We Speak Events

2018 Bunbury Music Festival Rocked Out Cincinnati

Published

7 years ago

June 6, 2018

umeektv

AP2 PHOTOGRAPHY

The Bunbury Festival took place this past weekend in Cincinnati, OH. The crowds were large, the weather was hot and more importantly the air was full of music! There were a total of four stages setup along the Cincinnati riverfront where music lovers were able to sit back and enjoy some of their favorite artists all while making lifelong memories.

Friday

Fans braved the mid-day heat to catch the Front Bottoms on Friday afternoon. They pleased the crowd with songs like (The Beers) and (Vacation Town) but the crowd lost their mind when Tom Warren (lead singer and guitar) said, “the last time I played Bunbury I got so messed up, I had to get an IV, let’s do it again!”

Cincinnati’s own Lauren Eylise performed on the acoustic stage and her voice and passion had onlookers in awe. She’s definitely making her mark in the Queen City. Fitz and The Tantrums turned the heat up by engaging the crowd with handclaps, sing a longs and bringing the type of energy that makes them perfect for these types of festivals.

After a thirty minute rain delay Young The Giant got the party jumping again by performing some of their hits and announcing that they are releasing a new song in July but the party REALLY started when birthday cakes were brought out and the crowd sang happy birthday to bassist, Payam Doostzadeh. The Chain Smokers closed out Friday night with an electric performance that had the speakers thumping and the crowd dancing.

Saturday

Misterwives brought a lot of energy and passion to the stage Saturday with their performance on the Sawyer Stage. The whole crowd endured the Cincinnati heat and danced and sang along with every song from their set.

Crowds enjoyed the riverfront view while taking in Magic Giant’s performance. Their set was more laid back which gave people a chance to relax a bit before being mesmerized by Third Eye Blind who rocked Cincinnati with a strong performance.

Pounding basslines, smooth saxophone tunes and colorful graphics are the best way to describe GRiZ’s performance Saturday night.

He definitely got the night jumping as fans danced and screamed along to his music. Incubus was the band that most people came to see Saturday night and they did not disappoint! The sea of fans stretched far and wide as they sung along to the group’s timeless hits. Their performance sent a message that Incubus STILL has “it” and that thy know how to put on a show!

PHOTO GALLERY

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We Speak Comedy

Caitlin Cook’s Musical Bathroom Odyssey Hits the UK

Published

17 hours ago

May 9, 2025

Joni Jones

What do cowboy dicks, milk pistols, and public toilet walls have in common? They all find a strange kind of poetry in The Writing on the Stall, the wildly inventive musical comedy from US performer Caitlin Cook, landing in the UK this summer. After sold-out runs Off-Broadway, at Edinburgh Fringe, and in London, the New York Times Critic’s Pick returns for a short UK tour—playing Brighton’s Komedia (31 May & 1 June) and Soho Theatre, London (4–7 June).

Set entirely in a public bathroom, The Writing on the Stall is anything but private. In this whip-smart and wickedly funny one-woman musical, Cook dives into the scrawled messages and mysterious wisdom etched on cubicle walls and turns them into something bold, bizarre, and unexpectedly moving. The songs are catchy, the jokes are razor-sharp, and the show isn’t afraid to get its hands dirty—literally.

Armed with a guitar and a knack for digging gold out of the obscene, Cook crafts a genre-defying hour that’s part stand-up, part cabaret, and all catharsis. This is confessional comedy with clever hooks, pitch-perfect melodies, and enough surprises to keep your eyebrows permanently raised. Expect satire, sincerity, and some surreal props—rumour has it a pair of slingshotted knickers makes a cameo.

Caitlin Cook isn’t your average musical comic. She’s Oxford-educated, New York-hardened, and streaming in the tens of millions. She’s also collaborated with some of comedy’s finest, directed offbeat hits, and performs as one-half of the musical duo 2/3rds of a Threesome. With this new UK run, she’s not just touring a show—she’s building a movement that blurs the lines between comedy, theatre, and performance art.

If you missed her during her Edinburgh frenzy, this is your chance to catch the musical everyone’s been whispering about in pub toilets and shouting about in five-star reviews. You might come for the laughs, but you’ll stay for the songs that (fair warning) may live rent-free in your head for months.