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St. Divine UNLEASHES NEW SINGLE “SPIT” — OUT NOW WORLDWIDE

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Critically acclaimed garage/punk/Americana outfit St. Divine has officially unleashed their venomous new single, “SPIT,” now available worldwide on all major streaming platforms. The track serves as the blistering lead single from the band’s upcoming debut full-length album, The Devil That You Know, arriving March 20, 2026.

“SPIT” hits hard and doesn’t flinch. Loud, confrontational, and unapologetic, the song leans into St. Divine’s signature rapid-fire dual vocals to channel raw anger and social frustration with a reckless, cathartic punch. It opens with a demand for escape through vices — “I need a drink, I need a smoke” — before spiraling into disbelief and fury, daring listeners to confront everything they’ve been swallowing without question.

Musically, the track surges with complex chord progressions, searing guitar lines, and thunderous percussion, all driving toward a final climax that feels equal parts command and release. “SPIT” doesn’t ask for permission. It tells you exactly what to do if you don’t like the taste in your mouth: spit it out.

St. Divine has already drawn comparisons to PJ Harvey & Nick Cave, Lee Hazlewood & Nancy Sinatra, and The Kills, earning early praise for their fearless genre-blending and magnetic intensity. Formed in 2024, the band released their debut EP you can’t go forward and you can’t go back to wide acclaim in May 2025, racking up more than 150 independent and college radio spins worldwide, including airplay on NPR-syndicated Sound Opinions.

Following standout live performances in New York City, Chicago, and Boston — alongside artists connected to Pravda Records, Jem Records, and RumBar Records — St. Divine continues to build serious momentum heading into their first LP release.

“SPIT” is out now everywhere.
More at: https://www.stdivineband.com

Stream “SPIT” by St. Divine on Spotify here:

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Irish Blues Survivor Paddy Smith Brings a Remarkable Story of Music, Loss and Redemption to The Andrew Eborn Show

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Irish blues-rock veteran Paddy Smith opens up about surviving the streets of Chicago, battling alcoholism, losing his daughter and transforming a lifetime of pain into powerful music.

There are musicians who sing the blues, and then there are musicians who have lived them.

Irish singer, songwriter and acclaimed harmonica player Paddy Smith belongs firmly in the second category.

Smith recently joined The Andrew Eborn Show for a deeply personal conversation about the extraordinary journey behind his music — a life that has taken him through addiction, homelessness, devastating loss, sobriety and ultimately redemption.

The interview, titled “Irish Blues Legend Survived Chicago Streets, Lost His Daughter & Battled the Bottle – Paddy Smith,” gives audiences a revealing look at the man behind one of Ireland’s most authentic blues-rock voices.

For Smith, the blues has never been an image or a musical pose. His songs have been shaped by experiences most people would struggle simply to survive.

At one point in his life, Smith found himself living on the streets of Chicago while battling alcoholism. He eventually fought his way back, but another unimaginable tragedy would follow when his 17-year-old daughter, Ciara, died from cystic fibrosis in 2010.

Rather than hiding from those chapters of his life, Smith has increasingly allowed them to become part of his music.

That honesty is at the heart of his acclaimed album Could Have Found Grace, an eight-track collection steeped in hardship, survival, resilience and the possibility of redemption.

The album represents something deeper than another release in Smith’s career. It feels like the musical autobiography of a man looking back at where he has been without pretending the scars have disappeared.

Smith has spoken openly about drawing inspiration from his own life experiences, and that authenticity can be heard throughout his work. His gravel-edged vocals, harmonica playing and blues-rock arrangements carry the weight of someone who understands the stories he’s singing because he has actually lived them.

Could Have Found Grace was created with guitarist Danny Tobin and features an impressive group of musicians, including Aongus Ralston of The Waterboys on bass, Jason Duffy of The Corrs on drums and keyboard player James Delaney, whose credits include work with Van Morrison, Rory Gallagher and Chuck Berry. The album was produced by Ivan Jackman at Hellfire Studios in Dublin.

Yet impressive credits aren’t what make Paddy Smith compelling.

It’s the survival.

It’s the willingness to talk about alcoholism without romanticizing it, grief without exploiting it and redemption without pretending that redemption erases what came before.

That makes Smith particularly well suited to The Andrew Eborn Show, where Andrew Eborn’s conversations frequently move beyond conventional celebrity interviews to uncover the stories behind the public persona.

During Smith’s appearance, audiences get something much more interesting than a musician simply promoting an album. They meet a survivor whose relationship with music has been forged through decades of experience.

Smith has cited artists including Muddy Waters among his earliest influences, while his own sound combines traditional blues with rock, folk and the raw energy of the Irish music scene. He’s also expressed admiration for artists ranging from Rory Gallagher and Phil Lynott to contemporary Irish band Fontaines D.C.

The result is music that respects the blues tradition without sounding trapped inside it.

Perhaps the most powerful thing about Paddy Smith’s story is that the difficult chapters haven’t disappeared. They’ve simply been transformed.

The streets, the bottle, the loss and the years of rebuilding are still there — but now they’re inside the songs.

And that’s exactly where the blues has always found its greatest power.

Watch Paddy Smith’s revealing appearance on The Andrew Eborn Show:
https://youtu.be/B_UlT2qB8Z8

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