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Artist to Watch: Baydream Unleash Debut EP “Cosmos”

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Not even a month since debuting on the scene, Baydream is back with the debut EP, “Cosmos.” Baydream’s debut singles, “The Flame” and “Peasants,” were released on the same day last month. The pair of singles are not on “Cosmos;” thus, the four-track EP introduces fans to four never-before-heard songs that demonstrate why Baydream is a rising star.

“Cosmos” is an eclectic body of work. The EP takes listeners on a sonic journey. Akin to the EP’s name, the EP has a spacey, futuristic sound. It is Alternative, Experimental, Indie, Pop, Rock, etc. It truly has its own sound, and Baydream does a great job of showcasing versatility.

“Cosmos” commences with “Leaving.” “Leaving” has synthy sounds with a rhythmic, catchy drum-based backbone. The vocals are soothing and blend with the instrumentation. Track two, “Shatter Matter,” keeps the cloudy sound, but adds electric guitar and has a more Soft Rock ambiance. Baydream’s crooning maintains the euphonious, laid-back tone that is pervasive in Baydream’s music. The EP then turns to “Enigma.” Ironically, “Enigma” has an experimental, unique sound. Baydream uses a blend of autotune and an almost Rap-like flow to express the clever message of the song. The final song, “Fooled,” slows the pace back down a bit and is a great record to serve as the closer for the EP. “Fooled” has a more traditional sound to it, but still maintains the distinctive tone that Baydream is known for.

“Cosmos” is the perfect fall EP. Although, the EP is great for any occasion, it does have a “sitting by the fireplace” or “being out in nature, watching the stars or leaves fall” sound. Each song on the EP has an infectious, memorable sound and resonating lyrics. Press play of “Cosmos” and let it take you to another world.

This review was made possible by SubmitHub.

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Waz-u drops ambient gem ‘Vermillion’ ft. Lilyg

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London-based multi-instrumentalist and producer Waz-u returns with his second album, Preludes: Dusk Psalms, set for release on 16 May 2025 via independent label Biodiversity. The 15-track record further refines the artistic depth of his debut, blending electronic textures and classical compositional techniques in an intricate, immersive listening experience.

Ahead of the album release, Waz-u is dropping an exclusive vocal version of ‘Vermillion: G Major’ from the album, accompanied by its original instrumental version. ‘Vermillion’ with Lilyg will be released on 18 April 2025, evoking intimate indie-folk and pop and follows the release of a vocal version of ‘Lament’ with Tom Norrington. ‘The singles are a way to give a voice to the atmosphere of the record and to lyrically encapsulate some of the themes explored,’ explains Waz-u. ‘Lily and Tom are good friends of mine and have both been listening to early iterations of these preludes – it felt right to involve them directly on this record.’

‘Preludes: Dusk Psalms’ marks a new branch of Waz-u’s emerging sound, guided by the duality of tradition and innovation. Combining his musical roots in early ‘90s dub techno and classical music, the album weaves carefully layered synthesizers and electronics to evoke the ambience of sacred music — from the gentle timbres of a choir or an organ to the quiet, open, and reverberating spaces of a church. Also featured throughout the album is experimental musician G9 LUV, who creates textures and drones by bowing his bass guitar, resulting in cello-like sounds. The release follows Waz-u’s 2024 debut LP, Prayer For Dawn, which merged dub, techno, and electronica in an exploration of the ritualistic traditions associated with both organized religion and dance.

Bringing the album’s themes to life, Waz-u will celebrate the release of Preludes: Dusk Psalms with a special performance at Our Holy Redeemer in Clerkenwell, London on 14 May 2025. Set against the church’s resonant acoustics, the event will feature live performance arrangements, including a choir, with further details to be announced soon.

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