We Speak Music
Toneyboi drops new single “No Scale”

Emcee/Producer Toneyboi has re-emerged from a busy year (including work with Westside Gunn, Conway The Machine & Jae Skeese) to drop a new single. “No Scale” Produced by ILL Tone (Elcamino, Lloyd Banks) is the first leak from the forthcoming LP, Patience Pays. To drop on 11/27.
Listen to “No Scale”: https://on.soundcloud.com/JZY7s6q4mx4auwhk6
Patience Pays will be Toneyboi’s first release under the Piff Music Empire logo and features appearances by Jamal Gasol, Jae Skeese, Mickey Diamond, Napoleon Da Legend, L-Biz, DNTE, Gaine$, Skate Cobain, RoCook and Iyam. In addition to ILL Tone’s work on the single, production is handled by Camouflage Monk, AGE, Nom, DNTE as well as Toneyboi himself.
With close to two decades in the game Toneyboi has been a fixture on the Buffalo, NY scene, coming up alongside Camouflage Monk, Daringer, Jae Skeese and others. In addition to his own musical skills, he has contributed greatly to the region by throwing events under the ArtDealer name as well as providing engineering skills and live sound to the Griselda Records and Drumwork Music camps.
Earlier this year Toneyboi also released the Weekend At Toney’s EP, which is also available via all streaming platforms.
More Info: https://www.instagram.com/iamtoneyboi/
We Speak Music
‘1, 2, 3… Let It Roll’ by Gerson Marta out now

Gerson Marta’s “1, 2, 3… Let It Roll” is a warm and confident return, one that gently commands attention with its rich, celebratory tone. There’s a certain elegance in how the track unfolds—bold in style, yet refined in execution. Marta brings together elements of funk and rock with a lightness of touch that feels both familiar and revitalizing, delivering a song that invites the listener in rather than demanding their presence.
The track’s arrangement is thoughtfully textured, with crisp brass accents, nimble guitar lines, and vocals that glide with playful assurance. Marta pays tribute to the spirit of classic funk without leaning too heavily on nostalgia, creating something that feels joyfully alive and present. His performance feels effortless yet intentional, like an artist not trying to prove anything, but rather offering something heartfelt and whole.
Rather than pushing against the current, “Let It Roll” flows with an organic confidence that’s hard to resist. It’s a quietly triumphant moment for Marta—an artist clearly at ease with his own evolution, inviting listeners to move, smile, and feel good in the process. There’s a softness in its power, a celebration of sound that radiates ease and generosity.
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