We Speak Music
Sohodolls ‘Territory Of Your Heart’
“I always wondered what the dynamic was like between Caesar and Cleopatra. Sometimes you can fall for someone who feels like you’ve finally met your match”, explains principal Sohodolls songwriter Maya von
Doll. “This song is about falling for someone other-worldly that blurs the lines between feeling protected and being controlled. And it’s also that moment of headiness where you don’t care which it is because it’s new and exciting and feels like fantasy”, she further reveals.
Like its predecessor ‘Napoleon Baby’, Maya von Doll takes inspiration from some of the most formidable historical characters to depict and relate to moments of her own modern life in 2024. But while, ‘Napoleon Baby’ was an electro-pop dance-floor filler, ‘Territory Of Your Heart’ plumbs darker pop depths with Maya von Doll’s seductive airy vocal sweeping over a swarm of thick driving bass loaded analogue synths. Produced by Ängelsson (Camila Cabello, Demi Lovato, Swae Lee, Tory Lanez, Iggy Azalea), the track is a slick and infectious ride through deep passions that sits somewhere between the retro sounds of The Eurythmics, Kate Bush and alt-pop of Charlie XCX and Billie Eilish.
You like to live fast, but you kiss slow, like to undo everything that I know. And your fingers know no borders. Know my body better than I could ever hope to”, Maya von Dollsings, as her exhilarating erotic fantasy develops alongside the track’s crystalline synthwave moods and dark grungy gloss, creating a powerful sense of danger and intrigue.
Having climbed up the viral Billboard charts in recent years via the help of Madonna’s daughter dancing to one of their 00’s tracks on TikTok, and with Netflix’s top 10 series ‘Geek Girl’ championing their recent single ‘Bad’ this year, plus a slew of new press and radio attention from the likes of BBC Radio 1’s Nels Hylton, Absolute Radio’s Frank Skinner and Atwood Magazine, the revived and refreshed Sohodolls are continuing on their mission with ‘Territory Of Your Heart’ to stake their claim as one of the best ‘lost’ 00’s bands who are also very much on the pulse and highly relevant for 2024.

We Speak Music
Col Darcy Unveils New Single ‘Pay Up’
Col Darcy’s ‘Pay Up’ arrives with the calm authority of an artist who has already learned that longevity is its own form of victory. The second single from ‘Redemption’, his forthcoming album, is a composed piece of independent hip-hop that places persistence, ambition and personal conviction at its centre. Rather than presenting success as spectacle, Darcy approaches it as something accumulated slowly, through experience, discipline and faith in one’s own direction.
That sense of earned perspective has been central to Darcy’s work from the beginning. As Caper, he drew national attention with ‘How Would You Like To Be Me?’, a politically charged anti-racism song whose influence eventually extended into cinema. Alongside ‘Opportunity’, the track appeared in Netflix’s A Second Chance: Rivals!, bringing Darcy’s writing to an audience well beyond the usual confines of Australian hip-hop. Yet his subsequent career has remained grounded in independence, with the acclaimed ‘Beautiful Hopeless’ further establishing his commitment to thoughtful writing and considered craft.
‘Pay Up’ continues that trajectory while revealing an artist interested in the emotional economics of perseverance. Darcy writes from the perspective of someone who has experienced the slow rewards of staying the course. The lyrics use sharp wordplay and layered metaphor to turn a familiar idea into something more personal. His delivery is particularly effective for its restraint. There is no need to overstate the message when the voice behind it sounds as though it has lived through the argument already.
The song also reflects the wider concerns of ‘Redemption’, a record shaped by travel, fatherhood, gratitude and renewed self-awareness. Much of the album was recorded in Bali, and the island’s atmosphere reportedly helped cultivate its more contemplative dimensions. That background lends ‘Pay Up’ an intriguing duality. It is a song about ambition, but not restless ambition. Its confidence feels less like hunger for external validation and more like an acceptance that the journey itself has meaning.
What emerges is a track that understands hip-hop as both music and testimony. Darcy’s influences, from Tupac Shakur and Eminem to Kendrick Lamar, belong to a lineage in which personal narrative can become social observation and self-examination can become communal language. ‘Pay Up’ honours that tradition while remaining contemporary in its presentation. As a statement of intent for ‘Redemption’, it suggests an artist who has found greater clarity without sacrificing his edge, and who understands that the most durable kind of success is the kind you build yourself.
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