We Speak Music
DEAD PERRY returns with “Writing On The Wall” ft. Izrell & J-Spliff
DEAD PERRY returns with new visuals for “Writing On The Wall.” Out now, the enigmatic boom-bap producer weaves an ominous sonic tapestry for lyrical comrades Izrell and J-Spliff to snap over. Doing double-duty DEAD PERRY directed and shot the video as well (link below).
Watch official video for “Writing On The Wall”: https://youtu.be/zoIifLRqQMQ
“Writing On The Wall” also appears on the newly released Acoustic Shadows LP out now in all physical formats (LP/CD/CS) and digital via Below System Records.
Stream Acoustic Shadows / Purchase physicals: https://bsr.ffm.to/acousticshadows
A dense album meshing PERRY’s ability to scour endless vinyl crates to pull and bend shards of sound to his well and an array of the best lyricists out of North America today. In addition to Izrell and J-Spliff collaborators include Casual, Daniel Son, Estee Nack, Al Divino, Raz Fresco, Ill Bill, Goretex, Hus Kingpin, Crimeapple, Planet Asia, Da Flyy Hooligan, P-Dirt, and cuts from DJ Eclipse.
Videos for other singles “Welcome To Hell” (featuring P-Dirt, Ill Bill and DJ Eclipse) and “83 Canadian Hollow Tips” (featuring Daniel Son, Raz Fresco and P-Dirt) are also out now (links below). These tracks have been heating up underground radio shows and Boom Bap playlists globally over the past few months.
Watch official video for “Welcome To Hell”: https://youtu.be/l-Nx2cjwMss
Watch official video for “83 Canadian Hollow Tips”: https://youtu.be/4eG7tPt_dSE
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We Speak Electronic
Reece Rosé Bottles the Feeling on “Misbehaving”
Reece Rosé is not trying to reinvent the wheel. He is here to remind you why it worked in the first place. With “Misbehaving”, the rising electronic artist taps into something instantly familiar, then flips it into a feel-good house cut that lands right where nostalgia meets the dancefloor.
Teaming up with Capri Everitt, Reece Rosé leans into warm textures and groove-driven production that echo the roots of early ’90s house and UK garage. The result is effortless but intentional. Smooth chords, playful rhythms, and just enough bounce to keep things moving without overcomplicating the mood.
“Misbehaving” plays like a memory you did not realize you still had. Late nights, no responsibilities, music loud enough to blur everything else. It pulls from that space where time felt slower but nights somehow lasted longer. “It’s a reminder of those carefree high school days, when life felt simple, the nights felt endless, and the only thing that mattered was the music and the memories we were making,” Rosé explains. And that feeling runs through every second of the track.
What makes it click is that it never gets stuck in the past. The influences are clear, but the execution stays sharp and current. This is not revival for the sake of it. It is a continuation. Rosé understands the DNA of dance music and builds on it, keeping the energy light, summery, and forward-facing.
That balance is quickly becoming his signature. With international airplay on Kiss FM UK and Insomniac Radio, plus support from names like AC Slater, Zeds Dead, Boombox Cartel, DJ Q, REH4B, and DJ Craze, his momentum is building in all the right places. On Beatport, his releases are already making noise, proving that his sound connects both in clubs and beyond.
“Misbehaving” does not try too hard. It does not need to. It is light, nostalgic, and built to move. The kind of track that makes you look back for a second, then pulls you straight into the moment.
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