Connect with us

We Speak Music

SODA BLONDE release angular and broad-shouldered new single “Bad Machine”

Published

on

“Dream Big”, the second studio album from Irish band Soda Blonde, is far more than a collection of catchy and cathartic pop songs; it’s a mantra – a mission statement from four lifelong friends. It’s their promise to themselves, and a message to all who come along for the ride: A reminder that life is precious, fragile, and fleeting, so we might as well dream big and hold nothing back. Epic in size and intimate in scope, “Dream Big” holds a microscope in one hand and a mirror in the other as our innermost thoughts and feelings get a soundtrack of their very own.

Following two successful introductory EPs (2019’s “Terrible Hands” and 2020’s “Isolation Content”), Soda Blonde released their debut album, “Small Talk”, in 2021. The LP was subsequently nominated for RTÉ’s Choice Music Prize for Album of the Year and received rave reviews from Paste Magazine, Atwood Magazine, and The Irish Times, who called it “a record so articulate and expressive that its title has to be a wry in-joke.”

The band have grown tremendously in the two years since their debut, and it shows. Whereas “Small Talk” was an anxiety-fuelled coming-of-age record about navigating their twenties, “Dream Big” is a mature awakening to the world at large; one that dives deeper and hits harder than its predecessor.

The record’s angular and broad-shouldered lead single “Bad Machine” leans into self-acceptance, but it does not do so unilaterally. “We can be slaves to our own impulses,” says guitarist Adam O’Regan of the turbulent, sonically charged song. “This idea that ‘every part of me is a bad machine breaking everything all the time, every part of me has been wired to repeat, I’ve got a bad desire by design,’ it’s this idea of recognizing that this is just a part of who you are and going with that; but it’s a double-edged sword. Sometimes taking a chance, being spontaneous and taking a risk – they’re not always the safest moves to make, but that propensity to dare is what makes us great. We wouldn’t exist without it.”

We Speak Music

Waz-u drops ambient gem ‘Vermillion’ ft. Lilyg

Published

on

London-based multi-instrumentalist and producer Waz-u returns with his second album, Preludes: Dusk Psalms, set for release on 16 May 2025 via independent label Biodiversity. The 15-track record further refines the artistic depth of his debut, blending electronic textures and classical compositional techniques in an intricate, immersive listening experience.

Ahead of the album release, Waz-u is dropping an exclusive vocal version of ‘Vermillion: G Major’ from the album, accompanied by its original instrumental version. ‘Vermillion’ with Lilyg will be released on 18 April 2025, evoking intimate indie-folk and pop and follows the release of a vocal version of ‘Lament’ with Tom Norrington. ‘The singles are a way to give a voice to the atmosphere of the record and to lyrically encapsulate some of the themes explored,’ explains Waz-u. ‘Lily and Tom are good friends of mine and have both been listening to early iterations of these preludes – it felt right to involve them directly on this record.’

‘Preludes: Dusk Psalms’ marks a new branch of Waz-u’s emerging sound, guided by the duality of tradition and innovation. Combining his musical roots in early ‘90s dub techno and classical music, the album weaves carefully layered synthesizers and electronics to evoke the ambience of sacred music — from the gentle timbres of a choir or an organ to the quiet, open, and reverberating spaces of a church. Also featured throughout the album is experimental musician G9 LUV, who creates textures and drones by bowing his bass guitar, resulting in cello-like sounds. The release follows Waz-u’s 2024 debut LP, Prayer For Dawn, which merged dub, techno, and electronica in an exploration of the ritualistic traditions associated with both organized religion and dance.

Bringing the album’s themes to life, Waz-u will celebrate the release of Preludes: Dusk Psalms with a special performance at Our Holy Redeemer in Clerkenwell, London on 14 May 2025. Set against the church’s resonant acoustics, the event will feature live performance arrangements, including a choir, with further details to be announced soon.

Continue Reading

Trending