We Speak Music
Doppelhandel Shares Hypnotic Retro Heartbreaker ‘So Many Times’

Love hurts—so why do we keep falling for it? “So Many Times” wrestles with that very question, wrapping heartbreak in pulsating synths and an irresistible hook that lingers long after the song ends. Doppelhandel dives deep into the turmoil of love and loss, where building emotional walls seems like the only way to survive.
This track oozes that signature new wave melancholy, with echoes of Depeche Mode’s cold, haunting atmospheres and New Order’s percussive drive. But just when you think it’s all doom and gloom, the hypnotic beat pulls you in, making heartbreak feel oddly addictive.
The chorus is pure magic—an industrial-tinged, synth-laden moment that instantly grabs you. It even brings to mind the darkly enchanting world of Thomas Azier, which makes it all the more intoxicating. You can almost picture yourself wandering through a neon-lit, cinematic dreamscape, where nostalgia and modernity collide in perfect harmony.
Doppelhandel has a way of making introspection feel like a night out. “So Many Times” is proof that pain can be danceable, and that sometimes, the best way to process love’s endless contradictions is to lose yourself in the music.
We Speak Music
Christiana Igbokwe’s “Ku Saura”: A Soulful Fusion of Legacy and Innovation

Christiana Igbokwe is already creating waves in the music world with her new single, “Ku Saura.” The song, which translates to “Listen to Me,” is a heartfelt cry for peace, unity, and understanding in a world desperately in need of healing. Drawing on the rich musical legacy of her grandmother, the late Christy Essien-Igbokwe, Christiana pays homage to the iconic “Lady of Songs” by modernizing one of her most beloved tracks, “Ku Saura Re Ni.” The result is a captivating mix of timeless African sounds and contemporary influences that will resonate with audiences of all ages.
The track is a masterful blend of musical styles, and Christiana’s youthful voice shines through with an intensity that matches the song’s powerful message. The inclusion of Ali Jita, a stalwart of Arewa music, brings an extra layer of depth to the composition, infusing it with the unmistakable rhythm and soul of northern Nigeria. Christiana’s seamless integration of traditional instruments like the Goje, an African string instrument made from natural materials, gives the song a rich spiritual resonance that ties it back to her cultural roots. This thoughtful collaboration showcases Christiana’s maturity as an artist, even at such a young age.
“Ku Saura” arrives at a poignant time, as it coincides with the Holy Month, making its message of unity even more meaningful. Christiana has shared that the song encourages people to set aside their differences and come together as one, a sentiment that aligns perfectly with the spirit of this sacred period. Her words are a powerful reminder of the importance of compassion and forgiveness, especially when the world feels divided.
Despite her youth, Christiana is already a voice for change. She recently received The Diana Award for her humanitarian efforts, particularly in education, gender equality, and anti-bullying. Through her music, Christiana is not just entertaining; she’s using her platform to speak up for social justice and inspire others to do the same. “Ku Saura” is a reflection of her growing influence, merging the past with the present in a way that feels both personal and global.
As Christiana gears up for the release of her debut albums—“Happy Days,” a children’s album, and “Rebirth,” a fusion of Afro-funk and Afro-pop—there’s no doubt that she’s a rising star in the African music scene. “Ku Saura” is a shining example of her potential, blending rich heritage with a modern twist, and it sets the stage for what is sure to be an extraordinary career in music activism.
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