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Columbia/Legacy Recordings Announce Release of Miles Davis & John Coltrane – The Final Tour: The Bootleg Series, Vol. 6 on March 23, 2018

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Columbia/Legacy Recordings, a division of Sony Music Entertainment, will release Miles Davis & John Coltrane – The Final Tour: The Bootleg Series, Vol. 6 on March 23, 2018.

Miles Davis & John Coltrane – The Final Tour: The Bootleg Series, Vol. 6 is available for pre-order now at https://lnk.to/TheFinalTour.

Available in 4CD boxset and digital configurations, Miles Davis & John Coltrane – The Final Tour: The Bootleg Series, Vol. 6 brings together, for the first time in an authorized edition with state-of-the-art production, five mythic concert performances as heard by lucky audiences during the epochal Spring 1960 Jazz At The Philharmonic European Tour.

Showcasing the musical chemistry shared by Miles and Trane, The Final Tour: The Bootleg Series, Vol. 6 offers five of the best recorded shows from that pivotal 1960 tour (Coltrane’s last as sideman): two shows from Paris’sL’Olympia Theater on Monday, March 21; two shows from the next night at Stockholm’s Konserthuset; and one from Copenhagen’s Tivolis Koncertsal three days later, on March 24.

The box set was produced by the multi-Grammy winning team of producers Steve BerkowitzMichael Cuscunaand Richard Seidel. And mastered by multi-Grammy winning Sony Music engineer Mark Wilder. The set is authorized for official release by the Miles Davis Estate, the John Coltrane Estate, and Columbia Records/Legacy Recordings.

Miles Davis and John Coltrane were each implementing their own jazz revolutions at the time these recordings were made and the electrifying sonic frisson produced by the sometimes-competing/sometimes-intertwining musical visions of the artists perplexed contemporary jazz fans–many of whom were just getting acquainted with the recently-released and now iconic Kind of Blue.

“Much happened on that 1960 tour onstage and off, including powerful, emotionally charged performances in which one can hear the swinging, divergent energy of a band, and the unfiltered reactions of the European audiences: the crowd responses are indeed an inherent part of these historic performances,” writes Grammy Award®-winning music historian Ashley Kahn in his in-depth revelatory liner notes penned especially for this collection. “The common judgement on this music is that it represents a great jazz ensemble audibly straining to hold itself together…An equally convincing interpretation of the 1960 situation is that Miles and his quintet were redefining what a great band could sound like, and how much music it could contain—at one time, in one concert, even in one tune. It’s not that the bandmembers were so much apart, but rather that each were more themselves within the same unit—that divergence could co-exist and make music together.”

The  repertoire performed in this collection is a veritable Miles Davis “Greatest Hits” including ” ‘Round Midnight”, “Bye Bye Blackbird”, “On Green Dolphin Street”, “Walkin’ “, “All Of You” and “Oleo”, all of which he had made his own and had been performing for some time. As well as more recent additions to the repertoire which were composed by Davis – “So What” and “All Blues” —  both from Kind Of Blue.

The Final Tour is essential listening, an invitation to travel through time to experience the enduring beauty and magic of Miles and Trane at the peak of their collective powers. The ensemble includes Miles Davis (trumpet), John Coltrane (tenor sax), Wynton Kelly (piano), Paul Chambers (bass), Jimmy Cobb (drums), all of whom had been performing together since the Kind Of Blue album.

The Final Tour closes with a rare contemporaneous audio interview with John Coltrane (conducted by Swedish deejay Carl-Erik Lindgren). “Do you feel angry?,” asks Lindgren. “No, I don’t,” says Coltrane. “I was talking to a fellow the other day, and I told him, the reason I play so many sounds, maybe it sounds angry, I’m trying so many things at one time. I haven’t sorted them out.”

Originally broadcast on European radio in March 1960, these concert recordings have been long sought after and prized by collectors and are now officially available at last as the latest installment in Columbia/Legacy’s acclaimed Miles Davis Bootleg Series.

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Iamyungp Unleashes His Fury with “Jokers” – A Project Born from Adversity and Triumph

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In the ever-evolving landscape of hip-hop, few artists have managed to captivate audiences with their unbridled passion and resilience quite like Iamyungp. With his latest project, “Jokers“, set to drop on February 5th, fans and critics alike are eagerly anticipating the next chapter in this talented artist’s journey.

Jokers” is more than just a collection of tracks – it’s a deeply personal and symbolic representation of Iamyungp’s experiences with adversity and triumph. Drawing inspiration from the iconic Batman vs. Joker rivalry, Iamyungp saw parallels between his own life struggles and the Clown Prince of Crime’s relentless pursuit of chaos. “Just like the Joker tried to take down Batman, I felt like I had my own ‘jokers’ trying to destroy me,” he reveals. “But with faith and perseverance, I’m still standing. This project is my gift to my fans, who deserve to experience my growth and triumph.”

Musically, “Jokers” promises to be a game-changer. With hit singles like “Spaceship”, “Stranger”, and the titular “Jokers”, Iamyungp is pushing the boundaries of his sound, experimenting with new styles and collaborations. The project’s sonic landscape is a rich tapestry of hip-hop, trap, and electronic elements, with Iamyungp’s signature flow and introspective lyrics taking center stage.

One of the most striking aspects of “Jokers” is its thematic coherence. Throughout the project, Iamyungp grapples with the complexities of his own experiences, confronting the “jokers” that have sought to bring him down. Yet, even in the darkest moments, there’s a sense of hope and resilience that permeates the music. This is an artist who has faced his demons and emerged stronger, more focused, and more determined than ever.

Iamyungp’s “Jokers” is also notable for its sense of community and collaboration. The project features a range of guest appearances and production credits, showcasing Iamyungp’s willingness to engage with other creative minds and push the boundaries of his sound. This spirit of collaboration is reflective of Iamyungp’s growth as an artist, as he continues to seek out new challenges and opportunities for expression.

As the release date for “Jokers” approaches, the anticipation is palpable. Fans are eagerly awaiting the opportunity to experience Iamyungp’s latest creation, and critics are poised to weigh in on the project’s merits. One thing is certain, however: “Jokers” is a project that will leave a lasting impact on the hip-hop landscape.

Mark your calendars for February 5th and get ready to join Iamyungp on his latest journey. With “Jokers”, this talented artist is poised to take his music to new heights, confronting his demons and emerging triumphant. The question on everyone’s lips is: are you ready to join the revolution?

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