We Speak Music
The Refusers Ignite a Firestorm with New Protest Anthem “Fat Cats”
Rock has always been at its best when it challenges authority, and The Refusers continue that tradition with the release of their explosive new single, “Fat Cats.” Fueled by blistering guitars, thunderous Hammond B3 organ, and unapologetic lyrics, the track is a rallying cry for anyone who feels the system has been rigged against ordinary people.
Taken from the band’s forthcoming 14-track album Buck The System, “Fat Cats” takes aim at wealth inequality, political corruption, and corporate greed. The song paints a vivid picture of a world where power and privilege continue to flourish while working people are left to bear the burden.
“People are tired of being ignored, manipulated, and left behind,” says songwriter and frontman Michael Belkin. “Whether it’s politicians breaking promises, corporations replacing workers with AI, or billionaires gaining more power while workers struggle, there’s a growing feeling that the system no longer serves the people.”

Driven by the unforgettable refrain, “Plutocrats celebrate, counting their stacks, while the masses toil, breaking their backs,” “Fat Cats” delivers its message with the intensity of classic hard rock while remaining firmly rooted in today’s social climate.
The Refusers have built their reputation on fearless songwriting that refuses to shy away from controversial subjects. Their signature sound combines heavy Gibson Les Paul guitar riffs roaring through Marshall amplifiers with the unmistakable power of a Hammond B3 organ, creating a modern rock sound that is both timeless and confrontational. Every song serves as an unapologetic challenge to the status quo.
The band’s upcoming album Buck The System is more than a collection of songs—it’s a manifesto. The title track serves as the band’s mission statement, calling listeners to action with the powerful declaration:
“Flood the streets, a million fists, a million beats. They can build their walls up high. We will tear them from the sky.”
The album also features the provocative upcoming single “Conspiracy Theory,” which explores misinformation and media manipulation with lyrics including:
“They tell you what you need to know, hide the rest to steal the show. Feeding lies through every screen, crafting nightmares from your dreams.”
Belkin’s songwriting is informed by firsthand experience navigating corporate culture and power structures. A graduate of the University of California, Berkeley, he embraced the institution’s defining principle of Question the Status Quo, a philosophy that continues to shape his writing. His lyrics shine a light on the mechanisms of power while giving voice to growing public frustration with political, economic, and social institutions.
Hailing from Seattle, The Refusers feature Michael Belkin (songwriter, guitars, lead vocals), Steve Newton (bass, backing vocals), Tom Basher (drums), and Jordan Pitre (Hammond organ). The band has cultivated a passionate following of more than 228,000 Facebook followers, connecting with fans who appreciate music that combines hard-hitting rock with socially conscious storytelling.
At a time when public confidence in political leaders, economic systems, and institutions continues to be tested, “Fat Cats” arrives as both a protest song and a soundtrack for those demanding accountability. With Buck The System, The Refusers reaffirm rock music’s enduring role as a voice of resistance, delivering songs that are loud, fearless, and impossible to ignore.
We Speak Music
JOHN CLAYTON CELEBRATES FAMILY, COLLABORATION AND JAZZ TRADITION ON HIS EIGHTH ALBUM, THE TWO-O DUO PROJECT
One of Los Angeles’ treasured bassists, composers and bandleaders, John Clayton, returns with his eighth album, The Two-O Duo Project, an intimate and inventive recording that brings together three remarkable musicians: Clayton, acclaimed vocalist René Marie, and his son, celebrated pianist and composer Gerald Clayton.
Built around the idea of musical conversation, The Two-O Duo Project explores the possibilities of the duo format while celebrating the unique relationships between its performers. Across the album, John Clayton moves between duo collaborations with René Marie and Gerald Clayton, creating a collection that feels both deeply personal and musically adventurous. The project also features several trio performances, allowing the three musicians to come together and expand on the ideas developed throughout the recording.
René Marie brings her distinctive combination of soul, blues and expressive storytelling to the project. Her performances on the rich interpretation of “Blue Bayou” and the relaxed, blues-inflected “Beautiful” showcase her ability to move effortlessly between intimacy and strength. On “On The Day You Were Born,” Marie adds poetry and spoken expression, while the “Smile Medley” finds her swinging alongside John Clayton. She also brings a spiritual depth to “Come Sunday” and a striking, earthy intensity to “Somewhere Over The Rainbow.”
Gerald Clayton brings a different kind of musical chemistry to the album. His playing on “Some Other Time” is fluid and understated, while his original composition “Forth” highlights his graceful, highly individual approach to the piano and overdubbed keyboards he plays. With “En La Orilla Del Mundo,” father and son explore the poignancy of this beautiful song, John, playing the melody with his bow and Gerald, employing the sensitive touch he learned from mentors like Kenny Barron.
The recordings offer a rare opportunity to hear father and son in a setting that strips the music down to its essential elements: listening, interaction and trust.
For John Clayton, the album represents both a long-awaited reunion and the beginning of a new collaboration.
“My son, Gerald, and I haven’t done a duo recording in many years. I have never done a recording project with René Marie, though we’ve talked about it many times. So, I decided to have and eat my cake. This was my chance to record duos with two of my favorite people. Since we were all there, hanging out on the same day, why not do a few trio things as well? And so, we gave birth to The Two-O Duo Project.”
That spirit of spontaneity is at the heart of the album. Rather than approaching the sessions as a conventional leader-and-guest project, Clayton created an environment where each musician could bring their own voice and respond naturally to the others.
The result is an album shaped by family ties, friendship and decades of musical experience, moving comfortably between jazz standards, original compositions, vocal interpretations and intimate instrumental exchanges.
The Two-O Duo Project was recorded at Clear Lake Recording Studio in North Hollywood, California, and engineered and mixed by Joel Moss and Steve Generwick.
With his eighth album, John Clayton continues to demonstrate why he remains such an important voice in the jazz community. The Two-O Duo Project is not simply a collection of duets—it is a celebration of musical connection and the special chemistry that emerges when artists listen as deeply as they play.
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