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Russell Simmons Resigns Following Second Sexual Assault Allegation From Screenwriter Jenny Lumet, Russell Simmons Responds
Jenny Lumet says she and Russell Simmons knew each other for years, before the assault. Take a look at her story below:
You had a car and a driver that evening. Sometime later, you offered me a ride to my home. I said, “Sure.” During the making of the RUN DMC movie, I had been in vans with you and other crew members. I don’t recall having accepted a ride home alone with you before that night.
At no time that night did I say: “Russell, I will go home with you,” or “Come home with me,” or “I will have sex with you” or “I have the desire to have sex with you.”
I believe it was an SUV, because I recall having to step up into the car. I don’t know about makes or models. I think the driver was already in the car.
I got into the car with you. The driver began to drive. I assumed you knew where I lived, because you had sent me 250 balloons, but I gave the driver my address on 19th Street and 2nd Avenue.
You said to the driver: “No.”
I didn’t understand, so I said: “Russell?”
I said, again, to the driver: “19th Street.”
Again you said to the driver: “No.”
Then the car doors locked. It was loud. The noise made me jump.
I didn’t recognize you at that moment. It was disorienting. It was disorienting. I say it twice now because you said “No” twice then.
I couldn’t open the doors. I couldn’t open the windows. The car was moving. The driver did not stop. He did not take me to 19th Street. He took me to your apartment.
I didn’t try to kick the windows out. I didn’t punch or kick. I didn’t say, “What are you doing?” My voice left me after the second “No.”
I felt dread and disorientation. I wanted to go home. I said I wanted to go home. I didn’t recognize the man next to me. I didn’t know if the situation would turn violent. I remember thinking that I must be crazy. I remember hoping that the Russell I knew would return any moment.
The car stopped at the curb. I don’t recall the street. I recall the driver opening the door from the outside, and you behind me. I was between the two of you. Not wedged, just in the space between you. I remember exchanging a look with the driver. He was unreadable. It was chilly out. It was me and these two men.
I felt dread. I was tremulous. Off my feet. I felt an intense need to keep both of you calm. Was there a time or a space to run? I have no idea. Would somebody else have run? I have no idea. There were two men. One of whom obeyed the other. It was an overwhelming feeling.
There was no well-lit lobby or doorman at the entrance we used. I would guess it was not the main entrance to the building. I believe there was a door from street level that opened into a space beneath the residential area of the building, in which there was a small back elevator. If I am wrong about the layout, then I am wrong. There were two men, and I was afraid.
You didn’t punch me, drag me or verbally threaten me. You used your size to maneuver me, quickly, into the elevator. I said, “Wait. Wait.” I felt dread. I was very, very sad. I didn’t know if the driver was a further threat, or an ally. I was both relieved and terrified when he did not get into the elevator. Alone in the elevator, you pressed me into the corner with your body, your hands and your mouth.
The elevator did not stop on the way up to your apartment. I was moved very quickly inside. I recall hearing the apartment door closing behind us.
I saw no one else. I recall you were behind me. I was still hoping the Russell I knew would reappear, as I could not recognize the man moving me deeper into the apartment — the man who had said “No” to his driver. Twice.
You moved me into a bedroom. I said, “Wait.” You said nothing.
I made the trade in my mind. I thought, “Just keep him calm, and you’ll get home.” Maybe another person would have thought differently, or not made the trade.
No wonder Rusell said Terry Crews should’ve given his violator a pass. This is so disgusting and disappointing.
Russell Simmons responds:
I have been informed with great anguish of Jenny Lumet’s recollection about our night together in 1991. I know Jenny and her family and have seen her several times over the years since the evening she described. While her memory of that evening is very different from mine, it is now clear to me that her feelings of fear and intimidation are real. While I have never been violent, I have been thoughtless and insensitive in some of my relationships over many decades and I sincerely and humbly apologize.
This is a time of great transition. The voices of the voiceless, those who have been hurt or shamed, deserve and need to be heard. As the corridors of power inevitably make way for a new generation, I don’t want to be a distraction so I am removing myself from the businesses that I founded. The companies will now be run by a new and diverse generation of extraordinary executives who are moving the culture and consciousness forward. I will convert the studio for yogic science into a not-for-profit center of learning and healing. As for me, I will step aside and commit myself to continuing my personal growth, spiritual learning and above all to listening.”
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Sb Stevie: Redefining Authenticity in the Music Industry
In an era where conformity and commercialism often take center stage, Sb Stevie is a breath of fresh air, unapologetically embracing his true self and sharing his story with the world. As a rising rap sensation, Stevie’s music is a testament to his resilience, vulnerability, and determination to stay true to himself.
Growing up, Stevie’s love for music was fostered by iconic albums that not only inspired him but also helped shape his unique sound. Kanye West’s “Graduation” and “808’s & Heartbreak,” as well as Lil Wayne’s “Tha Carter 3,” were instrumental in fueling Stevie’s passion for music. After a two-year hiatus, during which he faced personal challenges, Stevie returned to the music scene with renewed energy and a fresh perspective.
Stevie’s latest album, “Cuz The Mac Broke,” is a 12-track masterpiece that chronicles his journey over the past two years. Featuring three collaborations with top artists, the album is a reflection of Stevie’s growth, both personally and professionally. With its raw energy, infectious beats, and heartfelt lyrics, “Cuz The Mac Broke” is an album that will resonate with listeners from all walks of life.
What sets Stevie apart from his contemporaries is his unwavering commitment to authenticity. In an industry where artists are often pressured to conform to certain standards or expectations, Stevie remains unapologetically true to himself. His music is a reflection of his life experiences, and his willingness to be vulnerable and honest has endeared him to fans and critics alike.
Stevie’s rise to fame is a testament to the power of staying true to oneself. In an era where social media often presents a curated version of reality, Stevie’s authenticity is a breath of fresh air. His music serves as a reminder that true greatness can only be achieved by embracing our unique experiences, perspectives, and talents.
As Stevie continues to make waves in the music industry, his future looks brighter than ever. With his sights set on making a living off his music, performing full-time, and touching lives globally, Stevie is an artist to watch. Whether signed or independent, he remains focused on creating art that resonates with people. With his talent, dedication, and perseverance, Sb Stevie is poised to become a household name in the music industry.
In conclusion, Sb Stevie’s music is a testament to the power of authenticity and vulnerability. As a rising star in the music scene, Stevie’s commitment to staying true to himself is a beacon of hope for artists and fans alike. With his latest album, “Cuz The Mac Broke,” Stevie has cemented his position as a force to be reckoned with in the music industry. As he continues to push the boundaries of what’s possible, Stevie remains committed to creating music that inspires, uplifts, and resonates with listeners worldwide.
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