Connect with us

We Speak Entertainment

Russell Simmons Resigns Following Second Sexual Assault Allegation From Screenwriter Jenny Lumet, Russell Simmons Responds

Published

on

Russell-Simmons_Jenny_Lumet

Jenny Lumet says she and Russell Simmons knew each other for years, before the assault. Take a look at her story below:

You had a car and a driver that evening. Sometime later, you offered me a ride to my home. I said, “Sure.” During the making of the RUN DMC movie, I had been in vans with you and other crew members. I don’t recall having accepted a ride home alone with you before that night.

At no time that night did I say: “Russell, I will go home with you,” or “Come home with me,” or “I will have sex with you” or “I have the desire to have sex with you.”

I believe it was an SUV, because I recall having to step up into the car. I don’t know about makes or models. I think the driver was already in the car.

I got into the car with you. The driver began to drive. I assumed you knew where I lived, because you had sent me 250 balloons, but I gave the driver my address on 19th Street and 2nd Avenue.

You said to the driver: “No.”

I didn’t understand, so I said: “Russell?”

I said, again, to the driver: “19th Street.”

Again you said to the driver: “No.”

Then the car doors locked. It was loud. The noise made me jump.

I didn’t recognize you at that moment. It was disorienting. It was disorienting. I say it twice now because you said “No” twice then.

I couldn’t open the doors. I couldn’t open the windows. The car was moving. The driver did not stop. He did not take me to 19th Street. He took me to your apartment.

I didn’t try to kick the windows out. I didn’t punch or kick. I didn’t say, “What are you doing?” My voice left me after the second “No.”

I felt dread and disorientation. I wanted to go home. I said I wanted to go home. I didn’t recognize the man next to me. I didn’t know if the situation would turn violent. I remember thinking that I must be crazy. I remember hoping that the Russell I knew would return any moment.

The car stopped at the curb. I don’t recall the street. I recall the driver opening the door from the outside, and you behind me. I was between the two of you. Not wedged, just in the space between you. I remember exchanging a look with the driver. He was unreadable. It was chilly out. It was me and these two men.

I felt dread. I was tremulous. Off my feet. I felt an intense need to keep both of you calm. Was there a time or a space to run? I have no idea. Would somebody else have run? I have no idea. There were two men. One of whom obeyed the other. It was an overwhelming feeling.

There was no well-lit lobby or doorman at the entrance we used. I would guess it was not the main entrance to the building. I believe there was a door from street level that opened into a space beneath the residential area of the building, in which there was a small back elevator. If I am wrong about the layout, then I am wrong. There were two men, and I was afraid.

You didn’t punch me, drag me or verbally threaten me. You used your size to maneuver me, quickly, into the elevator. I said, “Wait. Wait.” I felt dread. I was very, very sad. I didn’t know if the driver was a further threat, or an ally. I was both relieved and terrified when he did not get into the elevator. Alone in the elevator, you pressed me into the corner with your body, your hands and your mouth.

The elevator did not stop on the way up to your apartment. I was moved very quickly inside. I recall hearing the apartment door closing behind us.

I saw no one else. I recall you were behind me. I was still hoping the Russell I knew would reappear, as I could not recognize the man moving me deeper into the apartment — the man who had said “No” to his driver. Twice.

You moved me into a bedroom. I said, “Wait.” You said nothing.

I made the trade in my mind. I thought, “Just keep him calm, and you’ll get home.” Maybe another person would have thought differently, or not made the trade.

No wonder Rusell said Terry Crews should’ve given his violator a pass. This is so disgusting and disappointing.

Russell Simmons responds:

I have been informed with great anguish of Jenny Lumet’s recollection about our night together in 1991. I know Jenny and her family and have seen her several times over the years since the evening she described. While her memory of that evening is very different from mine, it is now clear to me that her feelings of fear and intimidation are real. While I have never been violent, I have been thoughtless and insensitive in some of my relationships over many decades and I sincerely and humbly apologize.

This is a time of great transition. The voices of the voiceless, those who have been hurt or shamed, deserve and need to be heard. As the corridors of power inevitably make way for a new generation, I don’t want to be a distraction so I am removing myself from the businesses that I founded. The companies will now be run by a new and diverse generation of extraordinary executives who are moving the culture and consciousness forward. I will convert the studio for yogic science into a not-for-profit center of learning and healing. As for me, I will step aside and commit myself to continuing my personal growth, spiritual learning and above all to listening.”

Via BScott

We Speak Entertainment

Soulful Serenade: Paula García’s Musical Odyssey

Published

on

In the realm of music, where emotions reign supreme and melodies weave tales of love, loss, and longing, Spanish artist Paula García is emerging as a beacon of soulful serenity. With a voice that whispers secrets to the heart and a style that effortlessly blends R&B and pop, Paula is poised to captivate audiences worldwide.

A Melodic Awakening

Paula’s journey with music began at a tender age, with the rhythms and harmonies of her favorite songs igniting a passion that would eventually become her life’s work. Four years ago, she took her first step into the spotlight with her debut song “Missing Calls,” a poignant reflection of her artistic vulnerability.

“Too Much”: A Symphony of Emotions

Her latest single, “Too Much,” is a masterful exploration of the human experience, a song born from the depths of heartache and loneliness. Yet, in Paula’s hands, this universal theme is transformed into a anthem of resilience and hope, a testament to the transformative power of music.

A Star is Born: First Concert

On May 10th, Paula García will take the stage for her inaugural concert, a milestone moment that promises to be an unforgettable experience. As she shares her music with a live audience, Paula’s passion and artistry will undoubtedly shine through, leaving an indelible mark on the hearts of all who attend.

Fusing Cultures, Creating Magic

Paula’s unique sound is a beautiful blend of English and Spanish, a fusion that reflects her heritage and artistic vision. By bringing R&B and pop to the Spanish scene, she’s not only carving out her own niche but also paving the way for a new generation of artists.

The Future is Bright

As Paula García continues to weave her musical odyssey, the future looks radiant with promise. With each note, she inspires and uplifts, her music a reflection of her soul. Stay tuned for more from this talented artist, and get ready to be enchanted by the soulful serenades of Paula García.

Experience Paula García Live

Don’t miss the opportunity to witness Paula’s artistry firsthand. Mark your calendars for May 10th and join the growing community of fans who are swept away by her music.

Follow Paula’s Journey

Stay updated on Paula’s latest news, music releases, and upcoming events by following her on social media. Be part of the magic that’s unfolding, and let Paula García’s music touch your heart.

Continue Reading

Trending