We Speak Indie Artist
SlickBoy Nae Unleashes Southern Heat With “PGFTS”
Prepare to be swept away on a sonic journey through the sultry South as SlickBoy Nae drops his latest single, “PGFTS”. Hailing from the vibrant streets of Port Saint Lucie, Florida, and originally from Baltimore, this rising star infuses his Northern East Coast roots with the unmistakable flavour of Southern charm, creating a musical concoction that’s as intoxicating as a mint julep on a hot summer day.
Produced by the illustrious Kid Hazel, whose resume boasts collaborations with some of the biggest names in the game, “PGFTS” wastes no time in setting the mood. From the moment the beat drops, you’re enveloped in a wave of pulsating synths, hypnotic snares, and infectious 808s that demand you move your body.
But it’s not just the beat that grabs your attention; it’s SlickBoy Nae’s magnetic presence on the mic that truly steals the show. His delivery is smooth as silk, his flow effortless as he weaves a tale of Southern sirens who command attention wherever they go. From the way they strut down the street with confidence to the way they effortlessly captivate with just a glance, these Southern beauties are the stuff of legend, and SlickBoy Nae pays homage to them with every word.
The chorus, with its infectious refrain of “Pretty girls from the south wow,” is an instant anthem, destined to be shouted from car windows and blasted at block parties all summer long. It’s a celebration of femininity in all its forms, from the natural beauties who radiate confidence without makeup to the glamorous divas who know how to work a room with just a smile.
But “PGFTS” isn’t just about surface-level beauty; it’s also a tribute to the strength and resilience of Southern women. SlickBoy Nae’s verses are peppered with nods to the grit and determination that define these women, from the way they handle adversity with grace to the way they hold their own in a world that often tries to silence them.
Overall, “PGFTS” is a love letter to the South and all the women who call it home. With its infectious beats, catchy hooks, and undeniable swagger, it’s the perfect soundtrack for those hot summer nights when the air is thick with anticipation and anything is possible. So pour yourself a glass of sweet tea, kick back, and press play below:
We Speak Indie Artist
FRGN-SPCMN’s RIDE AROUND THE SUN: A Masterpiece of Sound, Reflection, and Emotional Depth
North Carolina-based producer duo FRGN-SPCMN, composed of Ronnie Belle and André Jones, have crafted an album that feels as much like a personal diary as it does a universal meditation. RIDE AROUND THE SUN is a vivid exploration of life’s complexities, set against a backdrop of experimental beats, rich instrumentation, and hauntingly introspective lyrics. Known for their collaborations with Coast Contra and TDE’s Lance Skiiiwalker, as well as their contributions to Issa Rae’s Insecure soundtrack, FRGN-SPCMN have taken their own artistry to new heights with this release.
At its core, RIDE AROUND THE SUN is a reflection on the dualities that define our existence—pain and pleasure, chaos and calm, struggle and growth. The title track, featuring Mez and Ace Henderson, serves as the album’s emotional anchor. Mez’s poignant storytelling tackles systemic struggles and personal resilience, while Henderson’s smooth, reflective chorus encapsulates the perpetual search for peace and meaning. The lyric, “Round and round the sun again, I feel like I should go,” feels like a mantra for anyone grappling with the cyclical nature of life’s challenges.
The production throughout the album is strikingly cinematic. Inspired by a transformative trip to Joshua Tree, Belle and Jones weave together sounds that evoke the vastness of the desert. Tracks like “TO THE SKY” and “LOVE IN VEIN” combine earthy guitar riffs, subtle electronic flourishes, and layered percussion, creating a soundscape that feels both grounded and surreal. The duo’s ability to create space within their music allows listeners to lose themselves in its expansiveness while connecting deeply to the themes it explores.
What sets this album apart is its pacing and cohesion. FRGN-SPCMN have mastered the art of creating a narrative arc within their music. From the contemplative opener (“DAWN”) to the meditative closer (“CABANA BLUE”), each track feels intentional and interconnected. The tempos remain largely laid-back, but there’s an underlying tension—a pull that mirrors the unpredictability of life. It’s the kind of album that rewards repeated listens, with new details revealing themselves each time.
Beyond the sonics, RIDE AROUND THE SUN is a call for empathy and understanding. The duo’s message is clear: while our individual journeys may differ, we are all passengers on this shared ride around the sun. It’s an album that doesn’t just entertain but challenges the listener to reflect on their place in the world.
In a time when music often feels disposable, FRGN-SPCMN have delivered a project that demands attention and reflection. RIDE AROUND THE SUN is a masterpiece of sound and substance—a reminder of the beauty and complexity of the human experience. For those seeking depth, emotion, and artistry, this album is not to be missed.
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