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Roslyn Kind Guests On “If These Walls Could Talk” With Hosts Wendy Stuart and Tym Moss Wednesday, August 7th, 2024 

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Who else but hosts Wendy Stuart and Tym Moss could “spill the tea” on their weekly show “If These Walls Could Talk” live from Pangea Restaurant on the Lower Eastside of NYC, with their unique style of honest, and emotional interviews, sharing the fascinating backstory of celebrities, entertainers, recording artists, writers and artists and bringing their audience along for a fantastic ride.  

Roslyn Kind will be a featured guest on “If These Walls Could Talk” with hosts Wendy Stuart and Tym Moss on Wednesday, August 7th,  2024 at 2 PM ET live from the infamous Pangea Restaurant.

Wendy Stuart is an author, celebrity interviewer, model, filmmaker and along with If These Walls Could Talk she hosts TriVersity Talk, a weekly web series with featured guests discussing their lives, activism and pressing issues in the LGBTQ Community. 

Tym Moss is a popular NYC singer, actor, and radio/tv host who recently starred in the hit indie film “JUNK” to critical acclaim. 

Roslyn Kind is a dynamic, multi-talented entertainer who has forged a successful career in all facets of entertainment from critically acclaimed recordings to sold-out performances on Broadway and in top concert venues and nightclubs the world over. Ms. Kind recently performed with her sister, Barbra Streisand, during an 8 city US/Canadian tour and a 6 city International tour, which brought her to acclaimed venues including the Hollywood Bowl, The 02 Arena in London and Rogers Arena in Vancouver. In addition to performing historic duets with her sister, Ms. Kind shared the stage with her nephew Jason Gould and famed trumpeteer Chris Botti.

A vibrant musical artist, Ms. Kind is familiar to both national and international audiences for her headlining appearances at some of the most prestigious venues including Lincoln Center, The Greek Theater and London’s Cafe Royal.  The London Times noted “To say she is superb would be an understatement.” In 2006 she made her long awaited and received Carnegie Hall debut with her frequent musical collaborator and friend, Michael Feinstein.

She began her performing career while still in her teens with the release of her first album, Give Me You. A whirlwind of performing activity followed including engagements at the nation’s top nightclubs, acclaim from Time Magazine and three appearances on The Ed Sullivan Show leading up to her show-stopping New York debut at the Plaza Hotel’s legendary Persian Room.

Her follow up singles and a second album, This is Roslyn Kind, showcased her growth as a recording artist comfortable in a wide range of musical genres.  Ms. Kind’s latest CD release, Come What May, which the New York Times described as “splendid and sizzling,” further establishes her reputation as a virtuoso vocalist possessing impeccable phrasing, a richness and clarity of tone and an undeniable emotional connection to her always first-rate material.

Concurrent with her recording career, Ms. Kind is an accomplished theatrical performer.  On Broadway, she starred in the crowd-pleasing musical revue 3 from Brooklyn.  Additional theatrical credits include the Off-Broadway production of Show Me Where the Good Times Are, Leader of the Pack and Ferguson the Tailor. She also stopped the show in a critically lauded Los Angeles production of William Finn’s Elegies; The Hollywood Reporter noted, “Roslyn Kind sings like a dream.”

Ms. Kind’s extensive list of television credits include the film Switched at Birth, multiple episodes of NBC’s Gimme a Break, Throb starring Jane Leeves and a humorously memorable turn as herself on CBS’s The Nanny. This appearance also showcased her talent as a songwriter in a performance of her composition, Light of Love.  She also performed the title song for the made-for-TV movie Not Just Another Affair, as well as the song Hold On for the award-winning film Tru Loved. Roslyn appeared in the Hallmark movie “Ladies of the House” with Florence Henderson and Donna Mills.  Ms. Kind has appeared on virtually every major talk/variety show including the Tonight Show, Saturday Night Live, Entertainment Tonight, Access Hollywood and Good Morning America.  Among her international television credits are England’s Pebble Mill Show, Canada’s Musique Plus, and Unscripted Bio as well as For Me, Formidable, a Charles Aznavour special for European TV co-starring Dusty Springfield. In motion pictures, Ms. Kind has had starring roles in The Underachievers and I’m Going to Be Famous.

Ms. Kind also takes pride in her work for various animal welfare, Alzheimer’s and AIDS related charitable organizations including HSUS, APLA and Broadway Cares Equity Fights AIDS for which she contributed a song selection to Cabaret Noel, a volume in their annual series of holiday CD releases. Rolsyn has recently become a proud member of the Sea Angels, women supporting women by awarding grants to grassroots, female founded, non-profit organizations that provide mentorship, funding and resources to a diverse portfolio a of womens and girls causes.

One of the premiere interpreters of popular song, Roslyn Kind continues to succeed in every new facet of her performing career delighting audiences with her spellbinding talent. Roslyn’s unique artistry is equally at home on stage, screen and disc.

The New York Post summed it up best “She’s so good on so many levels; it’s difficult to categorize her. This elegant, beautiful, petite, dynamo delight rules the stage with a royal command that demands adoration from every seat in the house.”  A native of Brooklyn, New York she currently resides in Los Angeles.

Please check out Rozzie’s latest digital releases and videos: “Save the Country,” “Light of Love,” and the newest, “It Only Takes A Moment / Kiss Her Now” on YouTube.

Watch Roslyn Kind on “If These Walls Could Talk” with hosts Wendy Stuart and Tym Moss on YouTube here:

Subscribe and listen to “If These Walls Could Talk” on Apple Podcasts/iTunes here:

https://podcasts.apple.com/us/podcast/if-these-walls-could-talk/id1561221158

We Speak Actors

Chi Lewis-Parry takes on the role of Phoebus in Ridley Scott’s ‘Gladiator II’

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Chi Lewis-Parry, actor and accomplished stunt performer, steps into the arena as Phoebus in Ridley Scott’s highly anticipated ‘Gladiator II’. Opposite acclaimed actor Paul Mescal, Lewis-Perry joins an impressive cast, including the legendary Denzel Washington and the esteemed Derek Jacobi. As he brings the mythological figure of Phoebus to life on the big screen, Lewis-Perry shares a glimpse into the demanding process, the intensity of the role, and what it’s like to work alongside cinematic icons in this monumental sequel.

Can you walk us through the journey of landing the role in ‘Gladiator II’? What was that experience like for you?

“Absolutely, I’ll never forget it. My agent called me in for an audition, only hinting that it was a Ridley Scott film and advising me to prepare for a physically demanding day with the stunt team—which was music to my ears. The audition was intense; we filmed various fight sequences and pre-visualizations that were sent to Ridley. As fate would have it, the fight choreographer for ‘Gladiator II’ was my close friend, Cali Nelle. A few days later, he reached out to let me know Ridley had seen my tape and was considering me for a specific role. The whole experience was unforgettable, right down to the bruises and exhaustion afterwards (laughs). The rest is history.”

Photo credit: Paramount Pictures

In ‘Gladiator II’, you play the role of Phoebus. What specific training or research did you undergo to bring this character to life?

“After landing the role, I went straight into character exploration, eager to bring depth and authenticity to Phoebus. In Greek mythology, Phoebus is another name for Apollo, the god of the sun, light, and truth, symbolising both divine strength and enlightenment. He’s also associated with music, poetry, and healing—a complex figure embodying qualities of beauty, power, and even a sense of justice. I spent time researching these facets of Apollo, looking at classical art and sculpture to understand how he was portrayed across centuries.

At first, I focused on his physicality—his stance, his posture, even subtle gestures that might convey his god-like nature—but ultimately, I realised that overanalysing wasn’t helping. When I finally set foot in the very arena where Maximus (Russell Crowe) once fought Commodus (Joaquin Phoenix), I felt an indescribable energy, almost as if the legacy of the first film was imprinted in the sand.

“That ancient atmosphere brought an electricity to my performance, making me feel connected to something greater.”

“It was in that moment that Phoebus truly came to life, not just as a mythical figure but as a warrior who understood both the beauty and brutality of his world.”

Who were your main scene partners in the film, and how did you work together to bring out the story’s intensity?

“Most of my scenes were with the lead, Paul Mescal, which was an incredible experience. I also had the privilege of sharing the space with the legendary Denzel Washington and the remarkable Derek Jacobi. It was surreal working alongside such icons.”

Photo credit: Aidan Monaghan

How would you describe your overall experience working on this film, especially considering its scale and historical legacy?

“This experience is something truly rare—there’s only been one Gladiator before, and that was 24 years ago, so stepping into this sequel feels historic. To be the right age and the right person for this second instalment, alongside such incredible talent, is such a privilege. It’s humbling beyond words to be part of a project with this kind of legacy, and I say that with the deepest respect and gratitude for everyone who made it possible.”

Do you have any upcoming projects on the horizon that you’re particularly excited about?

“Gladiator II has prepared me in so many ways for what’s on the horizon, particularly by pushing me to new limits physically and creatively.”


“I’m especially thrilled about reuniting with Danny Boyle soon; he’s someone I deeply respect as both an artist and a visionary director. He has an incredible eye for storytelling, and working with him feels like a masterclass. There are a few things I can’t reveal just yet, but let’s just say, I’m very excited for what’s next, and I think the audience will be too!”

Featured photo credit: Full Frame Atelier

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