We Speak Music
Rosemary Schonfeld brings an acid-humour approach to homophobia with new single ‘Everyone Hates Lesbians’
Following recent single ‘Chorus of Friends and Jean’, Rosemary Schonfeld is set to release new single ‘Everyone Hates Lesbians’ as the next taster of her forthcoming rock opera concept album ‘Sandy and Jean’.
As track 7 out of the 12 on the album, which is set in the 1980s against the backdrop of the homophobic legislation introduced by the Tories: Section 28, the song follows the story of Sandy and Jean’s lesbian relationship and how Sandy cannot find the courage to leave her husband, Jon. Both Sandy and Jean have children, and Jean is a teacher. In the 1980s Lesbian mothers could lose custody of their children when they left their husband and gay teachers were at risk of being sacked if they came out.
With a Dorothy Parker and Edith Sitwell-like acid-humour approach to homophobia, ‘Everyone Hates Lesbians’ charts the history of anti-gay and lesbian persecution over the past two thousand years, bringing us to Section 28 in the UK in the 1980s. Jean, a teacher, who has recently come out and is over the moon about her new relationship with Sandy, has talked to a friend about how happy she is, and how she wants to share her wonderful news with everyone. Jean’s friend is much more savvy and tries to explain to her the reasons why it is not safe for her to do so.
Musically, the track is an upbeat bouncy number, with an accordion adding a Balkan-folk feel, as Rosemary expresses the intense back and forth of Sandy and Jean’s dilemma with tantalising acerbic wit. Whilst having the feel of being part of a musical, with a fun novelty theatrical chaos abounding the song, ‘Everyone Hates Lesbians’ also stands forthrightly on its own as an important new anti-homophobic anthem with a serious message for 2025 and beyond.

We Speak Music
J. Jefferson & Brian Gentile Drops New Single ‘A Red Red Rose’
J. Jefferson & Brian Gentile’s ‘A Red Red Rose’ is a haunting introduction to their forthcoming project, combining dark folk, Americana and Scottish storytelling into a deeply emotional listening experience. The song draws inspiration from the spirit of Robert Burns without attempting to simply reproduce his celebrated work. Instead, it takes the themes of enduring love and separation and gives them a fresh contemporary setting.
The atmosphere is one of the track’s greatest strengths. From its lyrical imagery to its spacious musical arrangement, the song feels almost cinematic in its presentation. Photographs, deserted roads and wide open skies become powerful symbols of memory and distance. These details give the listener a strong visual impression while reinforcing the song’s central idea that genuine connection can survive even when people and places are separated.
There is also an impressive balance between intimacy and scale. The songwriting feels personal and vulnerable, but the overall production creates a much larger emotional landscape. Fans of Gregory Alan Isakov, Nick Cave and The White Buffalo may find familiar qualities in the combination of storytelling, darkness and Americana influences, although the duo bring their own perspective to the sound.
As part of ‘Scotland – A Love Letter’. Fourteen Postcards from the Highlands, the single feels particularly meaningful. The wider project looks beyond conventional travel imagery and instead focuses on the emotional connections created by landscapes, people and experiences. This makes the song feel like more than a standalone release. It becomes one part of a larger musical portrait of Scotland.
‘A Red Red Rose’ succeeds because it feels sincere rather than overstated. J. Jefferson & Brian Gentile allow the music and storytelling to take centre stage, creating a song that is atmospheric without losing its human warmth. It is a thoughtful piece of modern folk and an intriguing preview of what promises to be a richly emotional project.
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