We Speak Music
Rosemary Schonfeld brings an acid-humour approach to homophobia with new single ‘Everyone Hates Lesbians’
Following recent single ‘Chorus of Friends and Jean’, Rosemary Schonfeld is set to release new single ‘Everyone Hates Lesbians’ as the next taster of her forthcoming rock opera concept album ‘Sandy and Jean’.
As track 7 out of the 12 on the album, which is set in the 1980s against the backdrop of the homophobic legislation introduced by the Tories: Section 28, the song follows the story of Sandy and Jean’s lesbian relationship and how Sandy cannot find the courage to leave her husband, Jon. Both Sandy and Jean have children, and Jean is a teacher. In the 1980s Lesbian mothers could lose custody of their children when they left their husband and gay teachers were at risk of being sacked if they came out.
With a Dorothy Parker and Edith Sitwell-like acid-humour approach to homophobia, ‘Everyone Hates Lesbians’ charts the history of anti-gay and lesbian persecution over the past two thousand years, bringing us to Section 28 in the UK in the 1980s. Jean, a teacher, who has recently come out and is over the moon about her new relationship with Sandy, has talked to a friend about how happy she is, and how she wants to share her wonderful news with everyone. Jean’s friend is much more savvy and tries to explain to her the reasons why it is not safe for her to do so.
Musically, the track is an upbeat bouncy number, with an accordion adding a Balkan-folk feel, as Rosemary expresses the intense back and forth of Sandy and Jean’s dilemma with tantalising acerbic wit. Whilst having the feel of being part of a musical, with a fun novelty theatrical chaos abounding the song, ‘Everyone Hates Lesbians’ also stands forthrightly on its own as an important new anti-homophobic anthem with a serious message for 2025 and beyond.

We Speak Music
Fanny Alexandra Introduces A New Side Of Her Sound With “Black Pearl Summer”
Swiss artist Fanny Alexandra returns with “Black Pearl Summer”, a new single that finds her exploring a more open side of her alternative sound. Released via Now Listen, the track combines coastal imagery with a story about growing through grief, pressure and the experiences that can shape a person over time.
Alexandra notes that the song is relatively summery by her own standards. She has said that her music is usually darker and that she has never been particularly drawn to the typical idea of summer, preferring cold air, jackets and rugged coastlines. That gives the release a clear sense of personality from the outset.
The song centres on Alexandra’s reflections on being 19 and spending years focused on survival rather than fully living. Those experiences are presented through the image of a black pearl, which becomes a way of considering how something worthwhile can emerge from a challenging period.
What makes the track particularly effective is the balance between its subject matter and its musical approach. The production gives the song room to breathe, while Alexandra keeps the focus firmly on the story she is telling. It means the track can be enjoyed as a seasonal release while still offering more to discover in the lyrics.
There is also a clear sense of change in the way Alexandra approaches her younger self. The song is not about returning to that period or trying to erase it. Instead, it considers what can be learned from experiences that once felt overwhelming.
“Black Pearl Summer” therefore offers newcomers a useful introduction to Alexandra’s work. It shows an artist comfortable writing about serious subjects, while also demonstrating a lighter musical side that may not be as familiar to listeners who know her darker material.
It is an interesting glimpse of what Alexandra can do when she lets a little more light into the picture.
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