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Emerging Artist Mood Supachild Debuts Infectious New Single “Hate on You”

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Born Anthony Musoni in Bordeaux, France, Mood Supachild is a musician, singer, author and composer of Rwandan origin. A member of the WorldWide Kids collective, he created the Paper Heals Music label with this same team in 2015. He stands out for his unique voice and original sound, which can be described as organic hip-hop soul music. From a young age, he learned the songs of Outkast, Musiq, Lil Wayne, Kendrick, Dwele, Lauryn Hill, Jay Z and unleashed his own flow. 

His brand-new single, “Hate on You”, is out now and looks set to see Mood Supachild continue his rise and break new ground. Here he sings about love and separation of broken communication, of dependence and admiration. We are often looking for an effective phrase to leave our partner, and Mood Supachild has made a chorus of it: “You make me feel like, it’s not better if I hate on you, can I be done done, can I be done done over that s***?” Between trap, rap, and R&B, Mood Supachild reveals the extent of his talent with this moving single. 

During the accompanying music video, we see a simple and polished production where he stages his team – all produced by Nanfray Lefrais, Valentin Campagnie and Arnaud Monseigne. It is authentic, without embellishment, and a great introduction to the very stylish universe of the young Franco-Rwandan singer. “Hate on You” is out now on all platforms: https://moodsupachild.lnk.to/hateonyou.

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Marz Starlife Makes A Striking First Impression With Healing

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Every once in a while, a debut comes along that doesn’t just introduce an artist – it reveals a soul. Marz Starlife’s first EP, Healing, is exactly that. It’s raw, it’s heartfelt, and it doesn’t pretend to have everything figured out. Instead, it leans into the messiness of real life – the mistakes, the heartbreak, the isolation – and tries to make sense of it all through music. Born in Jamaica, raised in the UK, and now back on the island, Marz brings a cross-cultural perspective to his storytelling, but at the heart of Healing is something deeply human: the need to reckon with the past in order to move forward.

Across the project’s standout tracks, Marz doesn’t hold back. In Bad Memories, he opens up about years lost to incarceration, fractured relationships, and the weight of regret. “Spent four birthdays locked up, baby remember me please,” he raps, in a tone that’s both matter-of-fact and aching. The production stays subdued and moody, letting the lyrics breathe. There’s no glorification of the streets here, only reflection. He admits to being young and caught up in the chase for fast money, but he also shows growth, making it clear that he’s not the same person he once was. It’s a track that lingers, not because it tries to be flashy, but because it feels real.

The title track, Healing, is where everything clicks. Marz taps into something almost spiritual as he raps, “I turn pain into power, darkness to light.” The song is layered with poetic lines and subtle emotional shifts, balancing toughness with tenderness. There’s a determination to rise above, even when the scars still sting. He reflects on his upbringing, his time in the streets, and the inner battles he continues to fight. “No shrink can understand how I’m feeling,” he says, and honestly, it’s hard not to believe him. The pain here is too specific, too lived-in. But instead of letting it swallow him, he uses it to fuel something greater.

What’s refreshing about Healing is that it doesn’t try to fit neatly into any one genre or narrative. Marz blends elements of UK hip-hop, Jamaican rhythm, and emotional rap into something that feels uniquely his own. He’s not here to be the loudest or the flashiest; he’s here to be honest. And in a world full of over-produced, over-polished music, that honesty stands out.

With Healing, Marz Starlife has given us more than a debut; he’s given us a mirror into his journey, and maybe even our own. Whether you’ve lived through similar struggles or are just someone who appreciates music with depth and heart, this EP is worth your time. It’s a reminder that healing isn’t linear, but it’s possible, and that sometimes telling your story is the most powerful thing you can do.

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