We Speak Indie Artist
ODXC Drops New EP In the Dungeon: Chapter Two Alongside New Single “R T R Freestyle”
“Completely unexpected yet perfectly executed” — GRM Daily
“ODXC’s production remains impressive” — Link Up TV
Fast-rising producer ODXC has returned with his brand-new EP, In the Dungeon: Chapter Two, a six-track collection that incorporates the captivating fusion of drill, hip-hop, grime and R&B that the producer from Tottenham, north London, has become known for. The project also features previous singles “Margins” and “Don’t Reason”. Released last year, the pair of tracks went on to become his most streamed to date and marked him out as an artist to watch out for in 2022.
In the Dungeon: Chapter Two follows up last year’s In the Dungeon: Chapter One. Chapter Two is on track to be even bigger and sees the talented producer once again shine a light on future stars and collaborate with a host of different artists and vocalists from around the UK. And when paired with ODXC’s dynamic and versatile genre-spanning productions, it makes for a fascinating listen from start to finish.
Speaking further on the project, ODXC says, “As a producer, networking is very important to me and during the lockdown this became more apparent. I wanted to create an inclusive platform for all types of artists and genres, shining a light on artists who wouldn’t get the opportunity especially during the lockdown, which was hard for many people. I never like to pigeonhole myself, so the second chapter has a variety of sounds and genres like R&B, grime, rap and drill.”
The project is led by new grime single “R T R Freestyle”, which features north London MC Ben DSP. Elaborating further, ODXC says, “I have always had a love for grime, and I’ve wanted to work with Ben DSP for a while. Ben has been on my radar since I noticed him shelling down shows throughout 2020. This is our first release and not the last. We have great chemistry in the studio, so we will definitely cook up more tracks in the future.” Ben added, “Whenever I hear a grime or grime-inspired beat, it brings playful and fun bars out of me and this was no different. OD’s got good energy, so we just fed off each other really. First of many together I’m sure.”
“R T R Freestyle” and the rest of In the Dungeon: Chapter Two are available to buy/stream now on all platforms: https://lnk.to/IntheDungeonChapterTwo.
We Speak Indie Artist
Plain Mister Smith Pieces Together a World of Sound on Bric-À-Brac Attack
Plain Mister Smith returns with Bric-À-Brac Attack, a beautifully offbeat collection of indie-folk, pop and atmospheric songwriting. Released via Amelia Records, the album finds the Vancouver and London-based multi-hyphenate turning fragments of memory, relationships and everyday absurdity into something quietly cinematic.
At its centre is “Grindavik”, a shimmering, reflective track inspired by the Icelandic town shaped by recent volcanic activity. Bright acoustic guitars and steady drums carry a constantly shifting chord progression, mirroring the song’s central metaphor of a relationship under pressure and the hope that its fissures can eventually heal. Featuring Jordan Klassen and Kitt, the track captures the emotional tension that runs throughout the album.
Elsewhere, Bric-À-Brac Attack moves effortlessly between playful guitar-driven moments, lush arrangements and more introspective passages. “Miss Sunshine” brings infectious energy, while collaborations with Findlay Brown, Leeroy Stagger, Krystle Dos Santos and Tyson Mostenbocher add colour to an already eclectic record.
Former guitarist of Canadian darkwave band Moev and a cellist with the Vancouver Philharmonic Orchestra, Plain Mister Smith brings an unusually broad musical perspective to his songwriting. Yet Bric-a-Brac attack never feels overly calculated. Instead, it has the charm of something discovered rather than constructed.
Warm, strange, melodic and emotionally searching, Bric-À-Brac Attack is a record that rewards getting lost in its details. Plain Mister Smith may remain deliberately mysterious, but the music itself speaks with remarkable clarity.
Photo credit: Sandra Lockwood
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