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Vancouver Singer-Songwriter Todd Kowaluk Shares New Single ‘Enough Is Enough’

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Vancouver singer-songwriter Todd Kowaluk has been working on his unique brand of indie folk for a  number of years, using 90s-influenced indie rock and pop with a higher message since his debut EP Love Can Set Us Free.

He returns with his brand-new single ‘Enough Is Enough’. A track which he credits a significant degree of importance. For him, it represents a milestone in his life, musically, spiritually and career-wise.  He had the catchy, Paul Westerberg-esque indie pop guitar riff back in the days of Love Can Set Us Free, but set it aside for when he cracked the conceptual code of the old adage ‘enough is enough’.

‘Enough Is Enough’ is a protest song with a storyteller’s perspective. It starts with that fatalistic phrase and turns it into a question and a call for people to be honest with their hearts, with each other, and with, well, infinity. If love can set us free why constantly test it with boundaries? The pondering of all these questions is set within the backward (chorus first) structure of the song and Kowaluk’s personal experience with his own questioning nature.

“For me, as a songwriter, the question I kept going back to was ‘how does this song end’? That questioning made me want to evolve the song somehow, Find a brighter ending, Hope for a new beginning, a higher version of myself. I wanted to be a better human being somehow and hopefully in the process a better songwriter.”

“There’s really not much traditional about this song, it starts with a chorus, and generally, songs don’t start with a chorus, It questions the rules and at the same time asks what is important about being human in this ever-changing world of ours. It’s a protest song.”

The track’s opening is a straightforward yet catchy acoustic guitar that combines elements of rock and pop with indie-folk flavor. A syncopated cadence is infused into the song by the kick-drum-driven beat, which enhances the vibrant auditory representation and overall feel.

Todd Kowaluk‘s vocals, which range from powerful savors to low-pitched, delicate timbres,  are replete with a profoundly philosophical message about life in general and music in particular.

“People have asked me what motivates me to write and record music and I say I would like to have more of a voice in the world… and yet what I am discovering is that it has been more about finding my  own voice and than using it to express what is important to me.”

Todd Kowaluk was lucky enough to gain favor and assistance from local Vancouver electronic music icon Dave King of longwalkshortdock for the production of ‘Enough Is Enough’. He credits Dave for gifting him with a timeline, which in turn gave him the motivation and push he needed to finish writing the song and take these next big yet delicate steps forward in his career.

Although he admits that he didn’t know where he was “going with this song” in the first verse,  Todd Kowaluk’s years of stumbling in the dark searching for the right keys and lyrics with which to express his ceaseless yearning have delivered this captivating, complete work. It’s clear that even if he has not found the answers to all his questions, he has enticed others to ask these same questions with him,  And in so doing…  He has finally found his voice.

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Waz-u drops ambient gem ‘Vermillion’ ft. Lilyg

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London-based multi-instrumentalist and producer Waz-u returns with his second album, Preludes: Dusk Psalms, set for release on 16 May 2025 via independent label Biodiversity. The 15-track record further refines the artistic depth of his debut, blending electronic textures and classical compositional techniques in an intricate, immersive listening experience.

Ahead of the album release, Waz-u is dropping an exclusive vocal version of ‘Vermillion: G Major’ from the album, accompanied by its original instrumental version. ‘Vermillion’ with Lilyg will be released on 18 April 2025, evoking intimate indie-folk and pop and follows the release of a vocal version of ‘Lament’ with Tom Norrington. ‘The singles are a way to give a voice to the atmosphere of the record and to lyrically encapsulate some of the themes explored,’ explains Waz-u. ‘Lily and Tom are good friends of mine and have both been listening to early iterations of these preludes – it felt right to involve them directly on this record.’

‘Preludes: Dusk Psalms’ marks a new branch of Waz-u’s emerging sound, guided by the duality of tradition and innovation. Combining his musical roots in early ‘90s dub techno and classical music, the album weaves carefully layered synthesizers and electronics to evoke the ambience of sacred music — from the gentle timbres of a choir or an organ to the quiet, open, and reverberating spaces of a church. Also featured throughout the album is experimental musician G9 LUV, who creates textures and drones by bowing his bass guitar, resulting in cello-like sounds. The release follows Waz-u’s 2024 debut LP, Prayer For Dawn, which merged dub, techno, and electronica in an exploration of the ritualistic traditions associated with both organized religion and dance.

Bringing the album’s themes to life, Waz-u will celebrate the release of Preludes: Dusk Psalms with a special performance at Our Holy Redeemer in Clerkenwell, London on 14 May 2025. Set against the church’s resonant acoustics, the event will feature live performance arrangements, including a choir, with further details to be announced soon.

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