottle up that feeling / and you’d drink it in / when the days are short and you long.”
Across her 20+ year career, Juliet has been admittedly stylistically non-monogamous. Her first full-length album, ‘All Dressed Up’, was released in 2005 and was heavily jazz-influenced- a label that she rejected at the time. “I am a piano player and a woman, so I was immediately compared to Norah Jones—and I bristled at that,” Juliet says. “Listening back now, I can totally see that it was true, and it of course wasn’t a bad thing.” Her follow-up release ‘Leave the Light On,’ came out two years later and featured a slick piano-pop production that led to five of its songs being placed on reality TV shows on MTV and VH1. Coming back after her 10-year break from writing and recording, Juliet released ‘High Road’, a collection of five Americana/soul-tinged songs produced by Jim Ebert (Meredith Brooks, Shai) that earned her widespread recognition and songwriting awards both in her home region of DC as well as nationally.
Now with her first ever UK tour scheduled for July 2025, Juliet has also dropped a completely brand-new single ‘Wild Again’, which like ‘Carnival’, was written with and produced by Todd Wright (Lucy Woodward, Butch Walker, Toby Lightman). ‘Wild Again’, however, charts yet another new step in Juliet’s journey.
“Carnival’, is full of deeply personal songs that are drawn from my real-life experiences and relationships. Coming out of that album cycle, I was feeling a little exhausted by my own navel-gazing and I was craving inspiration elsewhere. So, a lot of the songs I’m writing now are an evolution of sorts – focused more on external stimuli and finding the personal stories and humanity in that. Wild Again is a perfect example of this,” she explains.
The idea for ‘Wild Again’ was born out of a NY Times podcast Juliet listened to about the real-life efforts to return the whale that played Willy in the iconic movie ‘Free Willy’ back into the wild.
“It’s an insane, heartbreaking story that asks all kinds of thorny questions about human responsibility and humility and what’s the “right” thing to do and is that the same as the “kind” thing to do. There was a line that one of the trainers said in the podcast, explaining that they were trying to “train him to be wild again.” The complete absurdity of that statement hit me in the moment, and I immediately started jotting down lyrical ideas”, Juliet says.
Catch Juliet Lloyd on her UK tour this July:
1st July: The Folklore Rooms / Brighton
2nd July: The Hyde Tavern / Winchester
3rd July: Hen and Chicken / Bristol (CRH Music promotions)
4th July: Artisan Tap Hartshill / Stoke-on-Trent
5th July: Waggon & Horses, Nottingham
6th July: Cafe#9 / Sheffield
7th July: Hyde Park Book Club / Leeds
10th July: FortyFive Vinyl Café / York
11th July: The Muddy Puddle / London
13th July: The Wrotham Arms / Broadstairs

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